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                <text>University of Wisconsin - Parkside Ranger News</text>
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            <text>Children's Breakfast Program</text>
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            <text>&#13;
Photographs by Mainland&#13;
JBy&#13;
Robert Mainland&#13;
of the Newscope Staff&#13;
Five months ago Racine's Revolutionary Youth&#13;
Movement started a Childrens Breakfast Program for&#13;
grade school students, The program is now in its&#13;
twenty-first week and on the day I was there&#13;
eighty· five children consumed twelve pounds of&#13;
. sauSl!.ge, thirteen dozen eggs, seven cans of juice, and&#13;
three gallons of milk.&#13;
Breakfast is served from 6:45 to B A.M. Monday&#13;
thru Friday at the Spanish Center at 1031 Douglas&#13;
Ave., Racine, and is financed completely by&#13;
donations from local citizens, groups and businesses,&#13;
Among the contributors are Piggly Wiggly, A&amp;P, and&#13;
Kappus Bakery. The program is staffed by R YM and&#13;
volunteer members including students from Parkside,&#13;
Dominican, and Carthage Colleges. Local parents also&#13;
help staff the program.&#13;
The program is centered in an area where&#13;
- unemployment is high. Some parents work, but are&#13;
on reduced work loads. It is an area where many&#13;
children wouldn't normally have breakfast RYM&#13;
stresses that this is not a charity or handout program;&#13;
al/ people have the right to a decent life.&#13;
R YM stated the goal of the Breakfast Program is to&#13;
have the parents of these children to take over the&#13;
program themselves. R YM would then start a' similar&#13;
program in another area of the city.&#13;
The Childrens Breakfast Program is patterned after&#13;
a similar one started in Chicago by the Black&#13;
Panthers, and although the program has been a&#13;
-struggle, obtaining donations, recruiting volunteers,&#13;
etc., so far they have managed to overcome these&#13;
problem£ They also feel the children have benefitted&#13;
by generating a spirit of community interaction.&#13;
A t present the program is understaffed and&#13;
volunteers are badly needed to spend time with the&#13;
children. If anyone is interested in more information&#13;
about the Childrens Breakfast Program, call 633-4646&#13;
and ask for Mark or Steve, or truck on down to the&#13;
Spanish Center 1031 Douglas Ave., Racine, between&#13;
7 and B A.M. Monday thru Friday.&#13;
Photographs by Mainland&#13;
By Robert Mainland&#13;
of the Newscope Staff&#13;
Five months ago Racine's Revolutionary Youth&#13;
Movement started a Childrens Breakfast Program for&#13;
grade school students. The program is now in its&#13;
twenty-first week and on the day I was there&#13;
. eighty-five. children consumed twelve pounds of&#13;
sausf!ge, thirteen dozen eggs, seven cans of juice, and&#13;
three gallons of milk.&#13;
Breakfast is served from 6:45 to 8 A.M. Monday&#13;
thru Friday at the Spanish Center at 1031 Douglas&#13;
Ave., Racine, and is financed completely by&#13;
donations from local citizens, groups and businesses.&#13;
Among the contributors are Piggly Wiggly, A&amp;P, and&#13;
Kappus Bakery. The program is staffed by R YM and&#13;
volunteer members including students from Parkside,&#13;
Dominican, and Carthage Colleges. Local parents also&#13;
help staff the program. The program is centered in an area where&#13;
- unemployment is high. Some parents work, but are&#13;
on reduced work loads. It is an area where many&#13;
children wouldn't normally have breakfast RYM&#13;
stresses that this is not a charity or handout program;&#13;
all people have the right to a decent life.&#13;
RYM stated the goal of the Breakfast Program is to&#13;
have the parents of these children to take over the&#13;
program themselves. R YM would then start a similar&#13;
program in another area of the city.&#13;
The Childrens Breakfast Program is patterned after&#13;
a similar one started in Chicago by the Black&#13;
Panthers, and although the program has been a&#13;
struggle, obtaining donations, recruiting volunteers,&#13;
etc., so far they have managed to overcome these&#13;
problems. They also feel the children have benefitted&#13;
by generating a spirit of community interaction.&#13;
At present the program is understaffed and&#13;
volunteers are badly needed to spend time with the&#13;
children. If anyone is interested in more information&#13;
about the Childrens Breakfast Program, ca/1633-4646&#13;
and ask for Mark or Steve, or truck on down to the&#13;
Spanish Center 1031 Douglas Ave., Racine, between&#13;
7 and 8 A.M. Monday thru Friday. &#13;
By Marc Eisen&#13;
of the Newseope Staff&#13;
Governor Patrick. Lucey has told Newscope&#13;
that "The. merger between the University of&#13;
Wisconsin system and the Wisconsin State&#13;
University system is a settled matter. There's&#13;
going ,to" be a merger; there's no two ways&#13;
about rt.&#13;
He said this while paying a surprise visit to&#13;
Parkside last Wednesday afternoon. He&#13;
explained that the purpose of the unexpected&#13;
stop over was to investigate UW -P's future&#13;
construction plans.&#13;
It was the second time in four days the&#13;
Democratic Governor had been in Kenosha. His&#13;
speech before the Local 72 the preceding&#13;
Sunday also was made with a minimum of&#13;
publicity.&#13;
The Governor reiterated the same arguments&#13;
he had made previously in supporting his&#13;
merger proposal.&#13;
