https://archives.uwp.edu/files/original/895913c3528b52081e568b9186b43a4f.pdf c94f6ec36ca52381889f36c938542804 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University of Wisconsin - Parkside Ranger News Description An account of the resource Student newspaper of UW-Parkside Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Issue Volume 4, Issue 8 Headline Used for newspapers, the Headline element describes the main article of the issue. Student Housing Uncertain Series Number The series number of the original collection. UWPAC124 Ranger News Text Any textual data included in the document ., Mart Etaen of the Ne!scope staff, private homes.,, ai]ability of student housing for Her listinas as of Jul 11Je av uncertain at the pr~nt, Roo --a Y ~ are f n-- 1111 f~ see:5 Shirley Sch~erling, ·the ms: Kenosha girls . ~ 0UVW11 : ~of Housing at Parkside. -~; Kenosba, boys', 16· ·~· ~ctne, girls, ~-hmerHn n, who has headed her enosba, either, 6, Ra~ine =· boy ' 7; JIii .,._.. ... ie • Apartments: Kenosba ! er, 3 •• siPCt! early this year, told Newscope girls, 9; Kenosha bo ,_girls! 9 ; Racine, . ' ys, 2, Ractne, boys, o; Student Housing Situation Uncertain eff ~rts to· find housing have been )lei' ~ful as time has gone on, but, - SU this is adequate depends upon the ~ the influx of inquiries in the next weets. Rigbtnow," she says, "It's very hard to apartments." Though she adds, ~ ·re many nice rooms available in K~os~aS ei~er, ~i Racine, eithe:-, 7. re ~ pring registration, 423 students n away from home while 3 412 students lived at home ' An th • tdts . . oer223 s u en desired single housin d students wanted married housi g an 101 "W ta ng. . e s rted out with very little bousin available," Mrs. Schmerling said. st! ,-rnaliamlaLiteratureinaHurry"-MatthewArnold University of Wisconsin_ Par!sidt •••••• Number 8_ uer Appointed New Vice Chancellor .' trnent of Otto F . Vice Chancellor of the Y of WisconsinI by"as approved here the UW Board of and Secretary of the Faculty . Chancellor Wyllie said that the student-faculty search committee was impressed by the range and variety of Baue_r's institutional experience~ wh~ch included a private umy~rstty (Northwestern ), a military academy (Air Force ), t~e nation's most prestigious public university (Berkeley),_ and . a fast-growing state umvers1ty (Bowling Green). "He performed ex~re~ely well in all of these ins!1tu~~nal settings," Wyllie said. We know he will do well he~. "Many things stand out 1!1 Otto Bauer's record," he _contmued, "his youth, his achiev_ements, his rich administrahv_e experience, his sympathetic understanding of students and (Continued on page 6) New cop Irv Kupcin t Nor o Of sc· n h Housing Placement Uncertain (Continued (nm Pale )) wbatthe family is like - if the family doesn't drink or smoke she won't recommend a student wbo does drink or smoke move lbere. Mrs. Schmerling makes sure, too, that if a student is expected to work for part of his room and board that it is 'understood from the onset how many bours the student is to work and at wbat jobs. Rooms in private residences vary from S7.00 to $25,00 a wet$ she said. "There are more freshmen and sopllomores in rooms like this," she noted. "Mothers like to see their kids in pri vate bomes. " Juniors and seniors prefer apartments, "It's exciting when you're able to accomplisb sometbing," Mrs. Schmerlilllluys of ber job. She told of a girl who had come to Park.side without a car from a small town. The problem was to find a room close to the campus. She remembered a lady from Somers who bad contacted if's f.e real thing bel' a.few days earlier to place a room on listiDg. MrS.- SCbmerlinll introduced lbe • two, and each found lbe other acceptable. The problem now was to fmd transportation for the girl. Mrs. Scbmerling went through lbe school directory and found five students from Somers. Sbe called each of them to see if lbey would provide transportation for lbe girl. It turned out one student lived only five houses from lbe girl and was willing to give ber a ride. "It wound up I found her not only a ride, but a new friend," Mrs. Schmerling said smilingly. four Added '0 Dean's Lis' Four additional students bave been named to lbe Dean's List for secood semester work at lbe University of Wisconsin-Parks ide, it was announced .today. Heading the list are two students wilb perfect 4.0 academic grade point averages; Edna Dearborn, 5837 Sprillll St., Racine; and Joyce Gyurina, 2410-32nd St., Kenosha. Itwas lbe fourlb straight semester of 4,0 work for Mrs. Gyurina. Mrs. Dearborn graduated in June with distinctioo. Earning high honors was Thomas Cook, 1332Bucbanan, Racine, wilb a 3.57 average. Earning honors was Philip T, Angeregg, 2301Yout St., Racine, wilb a 3.37average. Students named to lbe Dean's List must have at least a 3.25 (Bvplus) average out of a possible 4.0. Get Acquainted Offer FREE LUBE • 11b Oil & Filler Chance PAIiKSIDE SH ELL WASHINGTON ROAD & 30TH AVE. 654-9968 CHAT N CHEW 40th Avenue & 52nd Street KENOSHA SUIlDAY THRU THURSDAY U A.M. T1!-L Il,IDIlITE FRIDAY & SATURDAY TILL 2 A M HAMBURGERS 40¢ & 24¢ SUPERCHEW (Triple decker) 55~ recycle this paper I ;\ ~ - ~i' 7)! ~~,:I~:;> (iri4fi ~t'~~ bv Me &Mrs. K (;.4LIFORNIA Gf;NERATIOfj by Jacqueline Briskin W ReX NEWS AGENCY ~ •• PIPI!S. '4 •Mil ".' ~ 5116 Sid A &,. " • .... ' BOOKS - NOVELS GREENING OF,AMERICA by Charles Reich THE COUPLE Save for the Future at - WEST 'FEDERAL SAVINGS Phone 65B.2573 58th St. at,6th Ave. MAIN OFFICE, CAPITOL COURT, MILWAUKEE / ~f'! "'-.:t:tp .t" jIfIIP": jill' ~,.."...f4- , f._ fqr CARL'S PIZZA .. ,.. Silos ,. • u" , 14" - \6" ' AUD • IllS • SfACllfnfI ~ CHtCUN ..-.ccx •• IAYIOU • LA lACiNA • SIA FOOD • SAMDwICMlS CAllToOl/TS • ilnMiv "l'OlI IINC,. " " WI _ 6S7·'843 .. 653-4922 Weston Leaving Parkside Mr. Bruce Weston will assume lbe position of Director of Develo~ment at Stephens College,~ september 1, according to Dr. Seymour Smilb, Preai~ lbe college. -If His duties will include direction of lbe Parents and an associate's role in the college's developm~ in community and alumnae rela~ons and in fUOdr.CIflife Mr. Wes!'>n has had ~x~enslve ~ublic re!ati ..... perience as director of p.ubhc mformal1on and PUbliOllBeaat lbe University of Wlsconsin-Parkside, KenoshaC8lia11 where he also assisted in developmental activities' ... He also worked as manager of publica tions at' N western Unive':lity in .Evanston, Ill., from l~ IIIlbo director of public relations. at Garleton College, N~ Minn., from 1963-65. While at Carleton, Mr. W:~ publication program received a national award ~I American College Public Relations A1Sociation.He_ ...1lIe worked as a public relations assistant serving in management capacities for Rockefeller Center :- New York fcom 1955~. ' ·,It A 1953 graduate of Carleton College with a B.A, English, Mr. Weston has taken professional It sponsored by the Punlic Rela tions Society ofAmer::- American College Public Relations Association 81111' = Publicity Club of New York. _ He is a member of lbe American Public IleII Association and Rotary International. He and his ~ Charlotte, have three children. •... Mr. Weston succeeds Mr. Norman Peters Who Jell Stephens to become coordinator for lbe capital _ campaign at Southwestern University, Georgetown,TIL Norwood Chosen as New Dean <Continuedfrom Page 1) submitted to the O!a .... named Vice Chancellor by a campus sean:b .. mittee made up at faaar at ,Parkside. and students. He 81111.. "In all of his con- other cal!didatea ... versations wilb us," Wyllie extensively interviewedbJ said, "he made it quite clear lbe committee, !be a.. lbat his main interest is in cellor, UW PresideDtJaIII providing high quality C. Weaver and !leIIIl education for un- Frank J. Pellsek. dergraduate students. He "There was a strGil believes lbat all universities consensus for Nanaod, should devote lbeir best Wyllie said. "baaed III MI efforts to beginning performance in "'&1' ..... students, and that new administrative IIIIIIu. campuses have a unique within the UnI,. opportunity to achieve system. Those wIlo IInI distinction by excelling in worked with him report II1II this line." he is a very COIlSlnIctIw, Norwood was selected helpful and undeislaDdlll from a panel of four names colleague." fiewscope • Editor WarrenNedry CopyEditor John Koloen • NewsEditor Marc Eisen 'Feature Editor Paul Lomartire BusinessManager John Gray PHONES Editorial Business :: Summer NcwlcopeII - independentstud..,taa:,:; composed and publilllld through the summ'!'..... ~ students of the ~ Wisconsin-Parkside. .,., obtained advertisiDIJ .. die sole source of J theoperatiooofN _ copies dre prldled It distributed throuP tIfI' Kenosha and RldlII It munities a8 weU II .. University. Free ... available uponreqUIIIl NEWS STAFF BobBorchardt, Dar-reDBorger> James Casper, Jim Koloen,Bill Sorensen. CONTRIBUTING WRITERS i\liJ<e:?teVesand, Janet Sabol Mike Starr. -' BUSINESS STAFF Connie Kinsella, Dave Kraus, Don Marjara, Barb Scott. ~ PERSI-COLA Kenoshil Racine Housing Placement Uncertain her a few days earlier to Mn. Shirley Schmerllng place a room on listing. Mrs. Schmerling introduced the two and each found the oth~r acceptable. The problem now was to find transportation for the girl. Mrs. Schmerling went through the school directory and found five students from Somers. She called each of them to see if they would provide transportation for the girl. It turned out one student lived only five houses from the girl and was willing to give her a ride. "It wound up I found her not only a ride, but a new friend," Mrs. Schmerling said smilingly. Four Added to Dean's List Four additional students have been named to the Dean's List for second semester work at the University of Wisconsin-Parkside, it was aMoµnced . today. Heading the list are two students with perfe<;t 4.0 academic grade point averages; Edna Dearborn, 5837 Spring St., Racine; and Joyce Gyurina, 2410-32nd St., Kenosha. It was the fourth straight semester of 4.0 work for trs. Gyurina . Mrs. Dearborn graduated in June with distinction. Earning high honors was Thomas Cook, 1332 Buchanan, Racine, with a 3.57 average. Earning honors was Philip T. Angeregg, 2301 Yout St., Racine, with a 3.37 average. Students named to the Dean's List must have at least a 3.25 (B-plus) average out of a possible 4.0. it's the real thing Get Acquainted Offer FREE LUBE ith Oil & Filter Change PARKSIDE SH ELL WASHINGTON ROAD & 30TH AVE. 654-9968 cHAT~Nciiiil ~ Save for the Future at - WEST .·FEDERAL · SAVINGS Phone 658-2573 58th St. at. 6th Ave. MAIN OFFICE: CAPITOL COU~T, MILWAUKEE ...• ~~ - :=:i / 40th Avenue & 52nd Street KENOSHA SUNDAY THRU THURSDAY _11 A.M. TIJ,.L "IDNITE FRIDAY & SATURDAY TILL 2 A,M, HAMBURGERS 40¢ & 24¢ SUPERCHEW (Triple decker) 55~ ~~'*~~"=:;:'.s;s"~~~ffl~m=•=••mii• .. recycle this paper BOOKS - NOVELS GREENING OF AMERICA by Charles Reich THF. COUPLE l bv Mt &Mrs. K CALIFORNIA GENERATION by Jacqueline Briskin R-X NEWS AGENCY ~ '*' Newspa~ · Pape,laocb • Magazines /.1 11 5116 Sa1h Ave. & Ptnling Pima ~ .