https://archives.uwp.edu/files/original/f9e66f5214df08098d45887ba105dd3f.pdf 22aff6c73aa94c86260f686cbab723a9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University of Wisconsin - Parkside Ranger News Description An account of the resource Student newspaper of UW-Parkside Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Issue Volume 5, issue 2 Headline Used for newspapers, the Headline element describes the main article of the issue. Dearborn Assumes New Position Series Number The series number of the original collection. UWPAC124 Ranger News Text Any textual data included in the document "Journalism is Literature in a Hurry" — Matthew Arnold University of Wisconsin - Parkside Volume 5 Number 2 September 13,1971 Dearborn Assumes New Position Allen B. Dearborn was named Assistant Chancellor for Student Services at the University of Wisconsin-Parkside in a change of status action approved Friday by the UW Board^ of Regents. Dearborn has served as Dean of Students since UW-Parkside obtained its first students by assuming administrative control of the former two-year UW Centers in Kenosha and Racine in July, 1968. The following year UW-P opened its new campus between the two cities. As an Assistant Cahncellor, Dearborn will Allen B. Dearborn, the newly appointed Assistant Chancellor for Student Services at Parkside. Dearborn also will continue in his present position of Dean of Students. assume new and expanded responsibilities in the area of student services. The directors of Admissions, Auxiliary Enterprises, Financial Aids, School and Campus Relations, as well es the Registrar, will report directly to him. Dearborn will continue to assume the responsibilities of the Dean of Students position. As UW-P's first Dean of Students, Dearborn successfully directed development of a student affairs program for what has been the state's fastest growing campus each of its first three years. Despite a start-up situation where physical facilities do not keep pace with growing enrollment, UW-Parkside has fashioned a program of student activities which is attracting increasing attention from more mature campuses. Dearborn's experience spans both private and public higher education, secondary education, and private industry. Before coming to UWParkside, he earned a reputation as an imaginative and energetic administrator at the UW Center System's Waukesha County Campus, where he was Assistant Dean and Director of Student Affairs from 1966 to 1968. Before that he served for a year as Dean of S tudent Affairs at Milton College, where he had received his undergraduate degree in 1949. Dearborn left private industry in 1961 to become Director of Student Activities for the West Bend public schools. During 1963-64 he was Guidance Director and taught at Random Lake high school, then joined the UW Extension Division at Madison as a counselor for one year before accepting the Milton post. Dearborn was born in Janesville, and attended high school in Wisconsin Dells. He earned his Master's degree in Counseling from the University of Wisconsin, where he is a doctoral candidate in Higher Education Administration. He is married to the former Edna Loofboro, of Reedsburg, and is the father of tw o sons, Daniel, 23, a senior at UW-P currently on active duty with the Army Reserve, and David, 17. The Dearborns reside in Racine. — Newscope In terview Sonny & Cher page ^ < X o o It) >- ir tr tu Parkside Village Nears Completion by Larry Jones of th e Newscope staff Parkside Village is nearing completion ... at last. All students who have already signed leases to live in the new student apartment complex, located just south of Tallent Hall on the east side of Wood Road, will be in their completed apartments by the end of September, according to Mrs. Sharyn Ribecky, the owners representative in charge of rentals. As of now, Global Business and Residential Centers, Inc., owner of the complex, is providing free housing for more than 24 students at the Holiday Inn, and for ten students in partially completed units at the site. These include students from California, Illinois, and all areas of Wisconsin. In addition, Mrs. Ribecky said that many students are continuing to commute until their places are ready. The Village, which will contain 66 units for single students and 22 for married students and faculty (each capable of housing at least four people), was supposed to be ready for occupancy by September 1st. However, the project has been plagued from its outset by numerous setbacks. According to Ribecky, Global began negotiations for the purchase of the land early in the year, with May 1st as the target date for the start of con- (Continued on Page 8) by John Koloen Managing Editor After a hundred years of q uantitative values, of measuring by number, of turning schools into assembly lines, the old agrarian values of i ndividual worth and independence are returning to the American scene. Typified by sensitivity groups and other personal encounter experiences it is becoming more and more aparent that the virtue of conformity and regimentation may not be Art the best way to acculturate children into the society. One chink in this wall of conformity called education is the Creative Art Workshop in Kenosha. Set up and operated by Mrs. Suellyn Scoon and Mrs. Elizabeth Diamon, they teach art with an eye on the overall personality development of the child. It is one of the goals of the American education system, but one that is met only coincidentally. There are simply too many students, spending too little time, with too few teachers to really be affected in a positive way by art education. As opposed to the inadequacies of the school system, the workshop depends on a close relationship with the child in order to insure each one the optimum attention while focusing on developing each child's individual creative potential for self-expression.. "The way the public school systems are handling art, the child's innate creativity, which every child has no matter what the circumstances ... the essence of that creativity is fairly well destroyed by the time he gets into the third grade, because, in the public schools conformity is stressed — you must do exactly as the other thirty kids in the class, otherwise, it's no good." Mrs. Diamon said. The workshop, which began during the summer with four classes of fifteen children between the ages of five and fifteen, grew out of the women's mutual interest in art and art education. Both are art students at Parkside, each has taught art in the past, and spurred on by the development of Harbor West, they felt that there was a need for an alternative to what they regard as programs destructive to children. They blamed the problems of the public schools on economics and the sheer volume of children that attend classes. There is a shortage of materials and one teacher assigned to all the grades in two elementary schools, making any real personal attention remote at best. "I talked with some of the teachers," Mrs. Scoon said, "and they said that they never learn any of the children's names." The fundamental philosophical difference between the workshop and the schools is basic, and therefore difficult to change. "You could do the same thing with the basic tenents of the art education program as it is now if you change your life style and your thinking style to the point where it is the child who is important rather than the product he's going to turn out at the end of a given period of time," Mrs. Diamon explained. In practice the workshop offers the child more freedom of expression and a greater variety of media to work with. But the freedom they give the child is not the chaos you might expect. "In a structured class the teacher tells the children that there is a right way and a wrong way," Mrs. Diamon noted. "We tell them 'there's your way, but be ready to defend it and- tell us why.' They are especially attracted by the idea that a tree does'not necessarily have to look like a tree, it can be the idea of a