He explained, "J will not tolerate the&#13;
wasteful competition and duplication of&#13;
programs that has existed previously between&#13;
the two systems. .&#13;
"I will not sign a budget that provides&#13;
money for the three levels of educational&#13;
bureaucracy, the UW Board of Regents, the&#13;
WSU Board of Regents, and the CCHE," he&#13;
said. "I simply won't do it.&#13;
"Since I won't sign that kind of budget·,&#13;
higher education doesn't have any choice but&#13;
to merge." he declared.&#13;
Lucey said the merger would not be a&#13;
gradual one but would happen all at once, on&#13;
August 3l.&#13;
Reguarding his budget, the Governor&#13;
conceded that the severity of his reductions&#13;
were cutting into many worrhwile state&#13;
programs. He said he had just come from&#13;
Southern Colony for retarded children and had&#13;
been told they could have to. close two wards&#13;
because they won't have enough money.&#13;
He admitted "I have no doubt that it is&#13;
going to be very difficult for higher education&#13;
and welfare to get along with the money&#13;
allocated. "&#13;
He placed the.ultima te blame on the Federal&#13;
govcnmcnt. "It's a matter of national priorities.&#13;
As long as the people of Wisconsin pay $3&#13;
billion every 2 years to the Pentagon we&#13;
sOljlehow· have to get along wich $2 billion for&#13;
all OUf state and local services .. "&#13;
Lucey suggested the effects of the budget&#13;
cuts would not be that severe at UW·p, and&#13;
discounted Chancellor Wyllie's claim that&#13;
preliminary figures indicate that cuts in the&#13;
UW's base budget would cost Parkside the&#13;
equivalent of 30 faculty members.&#13;
Lucey said that the percentage of base cuts&#13;
from UW·p would "depend on what kind of&#13;
politician Chancellor Wyllie is-- because John&#13;
Visits UWP&#13;
Lucey: There's&#13;
no two ways&#13;
about it&#13;
Monda . \torch 22. 19 I .. '"&#13;
"W~'re not gOing (0 ren g on our&#13;
commirrment to build a great UOI\:c.r It here:'&#13;
he empha ized. "Bur it ' goong to be one of a&#13;
tern of 13 four-year campu e ."&#13;
The G verner al rd th at 10 order '0&#13;
reduce costs. "we arc gOlOg [0 mstsr on h 41\1 r&#13;
teaching loads on some campu .• \\ e think on&#13;
this campus. for example, that senior&#13;
professors ought to spend liar 12 h ur a&#13;
week teach 109•.,&#13;
Concerning his individual recommendation&#13;
for items above the Parks ide base budget, the&#13;
Governor pleaded ignorance.&#13;
When asked with refusal of the money for&#13;
the .p Iibrarv to move from T alieni H~II to&#13;
the Librarv Learnmg Center in June of 1972,&#13;
how did he propose It be done, he replied "I&#13;
wasn't aware of that. 01&#13;
Chancellor Wyllie and Governor Lucey.&#13;
Weaver. the president of the University of&#13;
Wisconsin, will be dividing up the par. I think&#13;
John Weaver ought to recognize the growing&#13;
pains of a new campus and make some&#13;
concessions. "&#13;
"Furthermore," the Governor said, "the&#13;
budget cut will not have the adve:se eHect here&#13;
that it will have on the Madison Campus;&#13;
because the Madison campus has stagnated as&#13;
fas as increased enrollment. You will have&#13;
added revenues from your mcrease in&#13;
enrollment. "&#13;
"Youl'll get start up funds." he continued.&#13;
"I'm down here today to review the request for&#13;
S 12 million in new construction.&#13;
Questioned by e"'cope smce W Phd n&#13;
Industrial Mi I nand thar up to now It had&#13;
not been staffed well, and to parllal" remed&#13;
this four new majo",. three of which pert 10 to&#13;
the Mission. were proposed bv p rk ide, why&#13;
then. did the Governor not fund the maj r&#13;
\ asn't this an abviou inconsistencv: to gh l: ~&#13;
Universirv its Mi ion and then not fund the&#13;
programs' that pertain to It.&#13;
The Governore responded. "Arc ) u&#13;
suggesting that we cut out the maj r &gt;"&#13;
He was told ve and hown theD ion Item&#13;
table publi. hed in la t wcck's l ewsc pc.&#13;
He replied. "M) ani, de fcn C I ) au lell m&#13;
where to get the money and I'll b I.d to&#13;
provide ir. . hould I clo c dow n a mental&#13;
hospital to g,ve Park ,de 923.0001"&#13;
Campus&#13;
News&#13;
Briefs&#13;
Wednesday, March :!4&#13;
Open Candidate Meeting Student&#13;
Government candidates Will, speak. to&#13;
anyone interested in attendmg. 8.00&#13;
p.m. Room 103, Gteenquist Hall.&#13;
Meeting Equestrian Club. 5:00 p.m.&#13;
Room 220 Gteenquist Hall.&#13;
Thursday. March 25&#13;
Meeting Luddite. Badger Room in&#13;
Racine Campus. 8:00 p.m.&#13;
Fnda) , March :!6&#13;
Ll GOJ,'ernor talks ~tartin -hrelber&#13;
Wisconsin's Lt. GO\lernor ~111talk on&#13;
the proposed Um\er II) merger and&#13;
the budget eu'. pon ore&lt;! b) 'he&#13;
P.rkside· Young·Oems. :! 30 p.m.&#13;
Room 101. Greenqul I Hall.&#13;
Feature Film "Bonme and CI}de:'&#13;
:00 p.m. ludenl ACUV-Itlh BUildlf:g.&#13;
Admission' 5.75.&#13;
tUlda\. I r h ~7&#13;
TrQck II' P In II.&#13;
Ind.p.nd.n, r II \&#13;
In\-"1I311nat Trae m«1 al&#13;
F,eld H""" 10 00 un&#13;
00,,« . lI.rloc - pon e&lt;!b) tho&#13;
at ,1\ Club q 00·1 00 am,&#13;
Adm' . Ion I 00. Par de d&#13;
II, n 10 10 I&lt;qUlte&lt;!.&#13;
e J&#13;
on In&#13;
at 00&#13;
me a&#13;
THIS FRIDAY, MARCH 26th&#13;
8:00 p.m.&#13;
Student Activities Building&#13;
Admission 75(&#13;
A FEATURE FILM SE.lIES PRESENTATION&#13;
By Marc Eisen&#13;
of the Newscope Staff&#13;
Governor Patrick. Lucey has told Newscope&#13;
that "The . merger between the University of&#13;
Wisconsin system and the Wisconsin State&#13;