~ff ~~Jj,J. "'M ~=-jd- ~ ,,.,f'-' fomous fqr CARL'S PIZZA la Fow 5-s 9" · ·12" - 14". l6"· • ll1$ • SflAGHnTI • CHICltllN GMOc:CHt • ltAVIOU • LA SAGNA • SIA FOOD • SANDWICHU CAllY.OUTS - DELIVDY -,OU I/HG ., .. • . Wl ~ 6!7-9843 • 6514922 Weston Leaving Parkside Mr. Bruce Weston will assume the position of As . Director of Develo~ment at Stephens College, er~~te September 1, according to Dr. Seymout Smith, Presi:tive the college. nt or His duties will include direction of the Parents p and an associate's role in the college's developme ~<>grain in community and alumnae rela~ons and in funct':~!fice Mr. Weston has bad extensive public relati ~ - perience as director of public information and publions. etat the University of Wisconsin-Parkside, Kenosha cati~ where he also assisted in developmental activities ' W11., He also worked as manager of publications at·N western University in Evanston, Ill., from 196.5-69 Orth. director of public relations at Carleton College No~~ as Minn., from 1963-65. Wh_ile at Carleton, M~. Wes tel~ publi<:ation program r~ce1ved _a national award fro ton, Amencan Coll~ge _Pubhc ~elabo~ A .sociation. He ai: ~ worked as a pubhc relations ass1Stant serving in v . management capacities for Rockefeller Center 1~"0Ut New York fcom 1955-63. ' ·, A 1953 graduate of Carleton College with a BA English, Mr. West.on has taken professional c~· sponsored by the Puolic Relations Society of America rsea American College Public Relations Association anl: Publicity Club of New York. He is a member of the American Public Relati Association and Rotary International. He and his Wif!lil Charlotte, have three children. e, Mr. Weston succeeds Mr_. Norman Peters who lett Stephens to became coordinator for the capital r campaign at Southwestern University, Georgetown, T': Norwood Chosen as New Dean (Continued from Page 1) submitted to the Chancellcr by a campus search com. named Vice Chancellor mittee made up or racu11v at ,Parkside. and students. He and !ht "In all of his con- other caqdidates were versa tions with us," Wyllie extensively interviewed by said, "he made it quite clear the committee, the Cba11- that his main interest is in cellor, UW President John providing high quality C. Weaver and Regent education for un- Frank J. Pelisek. dergraduate students. He "There was a strong believes that all universities consensus for Norwood," should devote their best Wyllie said, "based 011 his efforts to beginning performance in high-level students, and that new administrative positions campuses have a unique within the University opportunity to achieve system. Those who .bu distinction by excelling in worked with him report that this line." he is a very constructi Norwood was selected helpful and understanding from a panel of four names colleague." ·28:Wm e ·m SI : 8 ., ;urrr Newscope '9 Editor Warren Nedry Copy Editor John Koloen News Editor Marc Eisen ·Feature Editor Paul Lomartire Business Manager John Gray NEW$ STAFF Bob Borchardt, Darrell Borger James Casper, Jim koloen, Bill Sorensen. CONTRIBUTING WRITERS MtJc& ~tevesand, Janet Sabol Mike Starr. · ·' BUSINESS STAFF Connie Kinsella, Dave Kraus, Don Marjara, Barb Scott. PHONES Editorial Business Summer Newscope is independent student ~ composed and published . through the summer sesslGI . students of the Ull\versilY d Wisconsin-Parkside. Slipd obtained advertising flllll : !he sole source ri revelllf • the operati(?n of NewscoPt-" copies dre pririted • distributed through Kenosha and Racine c munities as well 45 University. Free ~ies available upon request ~:. ·: ......... , ....•. :-:, ............. : ......•... '". : ... :· ...... :-:-:·· ........ -.~~:«*, ... ~~ ., ;§: t:=: I t:~ ~§ PEP.Sl·COLA Racine by John Koloen of ~~'Newscope staff ' Forthe pas,~~3y~ Irv Kupcmet has been host of the -, ''J(up'sShow . in Chicago, and has written a daily cOlumn%~th~ $JP-Times.His ~rogram s f?rmat shows diversity, and unlike _.ny of the national late mght talk shows "Kup's Sh ". -- . t lity ts d i .' ow IS ~wn for Its ?p qua . .gues an mteIligent conversation. As a journalISt Kup ISm the rather .unique position of hosting his 0\I'lI talk sh~~, a~ed Saturday mghts at 10:30 p.m, and is dedicatedto the lively art of conversation" NewscOpesp~ke with Irv Kupcinet last w~k about the art of conversation, his column and J~umallsm in general. Newscope:w,ttat '!lade y?U decIde to get into a talk show as OJ}- posed to Str~Ight Journalism? lupcinet: IJl;lS.thad a .hunch that conversation was the coming thingon television and It was a show I could put together because Iicontact:', it w~s a s~ow Ithought I could handle because of my interests in var~ous fle~ds and all those things kind of meshed together.Ifelt It was time for conversation. NS:Where did the idea for the format of your show come from' was it.modeled after something else? ' lupcinet: S';JSs~nd s~rted ~s ~how about the same time Istarted mine, but his IS a little bit different. And his hadn't come to Oricagoyet. ' So we tried it once and it was quite a sensation in Chicago becauseit brought to life some interesting people at an unusual hour. We came on at midnight, live, and the first show ran until about four o'clock in the morning. The response was so great that we were convincedthat there was an audience for good,intelligent discussion regardless of the hour. Nobodyused that time in those days, this is almost thirteen years ago, so we not only opened up a new avenue for conversation, we opened up a new time slot.We've been a late night show ever since,although we now tape the show and we have a much better playing time at ten-thirty. NS:What do you see as the purpose of the show? . Kupcinet: The purpose of the show is, first, to encourage the art of conversation whichis kind of disappearing from our society,and two is to let the public hear authoritative people, who have vast knoWledge,discuss the issues of the day sothat they get a better comprehension Iiwhat the issues are and how we try to understand them. We don't resolve many issues but we bring a little understanding, a little light that's not too much heat to a topic. NS:How do you choose the topics for the show? KUPCinet:We don't choose the topics; we choose the guests and we go from there. On occasion, if there's a major topic, we'll go after guests who fit the topic. If lbe Vietnam War suddenly emerges with a major issue the Pentagon Papers for instance, an offshoot of the Vietnam War, we'll go afte~ JilOOple Whoare versed in the Pentagon Papers who perhaps ~lIClpated in theWriting of them or discussion of them. . . but ordinarily the issues fit the guests. N8: Do you screen guests? . them KUPCinet:We have no way of screening guests. We JUst buy . <II their reputation. We try to get peopl~ who are recognized authorities in their field and who are timely m the news or who are prOminent in entertainment and the arts. th h ? N8: Dothe guests you choose often let you ~own o~ I:t soF7ciIows Kapclnet: I've been disappointed many times. ., boo~ )llIrticuIarly authors who write very well and h~.V~:)~~~tin:nd my 8JId best sellers turn out to be lousy con= ~th ~ people. heart goes out to them. Ihave to do some, g th rnselves so I You can't just let them sit there if they don t o~ert e·_u type' of Ad.._.. • almost an m ervI~" -- a different technique, . and gear questions ~hnique, where I get to them spect~~i,e by means of their light to them to make them talk ~ . and bring the best out COnversationthe o~r people may _c~~: be deadheads turn nut Itthem. Also. guests that I thought uldhe brilliant turn out to be to be brilliant and some Ithought wo . medienne of the time ~.Ihad one actress who was a l.eamt;g ~;na her mouth once. 8JId she sat there for four hours ~th?u o';"')j;tening' Sbe just sat there and said,. 'I'm liste~, I;t so exci~ that they But on the other hand, guests some es. right through the forget about the commercial and k~p talking 1'on ignoring the CO'!UDercial,they j~t c~tinue ~~ ~C;:;~~~aI teievision show, caIiber of the show, IgnOnng the ,ac. t wrapped up like they ignoring the commercials, they re Jus WOuldbe in a bull session. .? NS: Do you conside~ it a ~ sess~ ~on. people are sitting kllpelnet: Yeah, I think of I.t as. a the li ly art of conversation. A lIl'ound a coffee table engagmg m ve .1. .171 NEWlCC)Pf: POI'S buII a:essi~ with a little more direction. We are trying to get to certain pomts and to give each person a chance to express himself wilQa little more order than a bull sesaioo has. NS: How do you approach controveniaJ issues on the show? KUJl:Clnet:Head on. We have no hesitation; the more controversial the ISSuethe more diversified our guests the better we think the show is. • NS: Have your opinions been changed on any particular issue as a result of the show? Kupclnet: Oh yes. In other words, it's a learning process for me, too. My research develops a lot of different attitudes I may not ~ve had before, and listening to the guests expound develops a different attitude and different appreciation or the issue. NS: How much influence do you think your show has on viewers? Kupclnet: Ithink it has influence in that it broadens people's vision and horizon. I doo't think we make people change their minds radically in that regard, but I think it does open up new avenues and new understandings of various issues. NS: How does the show relate to your column? Kupclnet: It's a tremendous compliment to the column because the people IWrite about are the people Iuse 00 the show and the people on the show give me items for the column, they go hand in hand. I pick up a lot of material, background material, items, news stories from the guests on the show. It broadens my own vision, broadens my own coterie of guests and friends and tipsters. I think it helps improve the column. S: Do you think the show has more Jntl....~ than the column? Kapclnet: Well, in certain areas. We get into much deeper and more philosophical subjects 00 the show than I do in the column. I think the column is more newsy, informative, while the show is a tood discussion of issues. o/S:Which do you rind more satisfying, :he column or the show? l{upcinet: I don't think it's a matter or lither or. Irind them both very exciting, both very challenging and both very fulfilling. I'm deIigh ted to be a participant in both. NS: In your column, what do you primarily focus oo? Kapclnet: ames, names and news. A column of my type is limited in that most of the names Iuse are readily identified without any description. S: Do you find yourself breaking news very often in your column? Kupclnet: It doesn't happen very often, but there's nothing as satisrying as a scoop. 0 matter how sophisticated we become in journalism we all love to have a scoop and have a beat on the news. I make an effort to get news first. It may not be very important, but Ilike to be first with whatever I print. S: Do you get much static as a result of what you print in your column? Kapclnet: I've had kind of general accusations, nothing pin-pointed. When they get mad at me they call me a. gossip m0ll:8erer or a g~ip columnist. Idon't deal in much gossip. I don't think any colwnrust today does. Most of them are well trained newspaper people and they don't deal in much gossip anymore. People have mISConceptions of what gossip really ~ .anyway. . NS: Is there any weight to the cntictsm of people like Agnew ~ call it biased and sloppy? Kupclnet: Iwould say this in the Agnew case, that most of the papen I'm speaking generally bere and you know that's always danger~, but most of the papen make a sincere effort to be very thorough and very fair in their coverage. But there's nodoubt that there are inbuilt prejudices among the press who will take an Agnew stcry that is derogatcry and blow .it up as much as possible. I think be has suffered in this regard. Idisagree WIthmany things that Agnew stands for and says, but that still doesn't mean he shouldn't get better and fairer coverage. NS: Why does it seem that Agnew is.singled. out? . . Kapclnet: Well, he lends hjmself to It by bemg a kind of ~foon m certain cases and this carries over even when he's senOWl, and this attitude that he's a buffoon, carries over. Ithink reporters have prejudices like anyone and it comes out in their reporting. NS: Has journalism changed much in the last fifteen years? Kapcinet: Ithink journalism, like the nation, has become much more sophisticated, much mpre concerned about the major issues of the day, and much more aware of civic responsibility than it was fifteen, twenty, years ago. '!be btack situation, beaIth and medical problems, food problems; all these were problems that the press in days gooe ~y would hardly pay any attention at all. Today these are majOr stories in newspapers and we give them considerable coverage by experts in the field. We have authorities writing about them, these are reporters who are well trained in that field who not only do the (Cmtinued OD Pill' Sl I by Jobn_Koloen of the,Newsco - for the pas,~ ~3 ye~ Irv Kupcinet has· be: ~taff - "Kup's Show . m Chicago, and has written a da:t of the popular sun-Times. His programs format shows di Y_column for the PlaDY of the national late night talk show v~~ity, and unlike kJ)oWD for its top quality guests and intelligen~' Kup's ~how" is As a journalist Kup is in the rather uni u c~~versation. awn talk show, aired Saturday nigh~ ~f~~bon of hosting his (ledicated to "the lively art of conversatio ,, :3o p.m. and is Newscope spoke with Irv Kupcinet last :~k conversation, his column and journalism in g abor the art of Newscope: W!1at ~ade you decide to get into ~~ · h posed to str~1ght Journalism? s ow as opJ{upcinet: I Just had a hunch that conversati thing on television and it was a show I could port wa~ the coming rJ contacts, it was a show I thought I could hau oge er because interests in various fields and all those thin~~~~a~se of my together. I felt it was time for conversation ° meshed NS: Where did the idea for the format of you·r sho was it modeled _after something else? w come from; J{upcinet: Susskind started his show about the same tim I mine, but his is a little bit