tree or the way they feel when they see it." The summer classes were held outdoors at Marytown on Kenosha's southwest side with more than one purpose in mind. Both women were interested more in increasing the child's powers of observation and understanding then in developing artists. "One of our goals is to get the children to critique themselves. They have to relate verbally to what they do, to be able to defend what they do," Mrs. Scoon explained. "In the public school I think they're told that this is what you do; in our school we sit around and talk about what they do." The classes were divided into two parts; four weeks were devoted to work with two dimensional media, drawing and painting, and four weeks were spent on three dimensional work such as scuplture. "We had five year olds doing stone and metal sculpture, media they've never used before, and this in itself excited them," she said. "That's one of the fallacies of the public ^school program," Mrs. Diamon observed. "Children do not have to be a specified age to do a specific project. Obviously a five year old's motor control is not going to be as great as a fifteen year old's, but he is less conditioned as to what he should and should not do than the fifteen year old, so he may be tremendously more expressive in what he does." (Continued on Page 8) Workshop Promotes C reativity Page 2 NEWSCOPE September 13,1971 Patronize Our Advertizers Pregnant? Need Help? We will help any woman regardless of race, religion, age or financial st atus. We do not moralize, but merely help women obtain qualified Doctors for abortions, if this is what they desire. Please do not delay, an early abortion is mor e simple and less costly, and can be performed on an out patient ba sis. 3*12 922-0777 Problem Pregnancy Assistance of Chicago 1 8 AM-10 PM—7 DAYS A NON-PROFIT ORGANIZATION E3 Get Ac qu ai nt ed Offe r FREE LUBE With Oil & Filter Change PARKSIDE SHELL W A SHI NGT ON R O AD & 3 0 TH A V E. 6 5 4 - 9 9 6 8 ON THE JOB — On hand for the beginning of classes this week were The University of Wisconsin-Parkside's two new top administrators, Vice-Chancellor Otto F. Bauer (center) and Dean of the College of Science and Society Eugene L. Norwood (right), shown discussing UW-P's academic plan with Chancellor Irvin G. Wyllie. Bauer came to Parkside from Bowling Green (Ohio) State University where he was Assistant Vice President of Student Affairs. Norwood was Acting Dean of UW-Milwaukee's Graduate School. Bus Schedule Posted THOUSANDS OF FLARES *21*3 SIXTH STREET RACINE - r ^w Intercity Bus Schedule 1971-72 7:25 a.m. - Leaves Racine • Arrives Kenosha 7:55 a.m. 7:30 a.m. - Leaves Kenosha • Arrives Racine 7:55 a.m. • Bus will make a stop at the Tallent Hall Parking Lot 8:00 a.m. - Bus Leaves Racine Arrives Tallent - 8:30 a.m. 8:22 a.m. to Greenquist 8:25 a.m. to Tallent 8:30 a.m. to Kenosha 8:00 a.m. - Bus Leaves Kenosha Arrives Tallent - 8 :15 a.h. 8:20 a.m. to Greenquist 8:25 a.m. to Tallent PIZZAf Custom made for you ALSO CHICKEN DINNERS AND ITALIAN SAUSAGE BCMBERS FREE DELIVERY 4:00 p.m.—12::00 a.m. 5021 - 30th Avenue Kenosha 657-5191 Open 6 days a week from 4 p.m., closed Mondays PEPSI-COLA X * == KE NOS HA - R A C I N E Save for the Future WEST FEDERAL SAVINGS Phone 658-2573 58th St. at 6th Ave. MAIN OFFICE: CAPITOL COURT, MILWAUKEE LETTER TO THE EDITOR To the Editor: Please permit me to expres mv deepest thanks to the PARKSIDE FAMILY, the Chancellor, Administration Faculty, Staff, Nurse, and Students for their kindness and help to me through heart surgery. To the Blood Donors those who wrote letters and cards, called, sent flowers and telegrams, to those who so kindly helped me before and after surgery, I express my sincerest thanks. With the help and prayers of all, I feel that I was able to come through. Thank you very much. Prof. M. deC. Nachlas, Ph.D. Shirer Named New Director Of Public Information Walter Shirer was named Director of Public Information and Publication at the University of WisconsinParkside in a change of status action approved Friday by the UW Board of Regents. Shirer replaces Bruce Weston, who has accepted a position as Associate Director of Development at Stephens College, Columbia, Mo. Shirer, 33, has been a specialist in the UW-P public information and publications office since the new university opened in 1968. He has been with the University six years, having joined the UW Center System in 1965 as public information coordinator at the former twoyear Kenosha Center and journalism instructor at both the Kenosha and Racine Centers. After taking his undergraduate degree in journalism at UW-Madison, SHirer worked three years on the Waukesha Daily Freeman. He left an editorship on the Daily Freeman to take graduate work in journalism and public relations at the Madison campus before joining the Center System in 1965. At Madison, he worked in editorial capacities for UW News Service and University Extension. Shirer is a native of Middletown, Ohio, attended high school in Green Bay, and served three years military service in army intelligence. He is single and resides in Kenosha. 8:30 a.m. to Racine The above schedule is repeated every hour on the hour through 10:10 p.m.; the last bus departing for Racine and Kenosha at 10:10 p.m. Monday through Thursday. On Friday, the last bus departs for Racine and Kenosha at 5:30 p.m. During the hours 7:30 a.m. to 10:30 p.m. there will be continuous shuttle bus service between the east Parking Lot and Greenquist with a stop at the Tallent Hall Bus Shelter. • This bus schedule is effective Sept. 7, 1971. CAMPUS EVENTS Tuesday, Sept. 14 Film - Parkside Film Society presents Charlie Chaplain in "The Gold Rush". Also Laurel and Hardy and Harold Lloyd shorts. 8 p.m. in 103 Greenquist. Adm. 50c. Friday, Sept. 17 Dance- Alpha Kappa Lambda Fraternity sponsors a dance at Activities Building, . 9-1 a.m. Adm. charge. Parkside and Wisconsin ID required. NEWSCOPE proudly announces the appointment of Jerry Socha to the position of p hotography editor. Mr. Socha has previous experience on The Committee where he held a similar position. At this point his work consists mainly of photos taken with a Brownie Number Four, a Polaroid Swinger, or those slick four-for-a-dollar photo machines. Newscope looks forward to a long and rewarding association with Jerry. Newscope Editorial Staff Editor-in-Chief Warren Nedry Managing Editor JohnKoloen Feature Editor Paul Lomartire Fine Arts Editor Bill Sorensen Copy Editor Larry Jones Photo Editor Jerry Socha Business Manager John Beck Writing Staff Bob Borchardt, James Casper, Marc Eisen, Jim Koloen, Ken Konkol Contributing Staff Mike Stevesand, Mike Starr Photography Darren Borger, Ricky Pazera Production Staff Becky Ecklund, Denise Anastasia, Roberta Williams Business Staff Connie Ktnsella, Dave Kraus, Barb Scott Phones Editorial 553-2496 Business 553-2498 Newscope is an independent student newspaper composed by students of the University of Wisconsin-Parkside .published weekly except during vacation periods. Student obtained advertising funds are the sole source of revenue for the operation of Newscope. 