University system is a settled matter. There's&#13;
going _to,, be a merger; there's no two ways&#13;
about 1t.&#13;
He said this while paying a surprise visit to&#13;
parks ide last Wednesday afternoon. He&#13;
explained t?at the ~urpos_e of the unexpected&#13;
stop over was to mvest1gate UW-P's future&#13;
construction plans.&#13;
It was the second time in four days the&#13;
Democratic Governor had been in Kenosha. His&#13;
speech before the Local . 72 the preceding&#13;
Sunday also was made with a minimum of&#13;
publicity.&#13;
The Governor reiterated the same arguments&#13;
he had made previously in supporting his&#13;
merger proposal.&#13;
He explained, "I will not tolerate the&#13;
wasteful competition and duplication of&#13;
programs that has existed previously between&#13;
the two systems. _&#13;
" I will not sign a budget that provides&#13;
money for the three levels of educational&#13;
bureaucracy, the UW Board of Regents, the&#13;
WSU Board of Regents, and the CCHE," he&#13;
said. "I simply won't do it.&#13;
"Si nce I won't sign that kind of budget·,&#13;
higher education doesn't have any choice but&#13;
to merge," he declared.&#13;
Lucey said the merger would not be a&#13;
gradual one but would happen all at once, on&#13;
August 31.&#13;
Reguarding his budget, the Governor&#13;
conceded that the severity of his reductions&#13;
were cutting into many worthwile state&#13;
programs. He said he had just come from&#13;
outhern Colony for retarded c,hildren and had&#13;
been told they could have to_ close two wards&#13;
because they won't have enough money.&#13;
Visits UWP&#13;
Lucey: There's&#13;
no two ways&#13;
about it&#13;
He admitted "l have no doubt that it is&#13;
going to be very difficult for higher education&#13;
and welfare to get along with the money&#13;
allocated."&#13;
Chancellor Wyllie and Governor Luce).&#13;
He placed the ultimate blame on the Federal&#13;
govenment. " It 's a matter of national priorities.&#13;
As long as the peo ple of Wisconsin pay 3&#13;
billion every 2 years to the Pentagon we&#13;
s0111ehow· have to get along with $2 billion for&#13;
all ou r state and local services .. "&#13;
Lucey suggested the effects of the budget&#13;
c11t would not be that severe at UW-P, and&#13;
discounted Chancellor Wyllie 's claim that&#13;
preliminary figures indicate that cuts in the&#13;
UW' base budget would cost Parkside the&#13;
equivalent of 30 faculty members.&#13;
Lucey said that the percentage of base cuts&#13;
from UW-P would " depend on what kind of&#13;
politician Chancellor Wyllie is--because John&#13;
Weaver, the president o f the ni'vcr itv o f&#13;
Wi con in. will b dividin up th pot. I ;hin ·&#13;
John Weaver ought to recognize th growing&#13;
pains of a new campus and m h om&#13;
concessions."&#13;
"Furthermore." the Governor id. ..th&#13;
budget cut will not have the adve~ e c..fC there&#13;
that it will have on the iad1 on mpu :&#13;
bccau c the Madi on campu ha tagnat d&#13;
fas as increa ed enrollment. You \\ill h vc&#13;
added revenues from •our in&#13;
enrollment ...&#13;
''Youl'll get start up fund:·.'' h ontinu d.&#13;
'Tm dO\\.'n here today co rc\'icw the r qu t for&#13;
12 million in new con tructio n.&#13;
Campus&#13;
News&#13;
Briefs&#13;
Wedne day. farch 24&#13;
Open Candidate leering tudent&#13;
Government cand1~ate will _ peak.~ anyone mterested in attending. .&#13;
p.m. Room 103. Greenqu1 t Hall . Meeting Equestrian Club. 5:00 p.m.&#13;
Room 220 Greenquist Hall;&#13;
Thursday. 1arch _5 .&#13;
Meeting Luddite. Badger Room 111&#13;
Racine Campus. :00 p.m. _..__ ......... .,....,....,......,.,_ ... _.,...._.&#13;
THIS FRIDAY, MARCH 26th&#13;
8:00 p.m.&#13;
Student Activities Building&#13;
Admission 75( &#13;
. Monda), "larch 22, 19 I pe Page S&#13;
It. If they don't wan .&#13;
leave. It's that simple t to do It they&#13;
th~ ~hin: ~he suce~ of the band, and&#13;
tha an ,IS a total success. is the fact&#13;
t audiences appreciate a certai&#13;
amount of d' . .. In&#13;
the band Ignlty. and diSCipline on&#13;
f . stand. Ithink people are tired&#13;
o dseelrlg a bunch of kids come out&#13;
an slobber on the stage and 1MiW5&#13;
around, walk off. have a smoke bring&#13;
wme ~ ,&#13;
. • ze out, and ignore an&#13;
~Udlences feelings. Audiences want to&#13;
e entertained. They don't want to see&#13;
the same things they can see at home&#13;
or on television. They want to go out&#13;
and see something different, that's&#13;
why they pay their money. They're&#13;
entitled to the best performance you&#13;
can possibly give, nothing more and&#13;
nothing less. That's all within the&#13;
framework of what t represent&#13;
There's a certain amount of digni~&#13;
and a certain amount of discipline in&#13;
the band that must be maintained in&#13;
order for the band to play rtght.&#13;
From the floor: 00 you think your&#13;
show is visual, to a spectacle I mean?&#13;
. RICH: As a spectator it's no more&#13;
VIsual than watching a guy get hit in&#13;
the mouth, like I saw Clay get hit last&#13;
week. That's visual, too, but I didn't&#13;
go there to see him make faces, I went&#13;
to see him fight. You come to hear my&#13;
band. You come to hear music and not&#13;
be too concerned about visual aspects.&#13;
NEWSCOPE: What kind of reaction&#13;
do you have to Miles Davis, his style&#13;
and his music?&#13;
RICH: My reaction to Miles Davis is&#13;
the greatest respect in the workt. I&#13;
think he's a total genius. I think what&#13;
he's doing at this point is trying to&#13;
break into the underground thing and&#13;