different. And his h dn ,f started Chicago yet. a come to So we tried it once and it was quite a sensation · Chi because it brought to life some interesting people at m cago hour. We ca~e on a_t midnight, live, and the first sho~nr~~i:~ about four o clock m the morning. The response was so great that we were convinced that there was an audience for good, intelligent discussion regardless of the hour. · Nobody used that time in those days this is almost thirteen years ago, so w~ not only opened up a new avenue for conversation, we opened up a new time slot. We've been a late night show ever since, although we now tape the show and we have a much better playing time at ten-thirty. NS: What do you see as the purpose of the show? Kupcinet: The purpose of the show is, first, to encourage the art of conversation whi_ch is kind of disappearing from our society, and two is to let the public hear authoritative people, who have vast knowledge, discuss the issues of the day so that they get a better comprehension ci what the issues are and how we try to ~derstand them. We don't resolve many issues but we bring a little understanding, a little light that's not too much heat to a topic. NS: How do you choose the topics for the show? Kupcinet: We don't choose the topics· we choose the guests and we go from th'ere. On, occasion, if there's a major topic, we 11 ~o after guests who fit the topic. If the V1_etn~ War suddenly emerges with ~ maJor issue, the Pentagon Papers for mstance, an offshoot of the Vietnam War, we'll go after people '.Nho are versed in the Pentagon Papers who perhaps participated ~ the writing of them or discussion of them . . . but ordinarily the tssues fit the guests. NS: Do you screen guests? kupc~et: We have no way of screening guests. We just buy tJ:iem 00 the~ reputation. We try to get people who are recogruzed authonties in their field and who are timely in the news or who are prominent in entertainment and the arts. NS: Do the guests you choose often let you down on the show? Ku~inet: I've been disappointed many times. A lot _o! fellows, P&rt1cularly authors who write very well and have exciting books and best sellers turn out to be lousy conversationalists, and my heart goes out to them. I have to do something with these people. You can't just let them sit there if they don't o~er the_mselves, so I adopt a different technique, almost an interview type_ of ~hnique, where I get to them specifically and gear questio~ right to them to make them talk and I hope by means of their conversation the other people may chime in and bring the best out <i them. Also, guests that I thought woul~ be -~dheads turn 0 1rt to be brilliant and-some I thought would be brilli~nt turn out ~ be dull. I had one actress who was a leading comedienne of the time and she sat there for four hours without opening her mouth once. She just sat there and said 'I'm listening, I'm listening.' But on the other hand, ~ests sometimes g~t so ~xcited that they forget about the commercial and keep talking i:ight _thro~ the CO~ercial, they just continue their convex:sation, 1~~nng the ~lf~r of the show, ignoring the fact _that it IS a teleVIS1~n show, lgnonng the commercials, they're JUSt wrapped up like they Would be in a bull session. NS: Do you consider it a bull session? . . kupcinet: Yeah, I think of it as a bull session. People are ~1tting 81'0Und a coffee table engaging in the lively art of conversation. A .. , I 11 ll'Jl E P bull certain session with a littl · . · . e more direction. e are trving to with lipottlmts and to give each person a chance to . h. Wt a e more order than a bull . on h ~:: How ~o you approach controv ial 1 u · on th ? th J>:Cinet. Head on. We have no hesitation· the mor contro he ~ue the more diversified our guests• th ter . th S OW IS. ' NS· Havey · · res~t of th:~~;ions beeo changed on any particular · 1 Kupcinet: Ob yes. In other words it' a learning 'fUY'W'b<~C' r ~; ~Y J~~ch develops a lot ~f different attitud I mar ~ ' . e a . ore, and listening to the gu ts expound d , lo different attitude and different appreciation of e u NS: How much_influence do you think your h h on ri··-,., __ ., ~u?Cinet: I ~ it has influence in that it broad pl ' ~on and_ honz~n. I don't think we make people cha ·r minds radically m that regard, but I think it does avenues and new understandings of vario i u . NS: How does the show relate to your column? Kupcinet: It's a tremendous compliment to the column a the people I write about are the people I use on the nd th people on the show give me items for the column th y go h nd m hand. I pick up a lot of material, background material, item n stones from the guests on the show. It broade my o 111 vi ion broadens my own coterie of guests and friends and ti t . i think it helps impro e th column. ·s: Do you thin.It the w h m JnttnPlJCP. than the column? . upcinet: ell, in certain area . e g mto_ much deeper and more philo phic l subJects on the show than I do in t column. I think the column · newsy, informative, rhlle th ~ooc1 discussion i u . S: Which do you find m re ~e column or the sho •? Kupcinet: I don' t think i ' a matter of !ither or. I find th m both vel") excitin both very challengin, and both · r : fulfilling. I'm delighted to be a ticipant in both. , 'S: In your column ·hat do you primarily focus on? Kupcinet: ·ames, nam and n column of my type 1s limited ·o u, t m t of_ the names I use are readily 1d tified without any d ri · . • 'S: Do you find yourself br<-ca .. ,uui:: very often in your column . Kupcinet: It doe n't happen but there's nothin a ti yi scoop. 'o matter ho phi tic t \\ become in journalism w all lo to h a scoop and have a at on th . I make an effort to t n fir t. It m , not be very important, but I lik to first with whale r I print. ' : Do you get mu h tatic a r ult f what you print m )our c umn? Kupcinet: I' e had ind of n ral cusations, nothing pin-point . \\'h they get mad at me they call me a go ip mo r r or a ip columnist. I don't deal in much g 1p. I don't th' n columni t today does. Most of them are well trained ne pa r · pl nd they_ don't deal in m~ch gossip anymore. P ple hav · ceptions of what go 1p really is an ·ay. S: Is there any weight to the critici m of people lik call it biased and sloppy? Kupcinet: I would say this in the Agn , ca tha m papers, I'm s~ng generally here and you ~w that dangerous, but most of the papers ma ea incer effor to , r thorough and very fair in their coverage. But ther ' no d b that there are inbuilt _prejudices among the pr •ho will k n Agnew story that 1s derogatory and blow it up a much a ibl . I think he has suffered in this regard. I disagr with many hin that Agnew stands for and says, but that till n t mean h shouldn't get better and fairer coverage. NS: Why does it seem that Agnew is singled out? Kupcinet: Well, be lends himself to it by being a kind of buffoon in certain cases and this carries over e en when he' serious and this atti~de. that _he's a buffoon, _carries over. I think repo'rte have pre~udices_ like anyone and 1t comes out in their reporting. NS: Has JOurnalism changed much in the last fifteen years? Kupcinet: _I ~ journalism, like the nation, ha become much more sophisticated, much mt)l"e concerned about the major i u <:I the day, and much more aware of civic responsibility than 1t was fifteen, twenty, years ago. 'lbe black situation, health and medical problem , food problems; all these were problems that the press in days gone by wo~d ~rdly pay any attention at all. Today these are major stones~ news~pers and we give them considerable coverage by experts m the field We have authorities writing about them these are reporters who are well trained in that field who not only 'do the (Cootinued on Page S) .",'1 education meant enfottiDc codes. . ...- I almost pity these discover that educati~" than keeping your 8lIlrt .... tucked in. The shOCk III terrible. The John Hos lllllIt lit education must hav~t1 minds because of this atU~ In the end I lack the ~ feel true compassion ~ II people. My contempt is too a..; To realize the amount of ...... they have fucked up the JIeiIIIe they ha ve destr~yed IIIilk creativity they have slilledlile much. ... bumS me. They took him and screwed him, and beat him, ~nd then chopped his brain up 101:" little pieces and reassembeled 1\ so he was "nonnal". I say "they" purposely. Because the forces tha t fucked him over are nebulous, and are~'t even conscious of the psychic damage they wreaked. I say "they" and I mean the schools, I mean aspects of a society tha t foster this type of latent totalitarianism. I feel anger, but more, fear. Because I look at myself and see what I went through in high school. I realize they came close to lobotomizing me. They did to an extent; I lost a certain cutting edge of preception in high school. , Something was ground out of me there. Visions I began with were lost. Lobotomize is the right word. I feel ambivalent towards most of my high school teachers and principals. On one hand I feel contempt towards them. I despise • them for what they have done to education. • On the other hand I feel sorry • for them. The sense of failure they must experience in the dark of night when they realize that three years ago they believed and, to my mind, the inborn sensitivity of a poet - he knew melancholy. He knew, too, I think, the price his rebellion coul,d be. I saw him two years ago and he had changed. There was still the pride, the forthrightness, but it was different now. Something was missing. He hadn't gotten past tenth grade. He'd been on the road for a while, he said. He'd gotten busted once, and now was going to Vietnam. He wanted to. He thought it was right. He believed in it. Something was missing. At lunch we talked. We talked of what had gone on with each of us, about Vietnam. We agreed to write one another. He wouldn't let me pay for his meal. I received a letter from him about a month later. I had argued a point on the War and now he wrote he had seen a magazine article that supported what I had said. I think it was his way of saying maybe I was right about the War after all. I never wrote back - that being another story in itself. I baven't heard from him since. It angers me 'when I think of what happened to Claude. It IlyMan:~ I wonder about my friend Claude. I wonder what happened to him. I wonder if he is alive. I wonder what he thinks !lOW. He was my boyhood friend - not that we were always together, but rather that we could understand one another. It's something tha t people who are considered "strange" by others often share - empathy. I went to school with him till tenth grade when he went back South with his brother. I saw him briefly a lew summers after that, and then about two years ago before the Army sent him to VIetnam He was a rebel. He was a rebel by brrth and by inclination. He was Incapable of being forced to do anything - he was too proud, 100 independent. Maybe it was because he came from a dirt poor family and had a father who had the stature and presence of a mountain The old man towered over you He was tough and unvarnished He told you right off what he thought laybe this gave Claude the uent integrity he had. It was there. He was a friend you respected. He had intelligence, • • • v o I C E S I .see my friend ClaUde tenth grade education fi~' a war that has ~1I defensible, and belieVingin It.. I see myself unable to Shakespeare volunlarily bee:: of the memories of S~ in high school English cIasieI. fin~ m~se1f ignorant of I prejuediced against c~ music because of having itforeed on me 10 grade scbooL I remember dress codes 8IId actively rebelling against ,.: I see the bones of dead IlIindLI see my friend ClaUde.I see JII!fI of myself. It may be a lell over fear from lost times of plague and other forms of holocaust that precipitate the disgust we have for small creatures. Whatever it may be. many of us recall lying face down on a cold Iloor, twenty inches below the warm sheets that cradled our nightmare, where the number and size of the attackers seemed to aggravate terror all the more. To my mind there is but one producer-director who's exploitation of our inborn fears 01 little beasts approaches eloquence. He is Alfred Hitchcock,thatround gentleman who would "good evening" us into chills on the "glass teat" or would mysteriously show up standing on a comer an films like "Psycho" or "The Birds" . background story had exhausted itself, I learned Willard's despondent mother has died, making the young man prey to his bos . and deceased father's parther (Ernest Borgnine). He wants the large old home where Willard and friends live to be torn down so they may build' a few apartment buildings and make some "big money". Willard learns of all this, and, after a comical scene where," on Willard's command, the rats raid a party the boss has thrown, the rats are told to munch on the empl!'yer, which they do, realizing a befitting end for the man. Earlier in the sequence of the film the old man killed one of Willard's favorites . .. a rat named Socrates, who responded extremely well to the Sesame Street-like training given free of charge to all Willard's friends . . . a bit of the old revenge. by Sandy Principe Artists and designers have had something to do with nearly every manmade object. Consequently, the field of art has become very broad and diverse. The major areas could be listed as advertising design, illustration, fashion illustration, photography, industrial design, dimensional design, interior design, fabric design, fine arts and Iasion design. Still, there are hundreds upon hundreds of careers within these fields. All of these fields break down into an enormous number of specific jobs which _. fascinating way II overlapping, Ink!rloctill and leading iDto • another. An iDteriar designer decides to _. lamp and finds that Mila ~ become an iDdaIfrIaI designer. An advertlilil designer paints a piclIre .. fit into one of his layulIlIII finds that he's aDilllll1nllr Commercial art ud industrial design lit projected as expaIICIllII fields. This caD be II· My boots had just been shined, Ifve lIT take a skuff or two. The shirt I was -me was almost free of wrinkles. It was llIICof l1li kind you wear without ironing. Mylevis '"" faded, but only enough to give II.