5,000 copies are printed and mailed free to the students of the University and 1,000 additional free copies are distributed throughout the Kenosha and Racine communities. Free copies are available upon request. It's the®- real thing Coke. Trade mark® September 13,1971 NEWSCOPE Page 3 Sonny and Cher Bono have their own television show. In the entertainment field, this achievement reflects years of building and performing. Newscope traveled to the Lake Geneva Playboy Club to talk with Sonny and Cher about their careers, experiences, and opinions. On the second night of their two week appearance, Warren Nedry, Jim Madura and Paul Lomartire interviewed the couple. Here is that interview. NS: Your concert approach to your songs and the material you wrote about was youth oriented, and you had this philosophy that came out in your movie, "Chastity". I am interested in the transition to your appeal to audiences. How you changed audiences. Sonny: It gets a little political, and the point of that was that at a certain time I saw what I thought was a splitting of two societies, a youth society and an older one. The transition acted as a preventative, let's put it that way, that's the reason. We try to bridge whatever was there, that's so we didn't run to a segregated audience by age. NS: Do you think now, with your present approach that you are reaching the youth or ignoring or neglecting them? Sonny: I don't know, after awhile you get as political as you can. Now everyone is very, very political, We probably have gotten a little quieter but it's a matter of not getting SQ bo istrous, because everyone now has become boistrous, and you're just one of millions. Whereas back in '65 nobody was saying anything. I think that Dylan said it all, and at this point we're redundant. Now it's action instead of saying it anymore. NS: Take Dylan for instance. He was that way in '65, and then he sort of leaned the other way, and now he's beginning to go back to his old style with public appearances and his style. Sonny: You get so rejected by the establishment and the public in general, that you just get gired, say 'Christ I'm not getting through, I've said it, I've said I've said it' and that's all you can do is say I've said it. Then you feel that it's time to do what I'm gonna do. I went to the Chicago Convention in '68, and there was a thing in there that said 'we will institute a youth commission between the ages of 18 and 26,' and that's mine. You do it, and you do it, and you do it, and finally just say it's time to cool it. NS: Are you and Cher in any way involved in any promotions against drugs. A few years ago, underground stations carried anti-drug ads with excerpts by yourself. Sonny: No, no, if I could give anyone advice, I'd say pass on drugs, not on a moral standpoint, but from an existing standpoint. If you use drugs alot, like I did, I think it got to become a crutch for me, and I think it will for other people. It puts a soft lens on everything, and that's the danger you have to watch out for with drugs. If young kids, 14, get onto drugs it gets to be a real something to lean on. NS: Does that include grass? Sonny: Yea, again, if people can handle anything, then God bless them, if they can handle it. But young kids at 14 can't handle the world right now so when they go to grass at 14 or 13 what I say to them is watch what you're doin', you're putting a soft lens on what's out there, and that tends to make everything out there a little more pleasant. The world is real, that's all I'm tryin' to say. It's real and cold and businesslike, money, and its' everything that everybody doesn't want it to be but that's what it is. NS: Before you made it did you try to escape it? Sonny: At one point I did, when I was usin' drugs heavy.NS: About the movie again, I saw you on one of the talk shows right before you got it organized — and you said you were having some trouble getting anyong to promote it. Sonny: Everybody. NS: Yeah, after the movie came out there was almost no Sonny and Cher heard of for a year or two. Sonny: Almost wiped out our career. NS: Yeah . . . what effect say did that treatment have on your outlook on what you wanted to do and how you wanted to do it? Sonny: It made me aware that the world is very real, very very real, and deal with it on real terms. Don't try to deal with it on any other terms than the fact that it's real and somebody else is going to come along and other things are going to happen and that one person in this world is just not that important, or two people and if you know that you'll come back. NS: So what did you do personally to reorient yourself? Sonny: I changed my whole philosophy from sometimes negative attitude to a positive, I mean if I saw something that exists and it was ugly, well then I know something ugly is there and what can you make good out of something ugly, and you can. If you see poverty, if you see something you can do something good about it if you want to. So you just put a positive on everything, which I wasn't doing before. NS: Were you disappointed with your first movie? Sonny: No, I was disappointed in that it wasn't what I wanted it to be. that Interview was an interesting thing because after we made all our bread I took our bread and we were broke again, and made a movie and then it was all in tin cans of film and we were broke, and she was pregnant and if you don't sell the movie you're finished your career was through so I got pretty scared, but I sold it. So again, you said did the establishment help you, yeah, they bought the movie, they saved my ass, otherwise we would have been down and out. I'm not disappointed because I did it, at least I did it, it's like you guys running your paper, you're doing it and it's not under the best of circumstances at all, but you're doing it and that's what people make it. If you can hang in there, that's all I can tell people to do. NS: Did you get any help from people who were already established? Sonny: No. . . well— wait, yes and no, you know. Record companies and establishments, so yea — th ey help you, but you got to prove yourself. Unless you're worth money you're not worth anything. So you have to make yourself valuable in some form. You have to make yourself worth some dollars. I mean if p eople knew that you were right and they would sell papers because you were right (Cher: No, it's one of my dirty diamonds.) then you'd be worth something. And that's the whole name of the "game. NS: Do you plan to do any more, say in the movie field, records, popular k i n d o f . . . . Sonny: I don't know, I don't know. NS: Maybe. Sonny: I don't know. NS: Your nightclub act and your show are quite similar; you developed your nightclub act first? Sonny: The first show was our nightclub act, from then on the writers took over but they used that as a format to write. NS: Do you try to capture the intimacy of a club act in your show? Sonny: No, we just perform. If you become a producer and a performer at that high of a level, at a certain point you've got to go with the people who are the creative end of the show and they just tell you what to do and you do it and then you keep your fingers.crossed and you either get the numbers or you don't. If you get the numbers you're on the air and if you don't you're off. It's that simple, it's cold if yo u want to call it that. It's a very cold, real world. NS: I guess that's the attitude that any outlook you have now you're going to base your future on, let's say. Sonny: I'm going to face it on the fact that is real, yeah, it's positively real. I've been exposed to too much not to know; I've been down, I've been on the bottom and stepped on and so far no one's invented a word to soften it up yet. NS: Does that mean that you won't try anything that hasn't been done before, say looking at things that are real and Sonny: We've tried everything, no, I think the show itself is a breakthrough, I mean we're the first long hairs to get a show, and comparatively speaking, the network thinks they're going crazy by letting us go through. It took seven years to get them to give us a shot and that was without going completely their way, without them saying, cut your hiar, blah-blah-blah-blah. This is on our terms, you know. That took seven years, the point is you gotta bend, but don't let them break you. NS: You said you're the first long hairs, you may be long hairs physically, but the appeal of yo ur show isn't to say to "longhairs". Sonny: That won't happen for five yours, before they'll put on a show on to longhairs, the network dictates that. You won't see that for five years. NS: Do they put any kind of limitations on you? Sonny: Oh sure, oh yeah, og God. There's a censor there that's there every second, watches everything we play, so every word you say can be censored, so you try to slip as many things by as you can. NS: Then you work around that rather than against