try to get another audience and in my&#13;
opinion he's going at It the wrong way.&#13;
I think he's made tOO definue a&#13;
jump ... he's saying in essence "'m&#13;
going to fo ... ke everythi!l9 I've done&#13;
in the past for you.· As great an Irtlst&#13;
as he is. I don't think he has to pUt&#13;
himself in the posittOn of saYing that&#13;
this IS for a new audience A new&#13;
audience wtll eventually grab onto&#13;
anybody that's dOlOg anything With&#13;
taste. • iles IS certe.nlv head and&#13;
shoulders above most muSICtans as far&#13;
as taste is concerned. I gIVe him Credit&#13;
for stepping out and doing it I don't&#13;
think he did It correctly. I thlOk with&#13;
Bitches Brew he made a definite&#13;
attempt to get into the RollingS~,&#13;
I think a younger audience Will find&#13;
him, I don't think he has to go&#13;
searching.&#13;
NEWSCOPE: What do you think&#13;
the band members think of you'&#13;
RICH: Icouldn't eare less. What the&#13;
hell do I care? I'm not here to Win 8&#13;
popularity contest, My only concern is&#13;
that if the job starts at eight o'clock&#13;
everyone IS here by seven-thirty. They&#13;
get their ass up on the bandstand and&#13;
play the best they can. When they go&#13;
out of here, they can call me every&#13;
kind of mother there is t hat's&#13;
their prohtem, not mine. '&#13;
. You can't expect '0 be loved by&#13;
sixteen people and you can't expect&#13;
be respected by sixteen people, but ,f&#13;
there's three Of four guys that dig It,&#13;
that's good enough. Just like you can't&#13;
please 1100 people in the audience.&#13;
There must have been somebody out&#13;
(Continued on pale 6l&#13;
•••••••••••••••••••• 0;. "."'1 I..L&amp;.JIIJ1Jllil ~'&#13;
B dd R&#13;
" h ' rt rm I&#13;
U y. IC ID concert at Tremper high school.&#13;
Newscope Interview: Buddy Rich&#13;
las' Saturday Buddy Rich and his&#13;
band appeared at Tremper H.$.&#13;
Following his concert Newscope&#13;
reporterBob Borchardt interviewed&#13;
him backstage.Here is the report:&#13;
by Bob Borchardt&#13;
of the Newscope Staff&#13;
NEWSCOPE: Who's the greatest&#13;
drummer in the world?&#13;
RICH:What is that meant to be?&#13;
NEWSCOPE: Just a question. Do&#13;
you think you're the best drummer in&#13;
the world? How would you compare&#13;
someonelike Elvin Jones to what you&#13;
do.&#13;
RICH:I don't compare anybody to&#13;
anything. How do you oompare Miles&#13;
to Diz? There's no such thing as the&#13;
greatest, it's what you like. It's what&#13;
you think is good or bad depending on&#13;
what your taste is like.&#13;
NEWSCOPE: How do you explain&#13;
that bands like yours now can play the&#13;
collegecircuit?&#13;
RICH: I don't think it's saying&#13;
something for us. I think it's saying&#13;
something for people in college, deR!&#13;
you? I think they're showing a little&#13;
more taste and a little more&#13;
sophistication. A little more awareness&#13;
of what music is all about. Bands have&#13;
always been successful, bands have&#13;
never left the music scene. The people&#13;
left and now they're finding out that&#13;
maybe they left home a little early.&#13;
You can listen to so much mediocrity&#13;
and then you come back to good&#13;
lhmgs.&#13;
Question from the floor: About the&#13;
guys in the band; do they travel with&#13;
v.ouall the time. no pick-up men,&#13;
nght:'&#13;
RICH: Ah man don't be&#13;
ridiculous. What kind ~f Question is&#13;
that? You want to find musicians to&#13;
COmein and all of a sudden play this&#13;
book? I mean it's a childish Question&#13;
and.yOU.insult my integrity by asking&#13;
me If I p.lck up men. I wouldn't go on&#13;
the .f~cklng road if I had to pick up&#13;
mUSICians,would I?&#13;
NEWSCOPE: What do you think of&#13;
what Don Ellis does? In other words.&#13;
Wheredo you think bands like yours&#13;
are headed?&#13;
EII~ICH: How can I know what Don&#13;
e s .'s dOing? I think he's a great&#13;
xperrmental band but who am I to&#13;
~~ .wh~t's in the future. I think all&#13;
OthSICIS great, some is better than&#13;
f ers. But you can't make that much&#13;
o ~ difference between intellectual&#13;
mu~~, snob appeal, avant garde, rock.&#13;
K&#13;
· ese are labels You know Heinz&#13;
etchup H· '. d"ff ,unts Ketchup. Put both In&#13;
a~ erent bottles and change the label&#13;
N~oUwon't tell the difference.&#13;
tur WS~OPE: What's your personnel&#13;
never like?&#13;
RICH' I . Id Year. . wou sayan average of a&#13;
NEWSCOPE: Are you doinq what&#13;
Woody Herman said he was doing;&#13;
picking up kids out of college and&#13;
giving them a chance.&#13;
RICH: Is that what Wood&#13;
Herman's doing? y&#13;
NEWSCOPE: That's what he said he&#13;
was doing.&#13;
RICH: Whew, it's not very&#13;
ambitious of him, is it?&#13;
NEWSCOPE: Does anybody in the&#13;
band do any arranging?&#13;
RICH: Yeh, one of the rock charts&#13;
we played tonight was written by the&#13;
bass player.&#13;
NEWSCOPE: Somebody said that&#13;
the Buddy Rich Band was a well oiled&#13;
machine?&#13;
RiCH: I wouldn't have it any other&#13;
way. You can walk down the bowery&#13;
and see all the slobs you want. I don't&#13;
run a sloppy ship. I don't run a sloppy&#13;
band. They're disciplined ... it's not&#13;
the kind of authority you'd associate&#13;
with the army, but this is a business.&#13;
As far as the precision of the band I&#13;
think that's what's most attract{ve&#13;
about it. The fact that it plays&#13;
together.&#13;
NEWSCOPE: Isn't that a&#13;
contradiction having discipline to that&#13;
degree while jazz is considered to be&#13;