- character. Numerous rips and tears in l1l'i suede coa t had been sewen with lI1e skill of' tailor. According to my standards, I tbDU8bl' looked pretty spiffy. Unfortunately, my standards and thoIt' some restaurants differ measurablyaft8'1111 wrinkled shirt. Esquire's fasian edIlll1' ;[ ha ve laughed me off the ten best dreIIId but the editors of Seed would probebly bllf patted me on the back. TheproblemIbId-: this specific attire, was in findiing a ~eII1 eat a late night dinner, other thaD a spoon. ,- Maggie and I had just seen M~ III Mrs. Miller at the Roosevell1beater.~ about fifteen minutes after eleven 0111...... evening. My date had on her fineSl .- sweatshirt, corduroy bell-bottom~ .. suede shoes direct from May's New York City. . at'" I tried to think of a nice place to ea:...- time of night. We ha:dn't eaten supper, __ us hunger for something more lbaJI I ,- burger. I thought for a minute at !WOo came up with Carl's. sIIJlIIII! Those college and high scbo01 ... who are familiar with this place. ~ III• there are two names. If a male IS ItIt formal date of sorts, he may ~~ .. female he is escorting, 'how a)loU ......... Villa 0' Carlo?' Someone in m~ would instead say of the same '1"'- 'Hey, ya wanna eat at Carl's?' ~.- D'Carlo lends itself nicely to moods. _ .... fIIl1 ",. . Because it was late, we c:vu-JJ -. 01 pizza at Carl's, so we ordered • "YOU DIRTY RATS" Due to marvelous WILLARD - Ja me. Cagney photography and Bruce Davison special effects, the Sondra Locke latter of these films Elsa Lanchester scared the hell out of Michael Dante me, and had me looking to the skies Ernest Borgnine for that one black- Directed by Daniel Mann bird, who, with a devilish look in his dark eyes would signal an airborne armada to pick my bones, leaving only a belt buckle and a plastic-coated Parks ide LD. to tell of my fate. Hitchcock also compelled Anthony PerkillS, the perfect inconspicuous mad. man, to carry out these ghastly deeds. More than coincidence is working when Bruce Davison walks slight and timid into the depth of field of "Willard" His actions are more labored and clumsy, letting on a kind of amateur strain rather than the smooth unfaltering intensity displayed by Perkins; a quality of portrayal that initiates the slow and steady build to the end, where the ugly truth is uncovered. Consistency reigned in this film as Ernest Borgnine, a sometimes brilliant performer, played the worst role of his career. IlIStead of feathers I was given fur. The fur from hundreds, no, thousands of rather talented rats. who befriend Willard in a timf of great de,JeCtiOll,filling his depressin~ world With appreciative squeaks and caresses. In fact, their kindness and cuteness was SOthoroughly played out that I began to find these little fellows to bear a ::'~n common with my higher caste gerAfter uite a long and lIIIDecesaary Willard gets the rat fur out of his ears eyes, nose and throat and comes-to hi~ senses, ~wns the remaining ra ts and burys their remains. He is sure of his ad-: justrnent to a normal, ratless existence and IOVlles a girl, we see only in profile until this point in the film. ' As Ourlovebirds are eating a quiet dinner at home, WIllard spies "Ben" anoth head rat, who somehow has es~aped ;:; clutChes of the law. .The girl is hustled off and the aUdience is gIVen a. chance to change its mind about ':"ts as timid Willard is torn to bits by furry IItlle creatures with a grUdge. Many of the problems encountered (tinny mus~c, sp~lty photography) were repa.lr~ble ..Tune would have been the best mediclDe ID accomplishing this and it seemed. at ~lDts that someone forgot all about direction, making a nearly plotless • shocker grow weary under the weight of s~ntaneity. It's a good one for the kids who mIght want to catch it at a Saturday matmee, but beware of what they might bring home in little cardboard boxes. wiJliams 'Sorensen and, to my mind, the inborn sensitivity of a poet - be knew melancholy. He knew, too, 1 think, the price bis rebellion coul~ bums me. They took ~m and ed him, and beat him, ~nd screw h ped his brain up mto then c op beled it little pieces and r~sem . education meant enf ol'Cing codes. drea. be. he • • • he was "normal . sol say "they" purposely. I almost pity these discover that educau0~· 'to than keeping your sbi ~ tucked in. The shock rn rt ~ terrible. The John Hosrna:a ht e~ucation must have un Ii mmds because of this at ti~Y 1 saw him two years ago and had changed. There was still th_e pride, the forthrightness, bu~ it was different now. Something was missing. He hadn't gotten past tenth grade. He'd been on the road for a while, he said. He'd gotten busted once, and now was going to Vietnam. He wanted to. He thought it was ri~t. He believed in it. Something was missing. the forces that fucked Because 1 d aren't him over are nebu ous, an hi V 0 even conscious of the pre C damage they wreaked. say "they" and I mean the schools, I mean aspects of a society that foster this type of latent totalitarianism· I feel anger, but more, fear. In the end I lack the cha~ feel true compassion for "'-lo people. My contempt is too ~ To realize the amount of ~~ they have fucked up, the r:I"' they have destroyed~ creativity they have stilled is~ ~uch. At lunch we talked. We talked of what had gone on with each of us, about Vietnam. We agreed to \\Tite one another. He wouldn't let I C E s Because I look at myself _and ~ee what I went through m high school. I realize they came ~lose to lobotomizing me. Th~y did_ to an extent; I lost a ~ert~m cuttmg edge of preception m high school. Something was ground o~t of me there. Visions I began ~th were lost. Lobotomize is the right word. I ·see my friend Claude With tenth grade education figh~ 1 a wa~ that has . become in. me defensible, and beheving in it pay for his meal. . I received a letter from him about a month later. I had argued a point on the War and now _he wrote he had seen a magazme article that supported what I had said. I think it was his way of saying maybe I was right about the War after all. 1 feel ambivalent towards most of my high school teachers and principals. On one hand I f~el contempt towards them. I despise • them for what they have done to I see myself unable to ~ Shakespeare voluntarily beca d of the memories of Shakespeare in high school English classes 1 find myself ignorant of ~ prejuediced against classical music bec~use of having it forced on me m grade school. I remember dress codes and not actively rebelling against them education. · • On the other hand I feel sorry a for them. The sense of failure they must experience in the dark of night when they realize that three years ago they believed I never wrote back - that being another story in itself. I haven't heard from him since. It angers me ·when I think of what happened to Claude. It in "P ycho" Bird " . background story had exhausted itself, I learned Willard's despondent mother has died, making the young man prey to his bos and deceased father's parther (Ernest Borgnine). He wants the large old home where Willard and friends live to be torn down so they may build· a few apartment buildings and make some "big money". Willard learns of all this, and, after a comical scene where, · on Willard's command, the rats raid a party the boss has ~~\IPIIL thrown, the rats are told to munch on the employer, which they · do, realizing a befitting end for the man. Earlier in the sequence of the film the old man killed one of Willard's favorites ... a rat named Socrates, who responded extremely "YOU DIRTY RATS" well to the Sesame Du to marvelous WILLARD photography and Bruce Davison pedal effects, the Sondra Locke I tter of these films Elsa Lanchester ared the hell out of Michael Dante - Jamea Cagney Street-like training given free of charge to all Willard's friends . . . a bit of the old revenge. me, and had me Ernest Borgnine looking to the skies Directed by Daniel Mann for that one black- Willard gets the rat fur out of his ears, eyes, nose and throat and comes - to his senses, drowns the remaining rats and burys their remains. He is sure of his ad-• justment to a normal, ratless existence and invites a girl, we see only in profile, until this point in the film. bird, who, with a devilish look in his dark eye would signal an airborne armada to pick my bones, leaving only a belt buckle and a pla ·tic-<:oated Parkside I.D. to tell of my fate. Hitchcock also compelled Anthony P kins, the perfect inconspicuous madman, to carry out these ghastly deeds. More than coincidence is working when Bruce Davison walks slight and timid into the depth of field of "Willard" His actions are more labored and clumsy letting on a kind of amateur strain rather 1 than the smooth unfaltering intensity displayed by Perkins; a quality of portrayal that initiates the slow and stea~y build to the end, where the ugly truth 1s uncovered. on istency reigned in this film as Ern l Borgnine, a sometimes brilliant performer, played the worst role of his c r r. Inst ad of feathers I was given fur. The fur from hundreds, no, thousands of rather tal nted rats who befriend Willard in a tim£ of gr at dejection, filling his depressin~ world with appreciative squeaks and i car . In fact, their kindness and cuten wa so thoroughly played out that I began to fmd these little fellows to bear a lot in common with my higher caste ger- bils. After quite a long and unnecessary As our lovebirds are eating a quiet dinner at home, Willard spies "Ben", another head rat, who somehow has escaped the clutches of the law. The girl is hustled off and the audience is given a chance to change its mind about rats as timid Willard is torn to bits by furry little creatures with a grudge. Many of the problems encountered (tinny music, spotty photography) were repairable. Time would have been the best medicine in accomplishing this and it seemed at points that someone forgot all about direction, making a nearly ploUess shocker grow weary under the weight of spontaneity. It's a good one for the kids who might want to catch it at a Saturday matinee, but beware of what they might bring home in little cardb~d boxes. Williams ·Sorensen I see the bones of dead minds. I see my friend Claude. I see pans of myself. by Sandy Principe Artists and designers have had something to do with nearly every manmade object. Consequently, the field of art has become very broad and diverse. The major areas could be listed as advertising design, illustration, fashion illustration, photography, industrial design, dimensional design, interior design, fabric design, fine arts and fasion design. Still, there are httndreds upon hundreds of careers within these fields. All of these fields break down into an enormous number of specific jobs which have 1 fascinating way overlapping, interlocking and leading into one another. An inter10 designer decides to design a lamp and finds that he bas become an ~ industr11! designer. An advertising designer paints a picture fit into one of his layouts and finds that he's an illustrator Commercial art and industrial design are projected as expanding fields. This can be at· My boots had just been shined, give. or take a skuff or two. The shirt I was weartng was almost free of wrinkles. It was one ci the kind you wear without ironing. My levis were faded, but only eno';'gh to give . °:° character: Numerous rips and tears _in of i suede coat had been sewen with the ~~""ti tailor. According to my standards, I LIIUU6" looked pretty spiffy. d Unfortunately, my standards and ~ tilt some restaurants differ measurably _aft wrinkled shirt. Esquire's fasion editor :· have laughed me off the ten best dr~ ha but the editors of Seed would proba Jd patted me on the back. T~e p_ro~~em 1 lace this specific attire, was m fmdiing 8 P greasY eat a late night dinner, other than 8 spoon. McCabe .