it. Sonny: If you buck it head on they'll just slice it off, I mean if you go straight on with the guy he'll say no and there's no argument, that's the point, there's no argument. He'll say either do it or don't do it, you know, it happened to Tommy and Dicky, and they had a successful show, and there was no argument. NS: How can that kind of a tmosphere be conducive to anything creative then? Sonny: Well, you have to bend, I don't think you have to conform completely. If you don't bend I don't think you can expand yourself, you know. I don't know what you consider non conformity? NS: Probably pretty much not having to do what you don't want to do. Sonny: Well, I'm doing what I want to do, for a living — pr etty much on my terms. NS: Changing the subject, Cher, I was wondering after watching your nightclub act if you've telt any similarity to any of the stars from the generation before you, and has anyone ever compared you to any of t hose (Continued on Page 8) Two B ands F or The Price O f O ne(plus a ]A) Sept. 25th Page 4 NEWSCOPE September 13,1971 by Jim Koloen Titlg: Sexual Politics Author: Kate Millett Publisher: Doubleday & Company Inc. ($7.95) First off: The complex arguments presented in Sexual Politics, the hypotheses and propositions (perhaps a poor word) are best left for discussion in an atmosphere conducive to public drunkenness. Particularly the literary sections of her treatise does n ot lead us unto objectivity. As a review is not a bar I shall keep this all very simple and as objective as my male mind will allow me. Second off: Read Prisoner of Sex by Norman Mailer, too. Sexual Politics is a lengthy analysis of, what else, but sexual politics defined as an "ancient and universal scheme of the domination of one birth group by another — the scheme that prevails in the area of sek." Kate Millett's treatise involves psychology, history, anthropology and sociology, but it hinges on literature, especially the works of D. H. Lawrence, Henry Miller, Jean Genet and Norman Mailer. This book is not a lot of fun to read, it drags in many places, it is often redundant, in short it is slow reading, and because it is a serious essay it deserves no less than the reader's undivided attention. It took me over a week to crawl through Sexual Politics' 380+ pages, then again I'm not what you might call indivisible. The first sections of the book are devoted to an historical analysis of what we have come to call the Woman's Lib Movement. It covers the early suffragette days in the 1800's and winds up in the present. No one can deny that the history of women in political, legal and ecohomic areas was less than a form of servitude. Millett brings Engels, Freud, Mills, Bachofen, et al, in short, male sociologists, philosophers, psychologists into the spotlight. She condemns and praises them selectively; where they agree with her then by golly they're right, when it's not so, well . . . Anthropological conundrums are presented: Which came first, patriarchal or another form of societal structure? Who knows? If patriarchy is not the original structure, then it may just be a stage in societal development, possibly matriarchy is next in line. Yeah, maybe. In her historical-psychological-anthropological analysis, we are left with no real answers. We do gain many valuable insignts (few of which we can remember) into the complex problems and questions of sexual politics, but no answers. Like I say, we get a lot of something, but something do also drag. Now, dum de dum dum (arpettio, please) Lawrence, Mailer, Miller, Genet. A different viewpoint; wipe the slate clean, burn the other literary essays, let us now learn the real reasons the four novelists portray women as they do. And she does it, too. They are the four of them BOOK sexual cripples; Mailer perverted to an unimaginable extreme, unimaginable until I read what Katie has to say about the old boy. She succeeds but there's a trick, selectivity. One can take selected passages from any writer, put them in a single essay and make them into anything your first premise calls for. Don't prove a thing. I'm not saying that Miller and Mailer don't in many ways degrade the female, what I am saying is that they're not necessarily fanatics, what I am saying is that everything a novelist writes is not necessarily true, does not necessarily reflect themselves. Miller and Mailer have their extremes because they're writing is of an explosive, living in the moment genre. They don't pull punches (a Mailerism), they're writers, they're conscious of their art. When Mailer wrote Stephen Rojack's story in The American Dream he wasn't writing stream of consciousness about himself, he was thinking about what he was writing. Kate won't accept that, Rojack is Mailer. I wonder if Rojack writes as well as Normy. The problem is that she talks more about the authors than she does of their works. What does that lead us into? It leads us into nothing. By condemning this century's or any century's most explosive literature simply because of its grounding in sexual politics, Kate's ideal alternative would seem to be an insipid novel, a sexless politics. Let the battle begin. I recommend this book for two reasons: It does give us many insights into the problem of sexual politics, also it is a valie treatise in the literature of the Woman's Lib Movement. I must, however, warn you not to take her analysis of the four novelists too seriously, balance it out by reading their works for yourself. I aslo suppose it depends upon which side of the vence you're on. SEXUAL POLITICS Courtesy of The Book Mart. John Denver Tickets On Sale CHOOSE THE FINEST...CHOOSE AN AMPEX new Ampex Micro 14 Extraordinary performance! Nearly twice the power of most other portables. Records from unique "floating" microphone or line input. Plays all prerecorded cassettes. Big-tone 2-way speaker. Record level/battery condition meter. Tone control. Fast, easy cassette loading ... pushbutton function controls. Recharges Ni-Cad batteries when operating on AC house current. 57995 includes remote-control mike, earphone, C-60 cassette and case PLUS FREE Imagine! Six advanced new Ampex high frequency onehour cassette tapes-yours free when you buy a Micro 14, 24 or 32. Sound is clearer, crisper, more full-bodied! There's less distortion, tape noise and head you save wear. Don't miss this never- . m mm«« before offer! $1500 , ™ , , LIMITED TIME regular retail valu e ONLY! Tickets are now on sale for the Kenosha concert by John Denver, popular stage and recording artist, the University of Wisconsin-Parkside student activities office announced. Denver's concert will be held in Kenosha Tremper high school auditorium Oct. 2 at 8 p .m., sponsored by UW-P. All tickets are $3.50, are reserved, and will be sold on a first come - first serve basis. Tickets are available at the UW-P student activities office in Tallent Hall on the Wood Road campus, at Bidinger's House of Music in Kenosha and at Cook-Gere Records in Racine. Denver currently has the number one selling song in the country, "Take Me Home, Country Roads", which has sold over one million copies. His current popularity also stems from his latest album, "Poems, Prayers and Promises", which is among the top selling albums and includes his hit single. Denver has been a popular and regular guest on Merv Griffin and Johnny Carson television shows recently, as well as being featured on an NBC network musical special. Although Denver has only recently emerged as a name performer in his own right, he has enjoyed considerable success as a singer, guitarist and composer for a number of years. He originally tried his luck in show business while a college student at Texas Tech, but he got his big break on a trip to Los Angeles. There he auditioned for and was hired on the spot by folk music impresario Randy Sparks, creator of The New Christy Minstrels. He worked for Sparks for over a year. In 1965 Denver was selected from over 250 a pplicants to fill the spot of Chad Mitchell of the then extremely popular