free music?&#13;
RICH: When they play their jazz&#13;
solos, they're as free as a bird.&#13;
NEWSCOPE: The ensembles are&#13;
jazz too?&#13;
RICH: Of course, but there's no&#13;
improvising in the arrangement. The&#13;
solo is the improvisation, not the&#13;
arrangement. The man stands up to&#13;
play, he plays within the context of&#13;
the arrangement. He can playas long&#13;
as he wants and what he wants.&#13;
NEWSCOPE: If there's a soli&#13;
passage do you say how it's to be&#13;
done?&#13;
RICH: Oh, soli passage, as written.&#13;
N EWSCOPE: And you say the&#13;
dynamics and the feeling they should&#13;
have?&#13;
RICH: Of course. The whole band&#13;
represents what I think about music ..&#13;
N EWSCOPE: How do you choose&#13;
new men?&#13;
RICH: If a man's leaving he&#13;
recommends someone who can take&#13;
his place and if he works out he's got a&#13;
gig. If not, I send him home.&#13;
NEWSCOPE: Does he come on the&#13;
band cold?&#13;
RICH: Sure, how else?&#13;
NEWSCOPE: Do they have to read&#13;
the book?&#13;
RICH: Right down. There are no&#13;
babies in this band. They're all very&#13;
young but they're all men. What they&#13;
do after the job is entirely up to them.&#13;
What they do and where they do it.&#13;
But for the two or four hours that we&#13;
play, I'm in total command.&#13;
They know what I want and they do&#13;
§ little pinrb&#13;
neuer burr anpbobp&#13;
3Jnbicationf nener burt&#13;
anpbobp either&#13;
3Jtf t1)r apple pou gutta&#13;
matrf obt fOf •.••&#13;
!laffbb!&#13;
&lt;l&amp;nfale at tbr bookftore&#13;
Newscope Interview :&#13;
Last Saturday Buddy Rich and his&#13;
t,and appeared at Tremper H.$.&#13;
Following his concert Newscope&#13;
reporrer Bob Borchardt interviewed&#13;
him backstage. Here is the report:&#13;
by Bob Borchardt&#13;
of the Newscope Staff&#13;
NEWSCOPE: Who's the greatest&#13;
drummer in the world?&#13;
RICH: What is that meant to be?&#13;
NEWSCOPE: Just a question. Do&#13;
you think you're the best drummer in&#13;
the world? How would you compare&#13;
10meone like Elvin Jones to what you&#13;
do.&#13;
RICH: I don't compare anybody to&#13;
anything. How do you oompare Miles&#13;
to Diz? There's no such thing as the&#13;
greatest, it's what you like. It's what&#13;
you think is good or bad depending on&#13;
what your taste is I ike.&#13;
NEWSCOPE: How do you explain&#13;
that bands like yours now can play the&#13;
college circuit?&#13;
RICH: I don't think it's saying&#13;
something for us. I think it's saying&#13;
something for people in college, defl.'&#13;
you? I think they're showing a little&#13;
more taste and a little more&#13;
sophistication. A little more awareness&#13;
of what music is all about. Bands have&#13;
always been successful, bands have&#13;
never left the music scene. The people&#13;
left and now they're finding out that&#13;
maybe they left home a little early.&#13;
You can listen to so much mediocrity&#13;
and then you come back to good&#13;
things&#13;
0uestion from the floor: About the&#13;
guys in the band; do they travel with&#13;
you all the time ... no pick-up men,&#13;
right?&#13;
RICH : Ah, man, don't be&#13;
r1d1culous. What kind of question is&#13;
that) You want to find musicians to&#13;
come in and all of a sudden play this&#13;
book' I mean it's a childish question&#13;
~nd_vou insult my integrity by asking&#13;
e if I p_ick up men. I wouldn't go on the fucking road if I had to pick up&#13;
mus1c1ans, wou Id 1?&#13;
NEWSCOPE: What do you think of&#13;
:at Don Ellis does? In other words,&#13;
ere do you think bands like yours are headed'&#13;
ellCH: ~ow can I know what Don&#13;
s is doing? I think he's a great&#13;
e~penmental band but who am I to&#13;
say _what's in the future. I think all&#13;
music is 9 . Oth reat, some 1s better than&#13;
01 :s. But you can't make that much&#13;
. difference between intellectual&#13;
rnus~, snob appeal, avant garde, rock.&#13;
·K· t ese are labels You know Heinz&#13;
etchup H · • . d ff • unts Ketchup. Put both tn&#13;
a~ erent bottles and change the label&#13;
N You won't tell the difference.&#13;
t EWSCOPE: What's your personnel Llrnover like'&#13;
Ye~ICH: I would say an average of a&#13;
NEWSCOPE: Are you doinq what&#13;
Buddy Rich&#13;
"'!oo?y Herman said he was doing ·&#13;
p_1c_ktng up kids out of college and&#13;
giving them a chance.&#13;
R IC H : I s that what Woody&#13;
Herman's doing?&#13;
NE~SCOPE: That's what he said he&#13;
was doing.&#13;
RICH: Whew, it's not very&#13;
ambitious of him, is it?&#13;
NEWSCOPE: Does anybody in the&#13;
band do any arranging?&#13;
RICH: Yeh, one of the rock charts&#13;
we played tonight was written by the&#13;
bass player.&#13;
NEWSCOPE: Somebody said that&#13;
the Buddy Rich Band was a well oiled&#13;
machine?&#13;
R1CH: I wouldn't have it any other&#13;
way. You can walk down the bowery&#13;
and see all the slobs you want. I don't&#13;
run a sloppy ship. I don't run a sloppy&#13;
band . They're disciplined ... it's not&#13;
the kind of authority you'd associate&#13;
with the army, but this is a business.&#13;
As far as the precision of the band, I&#13;
think that's what's most attractive&#13;
about it. The fact that it plays&#13;
together.&#13;
NEWSCOPE : Isn't that a&#13;
contradiction having discipline to that&#13;
degree while jazz is considered to be&#13;
free music?&#13;
RICH: When they play their jazz&#13;
solos, they're as free as a bird.&#13;
NEWSCOPE: The ensembles are&#13;
jazz too?&#13;
RICH: Of course, but there's no&#13;
improvising in the arrangement. The&#13;