- Maggie and I had just seen It Mrs. Miller at the Roosevelt Theater.sunda. about fifteen minutes after eleve~ 0!~ ~ evening. My date had on her fin nts and sweatshirt, corduroy bell-bot~om :rnent suede shoes direct from May s ba New York City. tattlJal I tried to think of a nice place to ea rna time of night. Weha:dn'teatensuptha~ 8 • us hunger for something more .... 0 burger · te or ,,. ' . I thought for a mmu came up with Carl's. ool st Those college and hi~ sch 1tno\l' who are familiar with this plat is out tct' there are two names. If a ma e est to formal date of sorts, he may ~~ dinflel' • female he is escorting, 'how_ a mY situl Villa D' Carlo'?' Someone m e restslJ11ll would instead say of the/~?1carl's or\ 'Hey, ya wanna eat at ~r s · lifestyJeS D'Carlo lends itself mcely to moods. could ()Illy r,611 Because it was late, wered 8 12 u,c:b- (le pizza at Carl's, so we orde OMit .. ..... years ago, ina land -- thel"elived a man "'=~w developed the .IIJ rkable talent of ~:liOg 17 mand~rin ~o g e s w h I I e ~taoeouSlY bal,:mcing a ~elon on hIS nose, ~ Welsh coal mining es and accompanying ~ on the zither played 'i1b bis toes. Tbis strange ability zed the local townspeollPiplewho turned ~ut larly to see him ~tice Saturday ·af- ~ns on his front lawn.- W1JiIe his fnends enjoyed .. tClJing him very much, tiel' realized tha this grea t "t was hidden in such a I1118D townand urged him to ,tothecity where he could be appreciated by a great III1Dberof people.. not possibly have been any better. .But then a sad thing happened. He began to grow . old. The twelve oranges dwindled to ten, then eight. The watermelon gave way to a small cantalope, and saddest of all, those once lightning toes could no longer perform magic on the zither. His fame dwindled along with his fortune and . one day, friendless and dejected, the man disappeared. And so he practiced day and night and day, until he ~s ready. At a big festival, WIth many people in attendance, he ran out on the stage with his oranges, watermelon and zither and began to perform as once the master had. The crowd overwhelmed by the sight of the act being performed, . ; 'I . ., .:. ,. . . , , . \._: !\ 'I ". ;......:.: enjoy it, but what can you do completely 011 your own?" The crowd hushed awaiting the answer. The performer t then ruJjriog that in fact there was nothing else he could do turned slowly and walked off the stage, never to be seen again. THE END you can do completely by yourself that we can show to the public belen it II too late?" The group thouIht for a minute. "00 not worry," said the gMlUp in unison sopRno, "We, being 01 nimble banda and quick minds, can write and play songs as ba ve never been heard before. We shall use such things as folk guitars, slow ballads and even vocal harmony that we may please you." This little known Bavarian fairyta1e, it is rumored, was re-discovered by Chris Wright, producer of Ten Years After. He also being of quick mind, saw in it a warning. After. all, he thought, hadn't his group made it by re-recording old rock and Boogie tunes? Hadn't they been the vanguard of the old rock revival? And most important, had Ihey ever really been noted for their originality? Answering his own questions, he rushed to the recording studio. liMy boys," be said, pointing to the last paragraph of the story, "we are in grea t danger of walking slowly off the stage and never being heard from again." "Is there nothing And after hearing these things on their tatest album, "A Space in Time", he was pleased. He found that they could be as delicate and sensitive as they we;e RW and exciting. He beard them play very much in the style of the Moody Blues, but different enough to still be genuinely original. Fine harmonization, vocally and instrumentally, a distinct element of freshness, and their flawless execution made him so pleased that he even let them play a few old rock aod Boogie tunes to round off this very fme recording. And so, like all producers, he lived happily every after Years went by and soon :; all that was left were a few'; , fond memories of this once: amazing performer, now all but forgotten. But in another town, many miles away from the land of the old performer's birth, a young man known to be of nimble hands and quick mind was studying the strange legend of the performer and his tricks. "If this is true," he thought, "then why could not I, being of nimble hands and quick mind, learn to perform as he did and perhaps recapture his fame. lt could make me a very wealthy man." by Bob Borchardt once again rose to its feet and cheered wildly. He was on his way. Just as the master before him, his amazing talent was in demand, bringing him both wealth and fame. But again, just as before, something very sad happened. One day, while performing in front of a very large crowd, a man rose from the audience asking if he might pose a question. i<As an imitator ." he said, "you are very good and we Doingthis, he soon earned !aIDebeyond belief. Across !be world people clamored fer bis wondrous act. While lOme labeled him as degenerateand tasteless, he DOnetheless became the mostpopular performer in tbeentertainment biz. For a wbileeverything was just _derful and, in fact, could illustrators and photographers Professor John lurphy of Park ide's Art Department explained that "In this locale, many persons could be used 10 graphic design and industrial design. These field could then lead to advertising art and even film set up. It'll take a few years yet to set up Parks.de for this." Still, photograph)' becoming increa ingly crowded. , lurphy compared it to drama school as an area hard to get into and requiring a lot of time. "You have to spend a lot of time (CooUnued on pago 81 growing recognition among middle-income families of the value of decorators' services, and increasing use of design services for commercial establishments should contribute to a greater demand for these workers. In addition to newly created jobs, some openings will arise each year from the need to replace designers and decorators who retire or leave the field for other reasons. Graphic communications is a rapidly expanding industry. Thus there will he a need for advertising Young people having only average ability and little specialized training, however, will encounter competition for beginning jobs and will have limited opportunity for adopportunities for employment. Applicants who can design and plan the functional arrangement of interior space will be in strong demand. Young people without formal training will find it increasingly difficult to enter the field. A slow but steady increase in employment of interior designers and decorators is anticipated throughout the 1970'S. Population growth, larger expenditures for home and office furnishing, . the increasing availability of well-designed furnishings at moderate prices, a lributed to our industrial society and growing popooJation.An estimated 50,000commercial artists and 10,000 industrial designerswere employed in 1J&ll. Most of these people What It's Worth I vancement. Talented art school or college graduates who majored in interior design and decoration will find good opportunities for employment. Applicants who can design and decoration will find good lind employment in large c:iIiei on the staffs of large companies. Employment and advancement opportunitiesfor talented and "oil-trained commercial artists and industrial designersare expected to be throughout the 70's. Kup's Show (Cootinued from Pago 31 news stories but interpret them. You must explain to the public what is behind the government ruling, what is behind the government decision, what's behind our Jack of housing, our food problems and these take authorities and newspapers today make a habit of hiring people who are authorities. S: Do you think newspapers have a broader sense of social conscience than in the past? Kupc:lDet: Oh much more, sure. NS: Why? Is it public demand ... or what? - KupelDet: There are a Jot of reasons. Public demand and a sense of responsibility. We realize that these are major problems today and we've got to get-in there and explain them to the public. We can't just sit on the sidelines and report news without going out and searching for it, analyzing it, doing studies on the urban problems and so forth. Papers have become much more responsible .. The old days of the socalled !'yellow journalism", playing up divorces and killings and so forth. They are still news but they're not played the way they used to be played, much more room is devoted to the serious problems of the day. NS: Do you think the press has influenced television more than (Cootinued on Page 6) tender and the cheese still hot. I wasn't really amazed that the pizza was good, just a bit suprised. Anyone eating here during normal serving hours can choose from dishes that sound like last names on a roster of Italian soccer players. Pasta AlI'uovo (home made noodles), spaghetti, mostaccrolt, gnocchi (home made dumplings) lasagna and ravoli (home made with meat). The Amencan lineup features steaks, sea foods and sandwiches. The prices seem to be quite reas0':'8bl~. There may be obvious shortcomings m the food and service at Villa D'Carolo, but on my visit I ran into none. The service was excellent, from the time the waitress lit the candle at our table, to the time she asked if we were enjoying our meal. The pizza was excellent, according to my ex~ences With Italian culinary dishes. The price of the pizza and drinks came to $2.80. . All these good points concernmg the jtalian restaurant do not serve as a recommendation, but only an explanalJon as to the popularity Carl's has earned. On our way through the dining area as we left, we saw three longhairs equipped With headbands eating at one table, a softball player still m uniform with his date at another, and a few tables away, a couple formally dressed on their night out.. . . After eating the pIZza, and enjoYing the atmosphere, I paid the check and left the waitress a shiny hall dollar. As I glanced back at the cashier on my way out the door, I noticed she smiled at me m sort of a funny y It hit me when I got to the car. She must :v~ noticed the wrinkles had fmally. wo~ed their way out of my shirt su~lymg just enough of an edge to put me solidly on the Sunday night best dressed list at Carl's Restaurant, not Villa D'Carlo. . by Paul Lomartire of the Newscope staff Maggie'shalf there was to be only cheese. I onteredcheese, onions and mushrooms on the otherhalf. She got a 7-Up, and I, a Coke. After we had ordered I. asked the waitress if I could read ov~r the menu. A ~ole on the cover immediately caught my eye. Villa D'Carlo "where food is im- ~?rtaJized and pizza'is an art." Upon reading IS, I looked around the dining area for a shrine to ravoli or a monument to steak. I ~onclUdedthat the food is immortalized only In the . mmds of the employees. til In glancing around the dining area OUgh,I realized that we were sitting in the newestaddition to Carl's. This restaurant was opened in 1963. Late last year, the I1lanagement found they had to expand because of the business they had established. The new dining room provides an excellent ~~~.Phere to eat. They also offer banquet eililies. Carl's has come into its own. M Wewaited only a short tiine for the pizza. ter eating a few pieces I realized that the truat was excellent, the m'ushrooms juicy and - - Y years ago, in a land Jl'!,y there lived a man "1 1 m;how developed the fllO!~kable talent ?f reJJI rng 17 mandarin jlld 1 0 g e s w h i 1 e o_ r ~taneously balancing a siJ!ltermelon on his nose, ~ . g Welsh coal mining ~ and accompanying :self on the zither played with his toes. fbis stra!