Chad Mitchell Trio. He led that group for nearly four years before making the decision to strike out on his own as a solo performer in 1969. He was immediately signed by RCA records and has cut four albums since then. Denver is a musician of unusual versatility. He has written hit songs for many other performers and groups, including his most famous, "Leaving On a Jet Plane", for Peter, Paul and Mary. As a folk and 12- string guitarist, Denver is considered to be one of the best on today's scene. Of his work as a performer, Denver has said, "1 don't want to entertain people, I want to touch them." His concerts reflect that philosophy. He uses the first portion of the show to get acquainted with the audience and the second part — "somewhat heavier" — to make what he calls "definite statements". He claims he will not perform a song — his own or that of anyone else — merely because it has a pleasant melody or has become popular. "A gong must have meaning to me as an individual before I can hope to give it meaning to others," he says. Denver's appearance is the first popular concert of the 1971-72 schoo l year sponsored by the UW-P student activities office. Others will be announced later in the year. Coming Soon! Newscope Joerndt & Ve ntura? I M I * * ' ' l I A H C t . C I N T I I K E N O jfflA, W I S C O N SIN 618 - 55th STR E ET R H O N E 454-355? CAN TELL BY YOUR OUT FIT.. .. LONESOME COWBOYS Viva Taylor Mead Eric Emerson Tom Hompertz Joe D'Alessandro Julian Burroughs Louis Waldron Direction, Script and Photography by Andy Warhol FLESH Joe D'Alessandro Insane, Obscene, Disgusting, Genius, Revolutionary, Revolting, Addicted to addiction. Mr. Warhol you are al of these things. These titles are given, too, as easily to New York City, Mr. Warhol, and you do each other justice. You are a city dweller in every sense and the city dwells in you. In your compartmented world you have turned in upon yourself, feeling and fondling as you go inward toward center. Soon to find what those of us who have room to breathe seldom find, the thin line between need and want. In this, Mr. Warhol, I am only a stranger looking in. My agrarian eyes fell upon two cases of improvisational Warhol. The first film was an outrageous spoof on wild west film treatments that provoked the famed Variety to go so far as to call it Warhol's best. It would seem that each of the actors were given a general story line about an Arizona town where Viva and her male nurse are 'hold up'. Four lonesome homosexual brothers come into town and meet the two; this is where the mostly nonsensical plot begins to develop. The spoof is replete with advertising which sums up Warhol's approach . . . "Now comes Lonesome Cowboys. In the great tradition of the American Western, filmed entirely on location in Arizona with an all-star cast, inspired by the immortal legend of Romeo and Juliet, only the camera of Andy Warhol could bring to the screen the true story of what it was like to live the life of a cowboy in the Old West. A story of man among men and the woman who tried to interfere." The real comedy of the film lies in the city-wise approach of the actors in this totally Western place. In one scene Eric Emerson shows Joe D'Alessandro ballet technique and directs him in grooming habits while they both lean up against a hitching post, horses gnawing on their bits and all. This film was certainly meant to be comical and I doubt much more could have been done with t. i It seemed that everyone was too stoned to really make it into an epic. The second film struck the friends I saw it with as asmost documentary in nature, I tended to agree, while the first contained spontaneous conflict Flesh had little or none. The photography wasn't as spotty and portrayed a greater feel of setting mood. Warhol's camera follows D'Alessandro through his daily encounters on the street relying heavily on the actor's face as narrative. The vanishing point is well outside of the film as the camera is held steady without any of the action matching movements that were a constant throughout Cowboys . . . resulting in a participant kind of psychological vanishing point. In both films Warhol employs film cutting to heighten action and break up time lags. He leaves a two or three frame runner hole that provokes a stickman like jauntiness, after awhile it becomes very tiresome. Joe D'Alessandro is introduced as Warhol's superstar. He hustles his body to other men to support his wife and child. Each of the business transactions are presented as commonplace but audience reaction in this area would almost make one think that this activity never took place. The sound of laughter presided over parts of the film that were meant to be interpreted as real. Sitting through two Warhol films in one night is about as much as an yone can take. They break barriers that were new frontier a couple of years ago when they were made, but now that they have aged a little and the audience has been hardened (or softened) by less creative endeavors at The Stewardesses and I am Curious Yellow we are given a second look at the motivation involved in turning out these expositions. We wonder for a moment if the child-like acting in Cowboys was representative of raw creation or raw frustration, film seeming more like a primal scream than a media for expression. I do not wish to stifle with criticism something that I am not really qualified to judge for I am not New York or Warhol. . . only a stranger looking in. William Sorensen Mailed To All Students FREE Snecial For Students $1.00 OFF Large Pizza 4 £e/UMrt(f the fyine&t Piffl* & Oicdicuv Qoodl 2129 BIRCH RD. KENOSHA 658-3131 LIQUOR STORE, BAR, DINING ROOM _ • ' THE RANCH NORTH 3311 SHERIDAN ROAD SOUTH 7500 SHERIDAN ROAD SEAFOOD SPECIALTIES RANCH'S FISH DINNER $1.45 FRIED JUMBO SHRIMP DINNER $1.75 SEAFOOD PLATTER FRESH LAKE PERCH Golden Fried Shrimp and Fish Golden fried Lake Perch • served with Onion Rings, served with French Fries Cottage Cheese Sauce cole .lawand bread and Bread $1.85 $1.75 HAVE A GOOD TIME WITH APPLE AND TR Small Pizza NOON SPECIAL Mon_pri 11:30-1:30 ALL YOU CAN EAT 99* First beer 10* with parkside |.D. PIZZA HUT North on 30* Avenue in Renosha UNIVERSITY BOOK STORE Hours for All Campuses MONDAY thru THURSDAY 8:00AM-4:30PM 6:30PM-8:00PM FRIDAY 8:00AM-4:30PM PageS NEWSCOPE September 13,1971 We Made A Name F or O urselves" C laims Soccer C oach Despite the myriad troubles surrounding the recent Pan American Games, UWParkside assistant soccer coach John Bocwinski credited the host country with putting on a good show. 12 can be equal to most and can play with them." The U.S. played a completely defensive game against Argentina, Bocwinski said, and the Argentines completely outplayed the Yanks the first time they met, winning 3-0. But the second time around the Americans were ready for the kind of soccer Argentina was playing and held the South Americans to a scoreless first half. That tie held up until the Argentines scored with ten minutes left in the game. Bocwinski said the Americans had no problems with the Cubans, although reports from Columbia indicated numerous CubanAmerican troubles involving other sports. "We played a hard, clean game against the Cubans," Bocwinski remembered, "and we made friends with many of the Cuban players. "They asked us about the United States, but every time we'd ask questions about how things were in Cuba they'd change the subject." Bocwinski said the crowds ranged from the appreciative to the hostile, with the fans booing the United States in its first game with Argentina, but ne noted philosophically that the crowds had even booed their own countrymen. In the second U.S.