solo is the improvisation, not the&#13;
arrangement. The man stands up to&#13;
play, he plays within the context of&#13;
the arrangement. He can play as long&#13;
as he wants and what he wants:&#13;
NEWSCOPE: If there's a soli&#13;
passage do you say how it's to be&#13;
done?&#13;
RICH: Oh, soli passage, as written.&#13;
NEWSCOPE: And you say the&#13;
dynamics and the feeling they should&#13;
have?&#13;
RICH: Of course. The whole band&#13;
represents what I think about music ..&#13;
NEWSCOPE: How do you choose&#13;
new men?&#13;
RICH: If a man's leaving he&#13;
recommends someone who can take&#13;
his place and if he works out he's got a&#13;
gig. If not, I send him home.&#13;
NEWSCOPE: Does he come on the&#13;
band cold'&#13;
RICH: Sure, how else?&#13;
NEWSCOPE: Do they have to read&#13;
the book?&#13;
RICH: Right down. There are no&#13;
babies in this band. They're all very&#13;
young but they're all men. What they&#13;
do after the job is entirely up to them.&#13;
What they do and where they do it.&#13;
But for the two or four hours that we&#13;
play, I'm in total command.&#13;
They know what I want and they do&#13;
~ ADULT BOOK STORE&#13;
0&#13;
- KENOSHA V,&#13;
-0 .....&#13;
\..J&#13;
L.&amp;J z .....&#13;
L.&amp;J 3:&#13;
V) 0 ..... ....&#13;
BONDAGE DENMARK&#13;
MAGS BOOKS ~&#13;
All Parkside StuJcnts&#13;
Over 21 10"~ Off&#13;
SEX EDUCATION&#13;
m&#13;
n&#13;
--4 -):&gt; )&gt; ~&#13;
a,&#13;
~ a,&#13;
r-n )&gt;&#13;
V) z&#13;
(.!)&#13;
~ -(.!)&#13;
CQ -&#13;
BOOKS&#13;
GAY&#13;
1202- 56 ST 652- 9051 SECTION n&#13;
:::::0&#13;
C&gt;&#13;
)&gt;&#13;
-&#13;
z&#13;
TALK OF THE TOWN&#13;
I&#13;
it. If they don't I , . wan o do it eave. It s that simple&#13;
I think the success" of the band nd the ba d · , a n is a total success is h f&#13;
that audiences appreciat; a c:n:~&#13;
amount of dignity and discipli&#13;
~~e ba~stand. I thin people tired&#13;
seemg a bunch of kids come ou and slobber on the stage nd&#13;
around, walk off, have a smo e br. some boo • mg . ze out, and ·gnore an audiences'. feelings. Audiences nt to&#13;
be entertamed. They don't vant to&#13;
the same t ings the can see ho&#13;
or on television. They nt O go ~t&#13;
and see something different. that's&#13;
why they pay their money. The 'r&#13;
entitled to the best performance you&#13;
can possibly give, nothing more and&#13;
noth'"g less. That's all ithin the&#13;
frame~ork of what I represent.&#13;
There s a certain amount of dignity&#13;
and a certain amount of discipline in&#13;
the band that must be maintained in&#13;
order for the band to play right.&#13;
From the floor: Do you thin your&#13;
show is v sual, to a spectacle I mean?&#13;
. RICH: As a spectator it' no more&#13;
visual than watching a gu ge hit in&#13;
the mouth, like I 5a'I Clay get hit las&#13;
week. That's visual, too, but I didn't&#13;
go there to see him make faces I went&#13;
to see him fight. You come to hear my&#13;
band. You come to hear music and not&#13;
be too concerned about visual aspects&#13;
NEWSCOPE: What kind of reaction&#13;
do you have to iles Davis, his style&#13;
and his music?&#13;
RICH: My reaction to iles Davis is&#13;
the greatest respect in the world. I&#13;
think he's a total genius. I thin at&#13;
he's doing at this point is trying to&#13;
~ little pinrb&#13;
neber f)brt an bob&#13;
Jh1bicationf neb r fJurt&#13;
anpbobp eitber&#13;
3Jtf tfJr apple ou gott&#13;
watcb obt for ....&#13;
~affbb !&#13;
®n fttle t tbr bookf tor &#13;
\Ionda\ , \larch ~1, 19~I • eVil&#13;
Martin Place~ Second In National Meet&#13;
A nlm by Emle Pilltlln&#13;
tlYtblMIlE&#13;
QtICkEN&#13;
The Parkside wrestling team led by&#13;
ffeshrnanKen Martin from Coleman,&#13;
w' cnsin made a very commendable&#13;
,;~Cwing at the National NAIA&#13;
If "t1ing Tournament held last week I; Boone, North Carolina. Besides&#13;
\lortin, Coach Jim Koch brought Jeff&#13;
J&#13;
kins Bill Benkstern and Tom en, , .&#13;
Beyer, the Ranger s most c~:mslst~nt&#13;
point scorer, to the meet involving&#13;
restlersfrom ninety-eight teams.&#13;
VI As a team the Ranger's scored&#13;
fourteen points which placed them&#13;
amongthe top twenty finishers at the&#13;
meet and the highest scoring team&#13;
from the state, including all of the&#13;
StageUniversities.&#13;
In the first round rna tches Ken&#13;
Marlin, despite a shoulder seperation&#13;
duee weeks ago, won his first match&#13;
by a 16·6 decision over Mike Doyle of&#13;
West Liberaty. Jeff Jenkins, a&#13;
sophomore at 150 pounds lost his first&#13;
match to Joseph Artiglere of Trenton&#13;
12.5. Bill Benkstein, the Ranger's&#13;
senior captain at 167 won his first&#13;
match by a 6·5 decision over Dave&#13;
Mortin of Millersville College. The&#13;
other first round match saw Freshman&#13;
Tom Beyer drop a 9-2 decision to Tom&#13;
Venbourne of the United States&#13;
International University.&#13;
Second round matches saw Ken&#13;
Martin advance into the quarterfinals&#13;
by defeating a very rugged Dough&#13;
Willer of Easter Michigan 13-6. Willer&#13;
was a member of the US J . 01 . T " unror&#13;
yrnpic earn. Bill Benkstein lost his&#13;
secon:! match to Les Jackson of&#13;
Mayville State 6·2.&#13;
In the quarterfinals Martin faced the&#13;
top-seeded wrestler in his weight class&#13;
Roger Vigil of Adams State. Vigil, a&#13;
snio.r, was runner-up last year and&#13;
earned a 26-0 record entering the&#13;
match. The first three periods ended In&#13;
an 8·8 tie. but in the overtime \tanm&#13;
finally pulled out a victory b}&#13;
outscoring VigilS to 3.&#13;