}ge abilit_y azed the local towns1111 pie who turned ~ut re:ularly to see him actice Saturday -af- ~noons on his front lawn.~ While his friends enjoyed watching him very_ much, Ibey realized that his great gift was hidden in such a SlllBll town and urged him to goto the city where he could be appreciated by a great wmber of people. Doing this, he soon earned rame beyond belief. Across lbe world people clamored for his wondrous act. While ome labeled him as degenerate and tasteless, he nonetheless became the most popular performer in the entertainment biz. For a . bile everything was just wonderful and, in fact, could tributed to our industrial ociety and growing popoulation. An estimated 50,000 commercial artists and 10,000 industrial designers were employed in 1968. Most of these people What It's find employment in large cities on the staffs of large companies. Employment and advancement opportunities for talented and ell-trained commercial artists and industrial designers are expected to be good throughout the 70's. not possibly have been any better. But then a sad thing happened. He began to grow old. The twelve oranges dwindled to ten, then eight. The watermelon gave way to a small cantalope, and saddest of all, those once lightning toes could no longer perform magic on the zither. His fame dwindled along with his fortune and one day, friendless and dejected, the man disappeared. Years went by and soon all that was left were a few : fond memories of this once : amazing performer, now all but forgotten. But in another town, many miles away from the land of the old performer's birth, a young man known to be of nimble hands and quick mind was studying the strange legend of the performer and his tricks. "If this is true," he thought, "then why could not I, being of nimble hands and quick mind, learn to perform as he did and perhaps recapture his fame. It could make me a very wealthy man." Young people having only average ability and little specialized training, however, will encounter competition for beginning jobs and will have limited opportunity for adWorth I vancement. Talented art school or college graduates who majored in interior design and decoration will find good opportunities for employment. Applicants who can design and decoration will find good And so he practiced day and night and day, until he w~s ready. At a big festival, with many people in attendance, be ran out on the stage with bis oranges, watermelon and zither and began to perform as once the master had. The crowd overwhelmed by the sight of the act being performed, by Bob Borchardt once again rose to its feet and cheered wildly. He was on his way. Just as the master before him, his amazing talent was in demand, bringing him both wealth and fame. But again, just as before, something very sad happened. One day, while performing in front of a very large crowd, a man rose from the audience asking if he might pose a question. "As an imitator," he said, "you are very good and we opportunities for employment. Applicants who can design and plan the functional arrangement of interior space will be in strong demand. Young people without formal training will find it increasingly difficult to enter the field. A slow but steady increase in employment of interior designers and decora ors is anticipated throughout the 1970's. Population growth, larger expenditures for home and office furnishing, · the increasing availability of well-designed furnishings at moderate prices, a tender and the cheese still hot. I wasn't really amazed that the pizza was good, just a bit suprised. Anyone eating here dur~ normal serving hours can choose from dishes that sound like last n~mes on a roster of Italian soccer players. Pasta All'uovo (~o~e mad~ noodles), spaghetti, mostaccioh, gnocc~ (home made dumplings) lasagna a~d ra~oli (home made with meat). The Amencan lineup features steaks, sea f00?5 and sand"";ches. The prices seem to be quite reasoI_13bl~. by Paul Lomartire of the Newscope staff There may be obvious shortcomings m the food and service at Villa D'Carolo, but on my visit I ran into none. The service was excellent from the time the waitress Ii~ the candle 1 at our table, to the time sh_e asked if we were enjoying our meal. The p1~a was ~xcellent, according lo my ex~nences '_Vlth aggie's half there was to be only cheese. I Italian culinary dishes. The price of the pizza ordered cheese, onions and mushrooms on the 0therhalf. She got a 7-Up, and!, a Coke. After we had ordered I asked the 'N 'tr , ai ess if I could read over the menu. A quote on the cover immediately caught my eye, Villa D'Carlo "where food is imlll?rtalized and pizza' is an art.' ' Upon reading th~. I looked around the dining area for a Shrine to ravoli, or a monument to steak. I ~onc}uded that the food is immortalized only Ill the minds of the employees. In glancing around the dining area !hough, I realized that we were sitting in the n west addition to Carl's. This restaurant was 0t>ened in 1963. Late last year, the lllanagement found they had to expand ~use of the business they had established. e new dining room provides an excellent :~~phere to eat. They also offer banquet acilities. Carl's has come into its own. Al We Waited only a short tiine for the pizza. ter eating a few pieces I realized that the crust was excellent, the n{usbrooms juicy and and drinks came to $2.80. . All these good points concerrung the Italian restaurant do not serve ~s a recommendation but only an explanation as to the popularity' Carl's has earned. On our way through the dining area as w_e left, we saw three longhairs equipped with head~n~s eating at one table, a softball player still tn uniform with his date al another, and a few tables away, a couple formally dressed on their night out. . . After eating the pizza, and enJoymg the atmosphere, I paid the check and left the waitress a shiny half dollar. As I glanced back at the cashier on my war out the door, I noticed she smiled at me m sort of a funny way. It hit me when I got to the car. She must have noticed the wrinkles ~d fmally_ wor~ed their way out of my shirt sup~lymg Just enough of an edge to put me solidly on the Sunday night best dressed list at Carl's Restaurant, not Villa D'Carlo. . enjoy it, but what can you do completely on your own?" you can do compl t The crowd hushed awaiting the answer. The performer, then realizing that in fact there "'as nothing else he could do, turned slowly and walked off the stage, never to be seen again. THEE 'D This 1i ttle no n Bavarian fairytale, it · rumored, was re-discovered by Chris Wright, producer of Ten Years After. He also being of quick mind sa ·n it a warning. After. all he thought, hadn't his group made it by ~recording old rock and Boogie tunes? Hadn't they been the vanguard of the old rock revival? And most important, had they e ·er really been noted for their originality? Answering his own questions, he rushed to the recording studio. " 1:y boys," he said, pointing to the last paragraph of the story, " ·e are in great danger of walking slowly off the sta e and never being heard from again." "ls there nothing growing recognition among middle-income famili of the value of decorators' ser ices. and increasing u of design service for commercial establishmen should contribute to a greater demand for th worker' . In addition to new! created jo ·, ome openings will arise each year from the need to repl e d i ner nd decorators who retire or leave the field for olh r reason . Graphic communication is a rapidl · e. panding indu try. Thus the v.ill a need for adverti ·ing yourself that th public late'!" The roup for a minut . Kup's Show (Continued on Page 6) . or has inthan Kup's Show <Continuedfrom Page 5) television bas influenced the press? Kupclnet: No doubt television has influenced the press m~I7 t1I.BD the other way around. TeleVl~lOn IS new, it's fresher, it's got a ~fe~ent approach it's more immediate in many reg~ and the press has had .to change considerably because of It. Many times we don't cover ~. story direct because we feel teleVIsion IS covering it ... that doesn't mean we aren't going to cover a good hot sto.ry, but many times we want to go behind the story because televiston ~as done such a good job of covermg It. NS: Getting back to your show, would you say that your show represents younger people adequately, or is it top heavy with older people? Kupclnet: I'd have to say we're top heavy on older people. We're always looking for good bright young people. We don't get enough of them, I admit that. I'd like to get more young people, We have a problem though. To sell a show like this you've got to have names and most of the young people don't have names that the public recognizes. The guests we have on the show are famous authors, famous people in pOlitics, statesmen, wbatever they're in. Young people '--~ achieved this kind of ~..., so it:s a little bit difficult for 111 b1N, particular type of operation to ~ too many young people on. But ::', making an effort all the tbne :It more. .. NS: Of all the shows YOU':ve <1-. there any particular show ibat'" out in your mind as being ~ good? '--" Kupcinet: Well, I like to tIUnt we've had a good number ofsbowa .. are above average. Ithink ~ ~ the show for making news first .... -. show that Harry Truman was OIl '- he had left the Presidency in ~ fItIt.. revealed the reason be fired 1"'-"::: MacArthur was because Ma;~ wanted to use the A-bomb in r;;r For high class, high caliber versation we had a show with !be: Adlai Stevenson, Sir Charll!llno...:: Aldous Huxley and Harlow ~ the astronomer from ~ University. I think those four tlemen were probably as ~ and as intelligent and brilllant .. witty as any guests we've ever bid. Here were four people, each of _ was brilliant in his own right ...... in a very lively exchange of 1..£ NEWSCOPE A"-I"It71 SELLYOUR BOOK AUGUST 16-20 We pay cash for those booles which are being used again in the FQII semester. MAIN CAMPUS STORE ONLY UNIVERSITY BOOK STORE PATRONIZE NEWSCOPf ADVERTIZERS - MIDTOWN BAR & RESTAURANT Bauer Bauer look all three of his (Continuedfrom Page I) degrees at Northwestern faculty. But what impressed University in Evanston, me most was his versatility, receiving his Ph.D. in 1959in his creativity, and hi" public address and group capacity for hard work. In communication. He taught education, as in most other at the United States Air endeavors, long hours and Force Academy from 195910 r ":========-~==:::::;;::~_~ha~rd~w:o:rk~pa~y~Of~f.~" __ ., 1961, when he joined the faculty of Bowling Green ar Rfl.AY iUUSEMENT CfNTER ,an instructor in speech. -. At Bowling Green he rose 10 full professor in 1968,and MINI- GOLF in 1967 was chosen Faculty Man of the Year by a joint ARCHEI'l." I student-faculty committee. f'- , He served as Direclor of Graduate Admissions and BIth &; SHERIDAN RD',. Fellowships from .1965 to -----------==~;;.:,;:...::::.:==::..------ .J 1969and during the last two 'years of that period also was Assistant Dean of "- Graduate School. In 1969Bauer was", 10 be an American eo.t on Education ... ministrative inlel'll II "- University of CalHonIa, Berkeley, where be ... under ChanceUor1loIII' , Heyns and Vice I1NmcW Robert L. Johnsoa darIII the 1969-70academle At Berkeley, he W&I involved in a wide administrative including suDel'1lid1il'l Student Affain during the SpI'iql Green in 1970 He returned and to ~=~ his present posilioll. PIZZA - SEAFOODS ITALIAN-AMERICAN FOvur COCKTAll..~ t ENTERTAINMENT 2112 - 14 - 52 ST. I l<ENOSH.i I - -- ANYONE WANTING KINDLING WOOD FOR A WI:INER ROAST ON THE BEACH CAN GET IT A RAINBOW GARDEN~ FREEthis Wednes -The Wandering Troubador 8:30 -- '0:30 p.m. PltSS Ted. Warm brand A t 11, 1971 $ELL YOUR BOOK$ AUGUST 16-20 We pay cash for those books which are being used again in th FtJII semester. MAN CAMPUS STORE.ONLY UNIVERSITY BOOK STORE PATRONIZE NEWSCOPE ADVERTIZERS MIDTOW,N BAR & RESTAURANT f PIZZA - S AFOODS 1 I A LI A - A M R ICA FOUtJi C OCKTA I S NTERTA I M E .,. 