-Argentina encounter, however, the fans cheered the Americans, because a win by them would have given Columbia the gold medal. Before the game with Haiti, Bocwinski remembered with a chuckle, the U.S. coach bought eight soccer balls which the U.S. players then kicked into the stands for the fans, who were then "pacified" and cheered lustily for the U.S. Bocwinski is still looking forward to one more game, and it'll easily be the biggest one for the young American team. The Yanks will face El Salvador, whom they defeated 1-1 in an earlier game in Miami, to decide the last Western Hemisphere team that will go to the Olympic Games in Munich next summer. "We've got to give Columbia a lot of credit," Bocwinski said on his return from the quadrennial pre-Olympic encounter for nations in the Western Hemisphere. "It's a poor country and the weather conditions there made for the worst winter they've had. John Bocwinski, assistant soccer coach. The University of Wisconsin-Parkside. "They always were afraid of kidnapings, especially when the Cubans defected, and police were always around." Intramurals Begin Bocwinski played on the U.S. soccer team, which posted a 2-6- 1 mark and sixth place finish in the Pan Am games and a 6-5-5 mark in all games played, which included an elimination tournament to select the teams which will go to Munich in 1972 for the Olympic Games. famous for Parkside's intramural program goes into full swing this week, with touch football teams starting play during the noon hour. Jim Koch at Kenosha and Dave Donaldson at Racine will coordinate the program. Entries may be given to them at any time. Dominican, KTI and possibly Carthage. All men and women interested in competitive skiing should attend the 7:30 p.m. ski class Monday nights in Greenquist D-127 or contact Vic Godfrey at 553-2310. All men interested in rugby contact Coach Godfrey. The first game will be Oct. 9 at the Octoberfest. Signups for bowling are due at this time, with leagues being held Wednesday afternoons. See Coach Koch in Kenosha or Coach Donaldson in Racine for more information. CARL'S PIZZA ALSO . RIBS • SPAGHETTI • CHICKEN GNOCCHI • RAVIOLI • LA SAGNA . SEA FOOD • SANDWICHES CARRY-OUTS - DELIVERY "YOU RING Wf BRING" "We made a name for ourselves in Cali," Bocwinski claimed. "Argentina beat us only 1-0, a game we could have won, and they were impressed with how good we were. "The whole problem for us is that we don't have the depth of the other teams, though our top 657-9843 or 658-4922 The women's powderpuff football team has room for more girls and will hold an organizational meeting at 12:15 p.m. Wednesday in the Kenosha wrestling-judo room. The team's schedule includes FOR AS LITTLE AS $180.00 PER SEMESTER n~" ^ iff • DELUXE3 ROOMSUITE $275 PER SEMESTER* 2 ROOMSUITE $180 PER SEMESTER* DUO BE DS BUNK DELUXE2 ROOMSU BED ITE $218.25 PER SEMESTER * DOUBLE DISINK DOUBLE SINK KITCHENETTE 3 ROOMSUITE $254.25 PER SEMESTER* BUNK B|D BUNK BED DOUBLE SINK KITCHEN DOUBLE SINK . KITCHEN OWNER: PARKSIDE VILLAGE INC. MILWAUKEE, WISCONSIN DEVELOPER: GLOBAL BUSINESS & RESIDENTIAL CENTERS 1744 N. FARWELL AVE. MILWAUKEE, WISCONSIN OCCUPANCY SEPT. 1,1971 —CONTACT BILL PAGELOR DAN LEMBERG AT PARKSIDE VILLAGE SITE OR CALL (414) 272-0460 COLLECT ^ 4 ST UDENTS PER SUITE — UNFURNISHED Teach Skiing Norwegian skier Tom Fjermestad will teach the popular ski classes at the University of WisconsinParkside this fall, with an eye toward competition for students with the Parkside Ski Rangers and an evehtual winter trip to Europe under the auspices of the Office of Student Activities. Fjermestad, who has been skiing since he was three years old, has been a member of the Norwegian national team and has 15 years teaching, coaching and training experience in the sport, which is easily the most popular of the club sports at Parkside. Aiding Fjermestad in the coordination of the teaching and coaching program is Vic Godfrey, the director of intramurals and club sports, who will aid in conditioning training and direct the club sport aspect. Also deeply involved in providing a total ski program is Bill Neibuhr of the Student Activities Office, who will oversee the January trip to the Alps, which last year saw a few hundred students pack their skis during the semester break. Fjermestad will accompany the expected large group on that trip as an instructor, but the present is his immediate concern. He'll work each Monday night with the beginning skiers and each Thursday with the racing team and real enthusiasts of the sport who wish to improve their techniques. The emphasis in the early fall will be placed on conditioning, for which Godfrey is responsible, but classroom sessions will also be held in D-127 Greenquist Hall on the UW-P campus so Fjermestad can point out the all-important technical aspects of the sport. The students will head to Wilmot when the snow comes and at this time the emphasis will be switched from getting in shape to maintaining that conditioning and tightening up on style and technique. Special buttons admitting persons to the Oct. 8-9 Octoberfest celebration at Parkside are now on sale for $.50 at the Office of Athletics and through the sponsoring German Club and the Varsity Club. The buttons, which are similar to the "smile" buttons now sweeping the nation, will admit the bearers (or wearers) to all Octoberfest activities, which include a German style celebration, a rugby match, soccer games and other events. It will also be good for half-price admission to the Saturday night Octoberfest dance. All men interested in joining the Parkside Rugby Club contact Bob Wingate at 694-2487 or Vic Godfrey at 553-2310. There will be a meeting of t he Shooting Club at 8 p.m. Wednesday at the Kenosha Campus. Chris Murphy will speak on "Handgun Marksmanship". Parkside offers a wide variety of women's sports and all women are encouraged to participate in any of the seven. Tennis has already started and will run until late November, with Coach Dick Frecka coordinating the program with Miss Barbara Jo Morris. Both volleyball and gymnastics will be handled by Coach Geza Martiny and Miss Morris and will run until December. Cross Country and Track will operate under Russ Coley, with track coaches Bob Lawson and Vic Godfrey doing much of the coaching. Fencing, with Coach Martiny in charge, and golf, with Coach Steve Stephens coordinating, are also open to women. All women interested in a sport are urged to contact the respective coach or Miss Morris at the Office of Athletics, 553-2245. W.IMWWiril j4ou&e of Tlutrition NATURAL COSMETICS NATURAL GRAINS&CEREALS UNSULPHURATED FRUITS HEALTH FOODS 6 2 2 1 • 22 N D A V E N U E K E N O S H A P H O N E 65 2 - 4 7 8 7 "Here's To Your Good Health i September 13,1971 NEWSCOPE Page 7 A Modern Love Story Parkside's new skiing instructor, Norwegian Tom Fjermstad (left), examines two of the implements of his trade with UW-P intramural and club sport director Vic Godfrey, who will aid in the course, and Bill Niebuhr of the Student Activities Office, who will coordinate a winter trip to the Alps. Fermestad To A love story that bridges an ocean is uncommon enough, but when it involves an American Peace Corps coach and a Thai basketball-soccer player, you know that both of them must be pretty special people. But it would take a pretty special person like Kirby Nichols, a Whitewater State produce who coached at Watertown high school, to save his meager Peace Corps earnings for the day he could bring Prakong Phanturat to college in America. Or to re-enlist in the Peace Corps after his first two-year tour was up because he so much wanted to help the people of Southeast Asia. You don't have to tell Prakong, or Ray, as he prefers to be called, all that, because he knows Nichols is someone special. And he's begun to think that the first people he met from Parkside, at the Asian Games last year, are about the same. Athletic director Tom Rosandich and track coach Bob Lawson have helped him a lot, Ray says, but the man who is helping him the most right now is Steve Stephens. It just might be the beginning of another beautiful friendship. Stephens, the basketball coach at UW-P, has taken up with Ray where Nichols left off. He's taken him into his home and is so taken with the young man that he's considering remodeling his home to better accommodate Ray for as long as he's