The semi-finals saw Ken facing Gal')&#13;
Svendson of 51. John's Lniversuy.&#13;
Svendsen boasted a 2 ·1·1 ea n&#13;
record but Martin, in what was&#13;
probably his best match of the&#13;
tournament defeated Svendsen II (0&#13;
7. .&#13;
Entering lite finals Marlin went&#13;
against Craig Skeesick of Central&#13;
Washigton considered by many of the&#13;
coaches at the meet to be one of the&#13;
most outstanding performers at the&#13;
tournament. ursing his yet unhealed&#13;
shoulder which cost him two and a&#13;
half weeks practice, Martin could not&#13;
overcome healty Skeesick. After&#13;
scoring the first points in the match&#13;
Martin failed to keep his opponent m&#13;
control and dropped an ·3 decision.&#13;
Martin's finish as 3. national&#13;
runner-up signals the beginning of&#13;
whay may become an outstanding&#13;
wrestling team. The team is ) oung&#13;
enough to continue next year losing&#13;
only Bill Benkstein (0 graduation and&#13;
Martin should have an excellent&#13;
opportunity of winning the. I&#13;
tournament next year barring 3n)'&#13;
unforeseen injuries,&#13;
An electJ'onlc maglZlne&#13;
01 American pop culture&#13;
willi nashes by:&#13;
Pau K'....,.· Rc:"'-,dP"fO"&#13;
The Ace True -ng Comp,a , ~&#13;
Bn.ce',Joan 8N:l:' Ah""'OeefOl'&#13;
Ron c.,..,. Tuti uplerberg' SNi-&#13;
... ' AI "G Mberv' L.eot*d&#13;
CoNn . MalCOlm X • Pete, •&#13;
Coming April l st, 2nd &amp; 3&lt;d&#13;
Ken Martin,&#13;
Anyone interested in Rugby?&#13;
-Parkside intend to form a Rugby&#13;
team this year. Anyone interesting in&#13;
finding out about it should contact&#13;
Vic Godfrey at ext. ~45 or at the&#13;
Athletic Office on Wood Road as soon&#13;
as possible.&#13;
Patton Sets Track Record&#13;
By Jim Casper&#13;
of the Newscope staff&#13;
Jim Patton set a school record in&#13;
ibe pole vault as the Rangers rlaced&#13;
sixth In the Midwest Invitationa track&#13;
meet at North Central College. The&#13;
meet, which saw 9 teams score, was&#13;
won by Stevens Point, with 51 points,&#13;
compared with the Rangers 23.&#13;
Patton set his scl- 01 record by&#13;
vaulting 13 feet, goo';"_nough for a&#13;
thirdplace finish.&#13;
Bob Waters and Eugene Prince also&#13;
c~me up with key performances, with&#13;
Watersfinishing second in the 60 yard&#13;
dash with a time of 6.3 seconds-an&#13;
effon which lied his school record.&#13;
Prince's6' 1-3/4" high jump gave him a&#13;
second,&#13;
Mike Zugich finished fifth in the&#13;
60 yard intermediates with a :07.8&#13;
""'king. Dean Maschoff Parkside's , .&#13;
Harper Defeats Ranger Hockey&#13;
other entrant in the hurdles, stumbled&#13;
over the second hurdle and was out of&#13;
the race.&#13;
Leonard Bullock placed fourth in&#13;
the long jump with a leap of 21 '3W',&#13;
while Keith Merritt's 40 feet In the&#13;
triple jump earned hi.m a fC?urth place&#13;
also. Bill Brown was fifth In the shot&#13;
at 47'4!h. ...&#13;
The sprint medley team of Tim&#13;
McGilsky, Waters, Gary Geboy, and&#13;
Merritt provided Parkside W.lth. lIS fi~al&#13;
points of the evening by finrshrng thrrd&#13;
behind Loyola (111.) and the University&#13;
of Illinois-Circke. The team won the&#13;
second heat, but there were two faster&#13;
times in the first heat. .&#13;
Parkside's next home meet Will be&#13;
against Marquette and. Beloit .3t the&#13;
Case High Fieldhouse In RaCine on&#13;
March 27.&#13;
it's the&#13;
real thing -~~-~=-&#13;
El~t It. Fr rr_ cowns&#13;
deliealely tou hed ith embroIdered&#13;
Freoch ros (rtmember&#13;
tbose") eXq,Jlsite, ha made&#13;
French lac --satin rl s··&#13;
Fren&lt;h «_ raldl • Designed&#13;
b)' Llts, these- CO 'nS com In&#13;
all 1.~s: shirt. shortt or ran·&#13;
me, and thf're arp AAme pt'l'~r&#13;
spttLlis&#13;
'r allons are Id al I r th&#13;
bride or OUld mak, a " om&#13;
gilt lor~.r.&#13;
6207 . 22nd Aftn ... Keno.ha&#13;
Phone, 652·2611&#13;
the game was exciting and well played&#13;
but it was Harper's more balanced&#13;
attack that made the difference.&#13;
It is the lack of depth that has hurt&#13;
the Ranger team most this year.&#13;
although for a first year team it has&#13;
been successful.&#13;
By Jim Casper&#13;
, of the Newscope staff&#13;
ParkSlde dropped a 5-2 decision to&#13;
Harper Junior College at Wilson Park&#13;
',"5~i1waukee before a crowd of about&#13;
o The Rangers had many&#13;
pp,Ortunities to score bu t could not&#13;
capitalize on the chances.&#13;
b Ha~er jumped off to a quick lead&#13;
hUt t e Rangers tied the score at 1-1.&#13;
was Bill Westerland's solo dash from&#13;
~n~ end of the ice to the other tha t&#13;
fIe the count. Harper scored the next&#13;
Ourgoals before the Rangers managed&#13;
~ cols.olalion goal in the last part of&#13;
e thlld period.&#13;
Park 'd '&#13;
L&#13;
· k SI estop scorers Kari Ie ask' ,&#13;
T t&#13;
I, Torn Krinunel and Marc&#13;
Ut e k' ,&#13;
~Io ws I were time after time&#13;
pped at point blank range. Ov~raU,&#13;
HAM 10 ORG&#13;
HUXHOLD'S&#13;
COUNTRY STORE&#13;
SO. Grem Blf)' Rd.&#13;
Kmoshtt&#13;
634-9716&#13;
COLD BEER&#13;
ANNUAL SPRING&#13;
BOOK SALE&#13;
See Jim h'enick "",. H.mmond" For Guarantoed Senice &amp; Trade-In Value&#13;
Good Books at a Good Price Out ot rown-C.II Uollect&#13;
HAMMOND ORGAN&#13;
142~~~~~~n (I) ~~~~~:&#13;
"IJ Beau Or/llJ1lS 4fe Buill, HI'1nIJIIONi ",.u BuiIJ n-"&#13;
UNIVERSITY&#13;
BOOK STORE ,&#13;
Martin Place~ Second In National Meet&#13;
The Parkside wrestling team led by&#13;
freshman Ken Martin from Coleman,&#13;
V( onsin made a very commendable&#13;
~~cwing at the National NAIA&#13;