211 2 - 14 - 52 ST. i< ENOSH~ - - - Kup's Show (Continued from Page 5) television has influenced th~ ~ress? Kupcinet: No doubt television has influenced the press m~r~ t~an the other way around. Televi~1on is new., it's fresher, it's got a ?i1fe~ent approach it's more immediate m many reg~ and the press has bad .to change considerably because of it. Many times we don't cover ~. story direct because we feel television 1s covering it ... that doesn't mean we aren't going to cover a good hot sto;1")', but many times we want to go behind the story because televis!on ~as done such a good job of covermg 1t. NS: Getting back to your show, would you say that your show represents younger people adequately, or is it top heavy with older people? Kupcinet: I'd have to say we're top heavy on older people. We're always looking for good bright young people. We don't get enough of them, I admit that. I'd like to get more young people. We have a problem though. To sell a show like this you've got to have names and most of the young people don't have names that the public recognizes. The guests we have on the show are famous authors, famous people in politics, statesmen, whatever they're in. Young people h field achieved this kind of recogmti av~·t so it's a little bit difficult for uso~ Yet, particular type of operation tot~ too many young people on. But :·':1i making an effort all the time :ere more. gei NS: Of all the shows you've d there any particular show that iie is out in your mind as being esn!~ good'? r ""IClJJ Kupcinet: Well, I like to think we've had a good number of show tha are above average. I think though~ the show for making news first was i show that Harry Truman was on at he had left the Presidency in Which~ revealed the reason he fired Ge~ MacArthur was because MacArtJi wanted to use the A-bomb in Korea~ For high class, high caliber versation we had a show with the~ Adlai Stevenson, Sir Charles Da~ Aldous Huxley and Harlow Shapl the astronomer from Harva~ University. I think those four ~ tlemen were probably as articuJa and as intelligent and brilliant Bild witty as any guests we've ever had. Here were four people, each of whom was brilliant in his own right engaging in a very lively exchange of ideas. Bauer (Continued from Page 1) faculty. But what impressed me most was his versatility, his crea ti vi ty, and hi~. capacity for hard work. In education, as in most other endeavors, long hours and hard work pay off. " Bauer took all three of his degrees at Northwestern University in Evanston, receiving his Ph.D. in 1959 in public address and group communication. He taught at the United States Air Force Academy from 1959 to 1961, when he joined the Assistant Dean of l Graduate School. r-------------~-------------------.. faculty of Bowling Green ar RELAY an instructor in speech. In 1969 Bauer was selected to be an American Cou on Education ad ministrative intern at the University of California Berkeley, where he sened under Chancellor Roger Heyns and Vice Chancelkr Robert L. Johnson durinc the 1969-70 academic year At Berkeley, he was directJy involved in a wide range fl administrative activitiel. including supervision of Ille Student Affairs Office during the Spring turmoil ANYONE WANTING KINDLING 000 FOR A tlNEA ROAST ON THE BEACH CAN GET IT A RAINBOW GARDEN~ AMUSEMENT CfNTfR At Bowling Green he rose to full professor in 1968, and MINI• GQLf in 1967 was chosen Faculty Man of the Year by a joint- AR c HE n v student-faculty committee. f'\. I He served as Director of Graduate Admissions and BZth &. SHERtDAN RD.. Fellowships from .1965 to -----------------.;...........,~-----------' 1969 and during the last two He returned to Bowlq Green in 1970 and assumed ·years of that period also was his present position. -The Wandering Troubador . 8:30 - ,o:30 p.m. Pflee Ted .Warmbrand "j i .. .!. E " e ~ j by Jim Casper 01 the NewlIcope staff "lIIwk" Harrelson, one of baseball's most CGICJlful performers in and out of uniform. has fgrtaken his baseball career for a try at pro ..M It's rather unusual for an athlete to switch P-O' one professional sport to another. but Ken ~ does not always do things the usual -Y'rreJson's career is discussed in a book ;00 "Hawk" written by Harrelson himself .,d AI Hirshberg. ~_I"" brawls. big-money golf matches ......-. , The New Hawk pool, poker and bair styling are all part of the activitiesof Harrelson. Neverone to shy away from bets. Harrelson WGU1dbet hundreds of dollars that be could win II golf and pool. Here is an example of the "Hawk" in a poolroom venture. "l would do better at nine-ball if I got the auer instinct more often - the instinct that lIIIkesyouwant to beat a guy's ass until you've IOl every cent he owns." Hawk explai~ed ~at IIlCIt 01 the time he did not have the killer 10- mt but there were instances when he did. "One night in Savannah a guy I knew didn't lit me started bugging me with smart cracks Ibout how I wasn't half the pool player I IIIougbI I was, It was true. I was still spotty - _here near as consistant as a good pool pllyershould be - and I knew he could beat 1Ill!, I Iinally thought 'the hell with it,' and dllllenged him to nine-ball at ten bucks a game. We played one game for forty bucks and Iwon..Then we played for fifty. game and I kept nght on winning. Iran my hanknill up to five hundred, and he wanted to play one game f~r ~t. 'Let me see your money: I said He ~dn t have any. 'We'll use markers.' he S&Kl Ca~ Ornothing: Isaid, and wallted. '" WIth his five hundred dollars." Harrelson also discusses his infatuation lor golf. and how it somelinnes interferred WIth baseball. ow he has given up baseball for golf but this took place alter the book was wrItten Perhaps some of the most lOtereslinll developments in Harrelson's career unfolded during his employment under Charley F1nIe)' one of baseball's most conlroversl8.l and .;. novative owners. Ken describes Finley as not the smartest baseball owner. but the most int.erestmg With Finley in control there was never a chaDee for boredom. He did thinIs. regardless 01 wbether or not they made sense. As Harrelson says, "u he wasn·t finni a manager, be was Ilirinll a pinch-~ or moving a franchise, or dreaming up a gag or shaking up the front office." One of Finley's most intereslinll and ridiculous gags was his mule mascot named Charley O. Charley 0 really gained atten 00 ..-ben Finley announced that he would bnDi bun ClII • road trip so fans in some other AmenalO League parks would get an opportumty to see him. This was in either 1966or 1967. 'obod)' took him seriously because it seemed unlikel) that he would pay all those shipping charges for just a gag. He brought Charley 0 to Yank.. Stadium and none other than the Hawk volunteered to ri~ him around the pan:. A very non-prof 'ooaI, but thrilling ride ensued, and It bad the entire stadium rocking with laughter. While field manager Alvin Dan: understandably upset about the risk that nne 01 his ballplayers had undertaken, Charley Finle)' had gotten what be had hoped for - a good PARKSIDE VILLAGE APART --==,.. ~l FOR AS LITTLE AS $I PER SEMESTER ...lJ 3 ROOMSUITE 5254.25 P.ER SEMESTER2 ROOM SUITE 5180 PER SEMESTER0000 00 • { ILL pAGEL OR DAN LEMBERG OCCUPANCY SEPT. 1. 1971- CONT~c; ~LL (414) m.- COlLECT • AT PARKSIDE VILLAGE SITE HTUDENTS PER SUITE - UNFURNISHED DELUXE 2 ROOMSUITE $2'8.25 PER SEMESTERDELUXE3ROOMSUITE $275 PER SEMESTER- ~~nm OWNER: PARKSIDE VILLAGE I MILWAUKEE. WISCOHSI DEVELOPER: GLOlIAL BUSI ESS" RESIDE TlAt. CE TERS I C 17'" N FARWELL AVE. MILWAUKEE. SCOHSI by Jim Casper of the Newscope staff HJwk" Harrelson, one of baseball's most co&orful performers in and out of uniform, has ken his baseball career for a try at pro It' rather unusual for an athlete to switch ~ one professional sport to another, but Ken garrelson does not always do things the usual ~rrelsOn's career is discussed in a book entitled "Hawk" written by Harrelson himself 1 Hirshberg. othes, brawls, big-money golf matches, The New Hawk J, poker and hair styling are all part of the acthities of Harrelson. i'e\·er one to shy away from bets, Harrelson would bet hundreds of dollars that he could win t golf and pool. Here is an example of the Hawk" in a poolroom venture. "I would do better at nine-ball if I got the tiller instinct more often - the instinct that you want to beat a guy's ass until you've very cent he owns." Hawk explained that t of the time he did not have the killer instinct but there were instances when he did. • One night in Savannah a guy I knew didn't e me started bugging me with smart cracks about how I wasn't half the pool player I ought I was. It was true. I was still spotty - nowhere near as consistant as a good pool play r should be - and I knew he could beat . I finally thought 'the hell with it,' and Uenged him to nine-ball at ten bucks a oo OD 00 LL PAGEL OR DAN LEMBERG OCCUPANCY SEPT. 1, 1971- CONT~<;; ill (.414> 212-0460 COLLECT 1 AT PARKSIDE VILLAGE SITE 4 STUDENTS PER SUITE - UNFURNISHED DE bp' NZWiKXf'E ---.... ~P ... ~ oIlIle N...-..-,lair So far, nineteen-hundred IUId seventy-one bas been • fairly good year for cab drivers in Kenosha. The winter wasn't too harsh, the streets were cleaned with a degree of efficienty, and the of "grassroots ·urban America". They are frequently Used as reliable resources in public opinion polls, they are asked their reaction to fashions, politics, trends and the weather. Every so often, one realizes that a cab driver is beginDinl to infiltrate the ranks. Kenosha has only one female who qualifies as a full time cabbie. Her name is Ellen Pedicone. She drives for her "husbandemployer", Peppie, who IS the founder-owner-manager home in the basement, where the calls are taken and dispa tched to the drivers. An average day for her begins at quarter to five in the morning. She works between 12 and 14 hours a day between driving and Working Class' Heroine: Kenosha's Only Woman MIS. Ellen Pedicone" cold weather didn't prove to be too stiff for the best worn vehicles that carry individuals 24 hours a day, seven days a week. Cabbies in Kenosha were also struck with good fortune when the city's only other public transportation system, the buses, folded. Anyone wanting to travel from or around Kenosha had 10 either take a cab, or skirt the law and hitchhike, if they didn't own a car. This situation made a part of 1971 a bit nicer, even if for only the cab drivers. Cabbies are the epitomy one of few people who can accurately describe a past sporting event of magnitude with traces of emotion. Bo.bby Thompson's 1951 home run, and Rock Marciano's last fight have been relived in cabs everywhere thousands of times. Sports enters into the day 10 day life of cab drivers very often. There is a common interest between the male drivers and their passengers. 'This trend is slowly ending, as talk goes from baseball and the Cubs, 10 fashion and woman's Iiberatlon. Women are For What It's Worth <Continued from Page 6) and be very dedicated to it. ThaI's the only way you can do it in any field of art." According to Murphy, the program here at Parks ide is designed basically to fit the needs of those students majoring in elementary or secondary education. "Most of my students majoring in art are planning on teaching", he said. "A few of them take the courses out of interest". The program presently covers a broad spectrum inclUding course in two and three dimensional design, sculpture, art education, painting, drawing and ceramics. Murphy stressed that prospective art teachers should realize that they must dedicate themselves to two thi ngs: their own creative art work and their class instruction. "You are working with students who bave a right to your attention. Both require a separate dedication and equal time. There can be a ...... DE. MURRAY N.GELOLSSON - and $p«ial au. Star • _MT ..... ..... ,."UG :OO,Jll._w.UIl:II~ llCU1'S H.ClO--,h.GO--M.OO :::--· .. ----~ lUoeT_s_.~ .. 1.1JO_"" .... -o-.. ~ ........ .... ...---. ..-. of Peppie's Cabs. This cab company seems synonomus with public travel in Kenosha. Almost everyone in Kenosha, at one time or anotherI has seen one of his fleet trudge down the street with two, three or even four passengers. Driving cabs for Peppie are longhairs, established veterans, and his wife. Mrs. Pedicone has been operating a cab for five and a half years. During this time, she has also been a part time dispatcher for the cab service. The heart of Peppie's Cab lies at her nice carry-over between the two when both you and the class are working on the same artistic problem. You're all talking the same language. I find it easy to get things acroos when you're both doing it." One tip Murphy mentioned as a basic teaching fla w is the a ttem pt to develop a student's style too early. He feels that as long as the student learns the basics of working with the materials and expressing ideas in the classroom, an individual style will evolve later. Placing too much answering calls as a dis patcher. She can only drive a cab during the daylight hours, due to a city ordinance. But by the time the ·sun goes down, she has put in a healthy work day. "Since the bus system went out of business", Mrs. Pedicone said, "the cab business has gone up." There was a trace of a smile on her face when she told me this. The hard years of establishing the private enterprise with her husband bad paid off with a little honus. But she felt sorry for the elderly people, she said, importance on style may become a trap for the student who should be working freely and experimenting with different techniques. This can happen - even in graduate work. Professor Murphy emphasized that all art requires true dedication. You have to spend time developing this skill; knowledge is only part of it. Thus, the student who simply attempts to fulfill the requirements as fast as possible misses much of this developmental process. Although the total amount of o ,. 