here. Ray figures he's stumbled into one big happy 1 family, because all involved with him know each other. Lawson and Rosandich met Nichols a number of years ago at Olympia Sport Village in northern Wisconsin and it was this association that led Nichols to recommend Parkside to Phanturat and Ray to the Parkside coaches. He's been accepted by all as one of the Stephens family and cannot feel out of place because the coach treats him, Ray says, "just like his own son." And when the hard-court season rolls around, he'll be treating Ray like one of his players, because Ray is no poor performer with a basketball, since he was a member of Thailand's national team and gained game experience as a guard in both the Sixth Asian Games in his home city of Bangkok last December and in the Southeast Asia Peninsula Games. But before basketball, he'll compete in soccer, and rest assured, he's no less accomplished in that sport, with playing time to his credit at both the center and forward slots on the Bangkok Bank Sport Club. Ray's been here two weeks and has adjusted rather well to the fast cars and contemporary music. He probably hasn't yet seen the movie "Love Story" but it might remind him of a dedicated friend an ocean aw^y who gave him the chance to come to America. Octoberfest T o Feature R ugby M atch One of the highlights of the upcoming Octoberfest will be the rugby match between UWParkside and the Milwaukee Rugby Club, to be held at 1 p.m. Saturday, Oct. 9, before the championship game of the Parkside Invitational Soccer Tournament. But for those who don't know what rugby is or have seen it and don't understand its rules, a little education might be in order. Rugby can most simply be described as football without pads. But it is really more than that. It is the most physical of all contact sports - an d oftentimes the excitable crowds have to be restrained from entering the playing area. Yet there is also a sense of sportsmanship which is unique. One of the most important unwritten rules calls for a party sponsored by the host club after the match. Rugby is hard hitting and most competitive but each player has a high regard for every other and for personal sportsmanship. Each team is represented by 15 men with one additional man to act as line judge. No substitutions are allowed during the game except because of injuries during the first five minutes of play. Only the one official can call timeouts, and then only at the request of the captain and because of injury. Each half is usually 30 to 40 minutes long with a five minute breather in between. There are no forward passes but the ball may be carried or kicked forward. In kicking, only the man who kicked the ball or his teammates who were behind him when he kicked may play the ball. There is no blocking and anyone who is on the ground cannot be in possession of the ball. A try, similar to football's touchdown, is worth three points when the ball is downed across the opponent's goal line. Two points may be added by the successful conversion attempt. Three points may also be scored by the drop kick from anywhere on the field that splits the up-rights or by a penalty kick. There are only two set plays, the line-cut and the set scrum. The line-cut occurs when the ball is kicked, carried or thrown out of bounds, "touch" by a player. The opposing team throws the ball and play progresses from there. A set scrum is awarded to one team for a minor infraction of the rules by the other. The first three men of the scrum lock arms and meet the opposing team with their shoulders. The remaining five forwards bind on them, giving support and helping push. Hands may not touch the ball until it leaves the scrum. So now you're an expert on rugby. Well, maybe not, but it's going to be quite a show at the Octoberfest, and rugby will be an exciting part of it. Wed. Sept. 22 at Magus Productions presents BLUES NIGHT featuring MUDDY WATERS also Case High School Fieldho e JOHNNY YOUNG BLUES BAND Racine Tickets available at: Earth Works -Racine 8:00-12:30 The Daisy -Kenosha-Racine Bidingers-Kenosha-Waukeegan J&J'sTape Center -Kenosha-Racine-Bulington P{>ge8 NEWSCOPE September 13,1971 Parkside Village Three visiting faculty members from abroad are adding a special cosmopolitan atmosphere to the campus of the University of WisconsinParkside this year and Parkside is reciprocating by students at the Cheltenham College of Art and Design, Gloucestershire, England. Jansky, who has had several recent one-man shows of his polyester impregnated fiberglass sculptures, will be a has taught at DePaul University, the University of Notre Dame and Universidad Javeriana in Bogota, Columbia, and comes to Parkside from Universidad Nacional de Columbia in Bogota. Cosmopolitans I nvade U WP sending one of its own faculty members to teach at an English college. The three guests are Martin Seymour-Smith, a visiting professor of English from England; Nelo Da Silva Allan, visiting associate professor of mathematics from Columbia, South America; and David John Noble, visiting associate professor of art from England. The Parkside professor is Rollin Jansky, associate professor of art, who will exchange posts with Noble for the year, with Noble teaching Jansky's students here and Jansky instructing Noble's senior lecturer in scuplture at the English institution. Noble, who received his training at the Portsmouth College of Art and the Royal College of Art in London, has received a number of awards for his sculpture including the Sainsbury Award, a national award given annually. He also was a finalist for the Prix de Rome and is represented by works in a number of public and private collections. A native of Brazil, Allan received his undergraduate degree at the University of Brazil and his Ph.D. degree at the University of Chicago. He Seymour-Smith, who received his graduate degree at Oxford University, is a free lance academic writer, poet and literary critic, contributing to such English periodicals as Encounter, Spectator and the Times Literary Supplement. His most recent works are Poets Through Their Letters (vol. 1), published in 1969, and Guide to Modern World Literature, to be published in 1972. He has taught at a number of major British institutions and is teaching courses in modern poetry and English literature this semester at Parkside. (Continued from Page 1) struction. An agreement on the purchase was not reached with the owner, George Feest of Kenosha, until the end of May. By that time several small contractors had decided not to undertake the project because they felt they would not be able to meet the deadline. When construction did finally begin in the first week of June, the crews sent in were not large enough to make the rapid progress needed. "We found ourselves seeking additional personnel and crews — professional people — union people, such as carpenters, to do the work — to give us the shells, so that our specialties people, like plumbing and heating could get inside these units," Mrs. Ribecky said. She added that a final touch was a recent carpenters' strike (Continued from Page 1) At firs they were worried about mixing older youths with young children in the same classes but learned that "the young ones taught the older children spontaneity and the older ones taught the young ones perseverence." Elaborating further Mrs. Diamon said that "the younger kids are unleashing, and the older kids are relearning what the creative experience is . . . that they are not a bunch of little automatons that are cranked up in the morning and to turn out thirty things all alike." As with any educational 1969 Honda 175cc Scrambler. Ex. cond. $425. Includes 2 helmets. Call Ed, 639-4940. 1962 Buick 2 dr hardtop, $250. Call 634-4445 or 633-2791. 1958 Ramb. American. Dependable, rustic, and cheap. $35 . 3209 - 2 8th St. 1960 Ramb. American. Dependable. $70. 3209 - 28th St., Kenosha. 1970 Pontiac Tempest, 2 dr., Hardtop, V-8, Automatic, power steering, 634-4606. 1969 Charger RT • 440 Mag., 4 sp., mags.seeor call Al after 6 p.m., 658- 3654 , 5110 - 23rd Ave. 1968 Opel Kadet, 1966 Corvair, Both good cond. Call Harris, 55-843-2361 67 Ambassador 4 dr. sedan, auto., 6 cyl. Trans recently overhauled $775. Call 553-2345. 68 Plymouth Roadrunner 383. Gold with Black vinyl top. Ex. cond. 554- 8757. 1971 TRAVEL TRAILER — 15 Ft Light - Very easy to tow - Built in Surge brakes - Used only three weeks - Must sell - Going to school, 5122 45th St - Ph. 652-3084. in the area which stopped construction completely for a full week. "A week's stoppage of work, when you include all the other people who rely on the carpenters finishing their work, sets you back much more than just those days during which the strike exists," she said. It might be expected that some students would be getting a bit upset with the delay, but, according to Mrs. Ribecky, there are sdme very patient people attending Parkside this year: "Students are being fantastic. They are not pressuring us. They can see the contractors working like dogs around here and they understand the things that happen to cause this delay. They're living willingly with discomforts, but, of course, at no cost," she said. program the parents of the child must take an active interest in their child's work in order to maintain the consistency of perspective that they gain while in class. Many times parents are simply not interested in their children's education and when what is learned in class is ignored at home the child may feel that his time was wasted. "At first when we talked with the parents they were remarkably like the children; hesitant, reluctant to participate; they didn't want to intrude, so we kind of rubbed their noses in it, really. If they didn't understand something the child had done we sat them 1967 Austin-Healey 3000, After 5 p.m. 539-2407 (Burlington). 1968 Ford Torino 302-V8. Low mil. Automatic, power steering, Radio, Heater, 652-7745, see at 5234 - 44th Ave. 6:00 - 7:30 p.m. 1967 Impaia Super Sport 327, After 4:30 p.m., 3022 - 23rd Ave. Yamaha 350 R5, 1971, Exc. Cond. 654-5724, Eve. 650 Triumph T.T. rebuilt engine, lace paint on frame and tank, 2 helmets, $800.00or best offer. See at 5723 - 40th Ave. Honda "150" 80 per cent restored. Needs some clutch work, $250.00. 634-0871. MISCELLANEOUS FOR SALE 3suitcases, very good cond. $25. Call 654-2704. For a Good night's sleep — Waterbeds. 3701 - 60th street. Call 654-9447. Hand Painted milk cans. Make us an offer. Call 654-4862. down and let the child explain what he had done. "At first the parents tended to judge the work of their child comparatively with the work of other children but once they had been exposed to the class and its priority of the child over his product, they took a genuine interest in their children." Mrs. Diamon reported that no students dropped out of the workshop all summer and that a number enrolled for the fall classes. The women plan to offer six classes each week with the first class to begin in early October. The classes will be* moved to the Women's Club during the cold season but they don't expect the confines of the building to inhibit their approach. "Sears" Portably typewriter. Good condition. Comes with carrying case. Will sell for $30.00. Call 637- 6445. Homegrown tomatoes. Call 633-3836. Public Wholesale Cleaners, 3602 Roosevelt Rd. Low Prices. Check ours first high quality — 1 day service. Slide Rule $10.00. Call 553-2345. Skis — Mens, including poles and boots. 553-2245. Toaster $5.00, Steam Iron $5.00. Call 553-2345. Golf Clubs Full set irons and woods, $346 new will sell for $245. Legalize Marijuana Bumper Stickers. 50c donation. Be at Student Activities Building Wed. Stereo Component System. 60 watt amplifier, turntable, 2 speakers Moving, must sell. $50. Ph. 652-0079. BROWSE — Breadloaf Book Shop, 261 Broad Street, Lake Geneva, Wis. Sonny & Cher (Continued from Page 3) stars? Cher: I don't know, I dig stars of that era, but, as a matter of fact, I'm more star-like than people are today. I really dig the idea of stars. The other day somebody said Heddy Lamarr. We were doing one of the things and somebody said, "You remind me of Hedy Lamarr." NS: If you had a choice between any woman of that era, any of the stars, who would you most like to be like? Cher: Oh wow, let me see. I think Garbo, I like her alot. We watched her on TV the other night. It was really groovy. NS: Then is there any formula to your stage personality? Cher: You go with what you've got and if that's what you are, you are. Like some people say you try to be sexy, it doesn't work. You just have to be what you are, you know. There are 2 Snow Tires, 7.75 - 14 Rim, Rear end shocks for '67-'69 Chevy, Bumber Hitch, 8 Log FM Ant. 654-7312. Wet Suit $5, Show tire 8. rim $1, File boxes $1 8. $1.50, call 634-3757. Colt, part Arab, 3 mo. old. Good Disp. Call 511-7161 aft. 4 p.m. 2 Bedroom House, Parkside area, Liv. R., Dining Room comb., Fireplace, over one acre land, 552- 9012. Concord grapes for eating and winemaking. Home grown tomatoes and cantelope and plums. 6328 Washington Ave. 633-3836 WANTED Earn Extra Money — Bartend & Go Go Dance. 632-3785 or 633-3805. WANTED — Rambler American or Volkswagen — Good condition and not too expensive. Jan 694-3419. Apt. wanted, male junior will share expenses, call Kurt, 551-9429. Car Pool or rider from West Allis 5 days a week, 7:45-4:30. Call 553-2415. some women that are really sexy in all kinds of different ways. I think it's taste: what you think is sexy maybe this guy over there wouldn't think. NS: Are you in any sort of women's liberation of any kind? Cher: No. I can understand the idea of it, but I think that the people are going on about it all wrong. I think women should get paid the right amoung, and all that, but the only people I ever see are a bunch of really dog women,. you know, that couldn't get a guy if they wanted one. I think they should get better representation than they've got. NS: We've kept you here pretty long already, one final question to wind-up the interview. When you both were really down, financially and otherwise, what brought up from there to where you are today? Sonny: She did. A relationship. Cher: It was definitely our relationship. and book money. Dancing & Waitress work. If nudity offends you, do not apply. Call 652-20031 or stop at 4426 - S heridan Road. WANTED — Two attractive, openminded female students to share small apartment with two male students. Apt. 1 block from Racine campus. For further information write to: Peter Noll, Apt. 3,1111 Wis. Ave., Racine, Wis. FREE Kittens: 6 weeks old, litter trained. Good with children. Male and female, assorted colors. Call Sharon, Ext. 20, Racine Main Hall 201, or 634-6215 after 5 p.m. FOR RENT FOR RENT — Modern office space. Carpeted and air conditioned. $50.00 per mo. Utilities included. Call Tony at 652-3945 or 654-7410. LOST & FOUND Prescription Glasses; Car keys; A wedding ring. At the information center, 2nd floor, Tallent Hall. newscope classifieds use 'em free Workshop Promotes Creativity Patronize Newscope Advertizers NEWSCOPE presents (/) Q Sat. Sept. 25 QQ 7:00-1:00 Student Activities Bldg. adm. $1.25 +P-side&State I.D.'s WHEELS o £ Otis Plum and Starboys (formerly Bulldog Harry) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Parkside's Newscope, Volume 5, issue 2, September 13, 1971 Description An account of the resource Student newspaper of the University of Wisconsin-Parkside, Kenosha, Wis. Date A point or period of time associated with an event in the lifecycle of the resource 1971-09-13 Format The file format, physical medium, or dimensions of the resource Newspaper Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Kenosha, Wisconsin Type The nature or genre of the resource Text Publisher An entity responsible for making the resource available University of Wisconsin-Parkside Rights Information about rights held in and over the resource The Board of Regents of the University Wisconsin System assistant chancellor allen dearborn dean of students john koloen parkside village