11 11 m r r [lJ o 11 o rn 11 because she felt fares were a bit ... _ those. livinl Oil-lit secunty. "All !be ~ set by the city ~ ... said. She!!'eClUeli ' .. complaints fl'Olllr:... think the cOlDPlIly ... price of a ride. lela " ~~Ien Pedicolle 1"'_ driving a cab _ Sitting in her fa:r. ..... in the liVing room ~ home, I COuldn'tp~ .. behind the wheel or • .. asked her 10 reflect -. five years on the ~ .. longest drive Wu ~ Kenosha to !be ~ loop. In a very ..., mannor, she told IIIe':: she had never ~ any hOstile IIeOPII III drunks. The '.....: language she ever blIII while driVing, she lIIldlIilII a smile, was froID......... "The best thing about~ a cab driver," she Ilid,... that you never knOW_II expect. II On the day IlaIIied lliIII her, Ellen Pedicalle .. readying for a 1bnIe .. vacation to the __ 111 of the country. After taking valuabletile on this day 10 talk to ... said good-bye. I !ell"'11 think about things lib ... was to mow the Ina lIII feed the dog while IIIe lIII her husband were ..... For three weeki, IIer husband was goillgtolietill chauffeur in the ,.., Peppie and his wife "' going to enjoy the ~ they had earned as ....... class heroes. degree credits can eGGceivably be obtaiJIedII three years , the IIudIII would be losing muchof till valuable training IMI comes with time lad practice. Jobs are scarce III teaching scene as 1iIeJ" in many other fieldl_ Murphy mentiolled tMI "many artists wiD 1IlIl •• place for their art wart'" support it by diggiJW ~ if they have 10." TlilII .. dedication Murphy ~ so often as one of lbe.. requirements of aD FREE NEWSCOPE CLASSIFIIEDS WHEELS 1969 Honda 175cc Scrambler. Ex. condo ~25. Includes 2 helmets. Call Ed, 639-.t9«1. MISCELLANEOUS . FOR SALE 3"suitcases, ....ery good condo S2S. Call 654-2704. For a Good night's Sleep _ 'Waterbeds. 3701 . 60th street. Call .654-' ....7. "Sean" Portably typewriter. Good condition. Comes with carrying case. Will sell for $30.00. Carl 637- -..s. Homegrown tomatoes. Call 633-3836. Golf Clubs, full set Wilson, $50. Indudes accessories, beg, balls, tees, head coven - contact John at 652. 5200 . Maggie, I love you - Rico legalize Marijuana Bumper Stickers. SOc donation. Be at Student Activities Building Wed. Stereo Component System. 60 watt amplifier, turntable,_ 2 speakers. ~vln~, must_ ~~I._ S50. Ph. 652-0079. BROWSE - Breadloaf Book Shop, 26\ Broad Street, lake Geneva, Wis. WANTED Earn Extra Money - Bartend & Go Go Dance. 632-3785 or 633-3805. WANTED - Rambler American or Volkswagen - Good -condition and. not too expensive. Jan 694-3419 . Rider to Mankato, Mlnn.,or vicinity. Either one or both ways. leaving Aug. 21. Call 652·9053, Vanessa. WANTED - '6.4 -'67 VW or 'Rambler·' American In good running condition. Contact Marc, 654.5196. . FOR RENT - Modem office space. Car~ted and air conditionect. $50.00 per mo. Utilities InCluded. Call Tonv at 652-3945 or 654-7410. APARTMENT '01 ,:=:.; Madison, 3girlsn .. n ~ modem, furniShed apt. 011... ", and Bridge. $62.00 ,. person. Cail 633·2753 .... __ Large EdiuoD Framed OrigiD'J GeometrieS $20· $25 NEW GALLERY OlE 503 Main. ~ 633-.4662 - - ~ Pa&el WSCOPE by Pall.I Lomartire of Lbe. e cope taff So far, nineteen-hundred and seventy-00e has been a fairly good year for cab drivers in Kenosha. The winter wasn't too harsh, the treets were cleaned with a degree of efficienty, and the Working Aapat16, 1'71 of "grassroots ·urban America". They are frequently used as reliable resources in public opinion polls, they are asked their reaction to fashions, politics, trends and the weather. Every so often, one realizes that a cab driver is Class· Heroine: nosha's On! one of few people ,who can accurately describe a past porting event of magnitude with traces of emotion. Bobby Thompson's 1951 home run, and Rock Marciano's last fight have been relived in cabs everywhere thousands of times. ports enters into the day to day life of cab drivers very often. There is a common interest between the male drivers and their passengers. !'his trend is slowly ending, as talk goes from baseball and the Cubs, to fashion and woman's liberation. Women are For What It's Worth ontinued from Page 6) nd be very dedicated to it. That' the only way you can do it in any field of art." According to • forphy, the program here at Parkside is d igned ba ically to fit the need of those students majoring in elementary or ondary education. "Most of my tudents majoring in art are planning on teaching", he said. "A few of them take the courses out of interest". The program presently covers a broad spectrum including course in two and three dimensional design, sculpture, art education, painting, drawing and ceramics. Murphy stressed that prospective art teachers should realize that they must dedicate themselves to two things: their own creative art work and their class instruction. "You are working with students who have a right to your attention. Both require a separate dedication and equal time. There can be a wltfi DEE MURRAY ..... NIGEL OLSSON and Special Guest Star •AN NICKS AN8 .. IIOT LICKS MOHDAT, AUG. ,-a:00 P.M. MII.WAUUI ~IUM ,icun u .oo-».00-$4.oo ........ ,,.._......,_S... .... (u.T....,S-.~--111J~ ... ,..--·-""-.~ ......... --...... ---------- beginning to infiltrate the ranks. Kenosha has only one female who qualifies as a full time cabbie. Her name is Ellen Pedicone. She drives for her "husban~- employer", Peppie, who lS the founder-owner-manager home in the basement, where the calls are taken and dispatched to the drivers. An average day for her begins at quarter to five in the morning. She works between 12 and 14 hours a day between driving and 0 )> ;u ;u Ill r r m 0 ;u Cl Ill ;u Mrs. Ellen Pedicone of Peppie's cabs. This cab company seems synonomus with public travel in Kenosha. Almost everyone in Kenosha, at one time or another, bas seen one of his fleet trudge down the street with two, three or even four passengers. Driving cabs for Peppie are longhairs, established veterans, and his wife. Mrs. Pedicone has been operating a cab for five and a half years. During this time, she has also been a part time dispatcher for the cab service. The heart of Peppie's cab lies at her nice carry-over between the two when both you and the class are working on the same artistic problem. You're all talking the same language. I find it easy to get things across when you're both doing it." One tip Murphy mentioned as a basic teaching flaw is the attempt to develop a student's style too early. He feels that as long as the student learns the basics of working with the materials and expressing ideas in the classroom an individual style will ev~lve later. Placing too much answering calls as a dispatcher. She can only drive a cab during the daylight hours, due to a ~ity ordinance. But by the time the -sun goes down, she has put in a healthy work day. "Since the bus system went out of business", Mrs. Pedicone said, "the cab business has gone up. " There was a trace of a smile on her face when she told me this. The hard years of establishing the private enterprise with her husband had paid off with a little bonus. But she felt sorry for the elderly people, she said, importance on style may become a trap for the student who should be working freely and experimenting with different techniques. _This c_an happen even in graduate work. Profess·or Murphy emphasized that all art requires true dedication. You have to spend time developing this skill; knowledge is only part of it. Thus, the student who simply attempts to fulfill the requirements as fast as possible misses much of this developmental process. Although the total amount of because she felt the fares were a bit ~ those living on •tiff f~ security. "All the 10cil) set by the city ~ II\ said. She frequenu " ~ complaints from rid Y Itta think the cornpan era ~ price of a ride. y Beta the ~~len Pedicone 1. dr1vmg a cab very ikta Sitting in her favorite 11111cb. in the living roorn "~ home, I couldn't picture her behind the wheel of a her ~sked her to reflect ov~ five years on the l'Oad. longest drive was f He: Kenosha to the Chi roin loop. In a very easy ~ mannor, she told rne ~ she had never enc0Unlered any ho.stile people drunks. The foul~r language she ever beard whil~ driving, she said.,,; a smile, was from a worna "The best thing about being a cab driver," she said , that you never know ~t expect.'' On the day I talked wt her, Ellen Pedicone readying for a three weet vacation to the western ha!! of the country. After taking valuable time on this day to talk to her I said good-bye. I left her 'to think about things like 1'bo was to mow the lawn and feed the dog while she and her husband were gome. For three weeks, her husband was going to be the chauffeur in the famil) Peppie and his wife were going to enjoy the vacatioo they had earned as working class heroes. degree credits can co · ceivably be obtained i three years , the student would be losing much cl the valuable training that comes with time and practice. Jobs are scarce oo di teaching scene as they art in many other fields today Murphy mentioned tba "many artists will set up 1 place for their art ~ and support it by di~ ~ic: if they have to." This 15 dedication Murphy ~!, so often as one of the - requirements of an artiS1 FREE NEVVSCOPE CLASSIFIEDS WHEELS 1969 Honda 175cc Scrambler. Ex. cond. $425. Includes 2 helmets. Call Ed, 639-4940. 1H2 Buick 2 dr hardtop, $250. Call ~«.45 or 633-2791. MISCELLANEOUS FORSALE huitcases, very good cond. $25. Call 654-2704. For a Good night's sleep - Water beds. 3701 . 60th street. Call 65-4-9447. "Sea"" Portably typewriter. Good condition. Comes with carrying case. Will sell for $30.00. Call 637- 6"5. Homegrown tomatoes. Call 633-3836. Golf Clubs, full set WIison, $50. Includes accessories, bag, balls, tees, head covers - contact John at 652 . 5200. Maggie, I love you - Rico Legalize Marl(uana Bumper Stickers. 50c donation. Be at Student Activities Building Wed. Stereo Component System . 60 watt a,cnpl ifler, turntable,_ 2 speakers. ~vlnp, must_ S!'~· $50. Ph. 652-0079. BROWSE - Breadloaf Book Shop, 261 Broad Street, Lake Geneva, Wis. WANTED Earn Extra Money - Bartend & Go Go Dance. 632-3785 or 633-3805. WANTED - Rambler American or Volkswagen - Good -condition andnot too expensive. Jan 694-3419. ·· R!derto Mankato, Minn.,or vicinity. Either one or both ways. Leaving Aug. 21. Call 652-9053, Vanessa. WANTED- '64 ·'67 VW or 'Rambler ' American In good running condition. Contact Marc, 654-5196. FOR RENT FOR RENT-Modem office space. Carpeted and air conditioned. $50.00 per mo. Utilities Included. Call Tony at 652-3945 or 654-7410. tllT - APARTMENT FOR ,:,,tri Madison, 3 girls need 1 UII modern, furnished apt. Oil mo ,r and Bridge. $62.00 per person. Call 633-2753-~ Large Edition Framed Origin~ Geometrics $20 - $2: NlW GALLfRY ONf 503 Main, Raclnt61 633-4662 - 631-71 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Parkside's Newscope, Volume 4, Issue 8, August 16, 1971 Description An account of the resource Student newspaper of the University of Wisconsin-Parkside, Kenosha, Wis. Date A point or period of time associated with an event in the lifecycle of the resource 1971-08-16 Subject The topic of the resource College student newspapers and periodicals Student publications University of Wisconsin-Parkside--Newspapers Format The file format, physical medium, or dimensions of the resource Newspaper Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Kenosha, Wisconsin Type The nature or genre of the resource Text Publisher An entity responsible for making the resource available University of Wisconsin-Parkside Rights Information about rights held in and over the resource The Board of Regents of the University Wisconsin System