II' estling Tournament held last week . r Boone, North Carolina. Besides&#13;
~Jrtin, Coach Jim Koc~ brought Jeff&#13;
J kins Bill Benkstem and Tom en , , t . Beyer the Ranger s mos consistent&#13;
int· scorer, to the meet involving&#13;
:estlers from ninety-eight teams.&#13;
As a team the Ranger's scored&#13;
fourteen points which placed them&#13;
among the top twenty finishers at the&#13;
meet and the highest scoring team&#13;
from the state, including all of the&#13;
tage Universities.&#13;
In the first round matches Ken&#13;
MJrtin, despite a shoulder seperation&#13;
ihree weeks ago, won his first match&#13;
b\' a 16-6 decision over Mike Doyle of&#13;
West Liberaty. Jeff Jenkins, a&#13;
Sl&gt;phomore at 150 pounds lost his fir,t&#13;
match to Joseph Artiglere of Trenton&#13;
l~-5. Bill Benkstein, the Ranger's&#13;
senior captain at 167 won his first&#13;
match by a 6-5 decision over Dave&#13;
fartin of Millersville College. The&#13;
other first round match saw Freshman&#13;
Tom Beyer drop a 9-2 decision to Tom&#13;
Venbourne of the United States&#13;
1ternational University.&#13;
Second round matches saw Ken&#13;
'.I rtin advance into the quarterfinals&#13;
b)' defeating a very rugged Dough&#13;
l\1ller of Easter Michigan 13-6. Willer&#13;
was a member of the U S J . 01 · T · · unior ymp1c earn. Bill Benkstein lost his&#13;
secon_d match to Les Jackson of&#13;
Mayville State 6-2.&#13;
In the quarterfinals Martin faced the&#13;
top-seeded wrestler in his weight class&#13;
Roger Vigil of Adams State. Vigil, ~&#13;
Ken Martin.&#13;
Patton Sets Track Record&#13;
By Jim Casper&#13;
of the Newscope staff&#13;
Jim Patton set a school record in&#13;
t~e pole vault as the Rangers placed S!Xth in the Midwest Jnvitationa track&#13;
meet at North Central College. The&#13;
meet, which saw 9 teams score, was&#13;
won by Stevens Point, with 51 points,&#13;
compared with the Rangers 23.&#13;
Patton set his scJ- ')l record by&#13;
milting 13 feet, goo?,nough for a&#13;
third place finish.&#13;
Bob Waters and Eugene Prince also&#13;
~me up with key performances, with&#13;
Waters finishing second in the 60 yard&#13;
d sh with a time of 6.3 seconds-an&#13;
effort which tied his school record.&#13;
Prin e's 6'1-3/4" high jump gave him a&#13;
cond.&#13;
Mike Zugich finished fifth in the&#13;
60 yard intermediates with a :07 .8&#13;
lockmg. Dean Maschoff, Parkside's&#13;
other entrant in the hurdles. tumbled&#13;
over the second hurdle and was out of&#13;
the race.&#13;
Leonard Bullock placed fourth in&#13;
the long jump with a leap of 2~ '3½".&#13;
while Keith Merritt's 40 feet m the&#13;
triple jump earned hi.m a f~urth place&#13;
also. Bill Brown was fifth m the hot&#13;
at 47'4¼".&#13;
The sprint medley te m of Tim&#13;
McGilsky, Waters. Ga_ry G_eb1'. ' and&#13;
Merritt provided Parkside \\:1th_ 1t fit:31&#13;
points of the evening by fim hmg th~rd&#13;
behind Loyola (111.) and the 111ver~1ty&#13;
of lllinois Circke. The team won the&#13;
second heat, but there were two fa ·ter&#13;
times in the fir t heat. . Parkside 's next home meet will be&#13;
against Marquette and _ Beloit _at the&#13;
Case High Fieldhou e Ill Racme on&#13;
March 27.&#13;
Harper Defeats Ranger Hockey&#13;
By Jim Casper&#13;
of the Newscope staff&#13;
Parkside dropped a 5-2 decision to&#13;
Harper Junior College at Wilson Park&#13;
,s~1ilwaukee before a crowd of about 0.&#13;
The Rangers had many PP_ortunities to score but could not&#13;
capitaliLe on the chances.&#13;
b !1a~er jumped off to a quick lead ,t I e Rangers tied the score at 1-1.&#13;
Was Bill Westerland's solo dash from&#13;
f.ne end of the ice to the other that&#13;
iled the count. Harper scored the next&#13;
our goals before the Rangers managed&#13;
ah col~lation goal in the last part of&#13;
l e lh1rd period.&#13;
1. Parkside's top scorers Kari 1.1ek k" ' T O I. Tom Krimmel and Marc&#13;
Utlewski were time · after time&#13;
st0PPed at point blank range. Overall,&#13;
ANNUAL SPRING&#13;
BOOK SALE&#13;
the game was exciyng and well pla)ed&#13;
but it was Harper's more balanced&#13;
attack that made the difference.&#13;
It is the lack of depth that ha hurt&#13;
the Ranger team most thi year.&#13;
although for a first year team it ha&#13;
been successful.&#13;
HUXHOLD'S&#13;
COUNTRY STORE&#13;
S 0 • Green B,~} Rd.&#13;
Ke11oshi1&#13;
634-9716&#13;
COLD BEER&#13;
Good Books at a Good Price&#13;
UNIVERSITY&#13;
BOOK STORE&#13;
nyone mter ted in&#13;
.Park ide intend to form&#13;
team thi year. n_ one intere tin in&#13;
finding out about it h uld&#13;
Vi Godfre at e. t. .. • or&#13;
thleti Offi e on Wood Ro d n&#13;
po ible.&#13;
it's the&#13;
real thing&#13;
H I&#13;
Kl '&#13;
Co ing April 1st, 2nd 3rd&#13;
see Jim t,•enick II r. Ha ond" For Guarant,ed Service &amp; Trade-in Value&#13;
· out of ro n-Call lio11ect&#13;
HAMMOND ORGAN&#13;
1&lt;2~!.~!~~-(I] !~:~!:&#13;
"If Better Or"1ns are Buiu, Hammond ,U Builtl Thena"' &#13;
'e1O.cope Monday. March 22.1971&#13;
General Assistance Complaints Aired&#13;
B) Dean Lowno&#13;
of the ewscope laff&#13;
Th Ra ine Count) Board held an&#13;
open meeting rurday , Marth 13. in&#13;
.....hich complaint "ere heard on the&#13;
Cener'lll A i lance prognm The open&#13;
met u ng wa h ld a a re ult of protests&#13;
by th Emergency Welfare Commiu ee&#13;
In hi openon~ remar'" \b Fell\.&#13;
RO:l charJ,ed. 'diseriminati n . and&#13;
bu of poor people. AI o. that an&#13;
e haIlle of letter. ccnverstanon&#13;
and telephone al had produced&#13;
n thong. nd the E\\ IS hoping this&#13;
pubh meeung will show .the Count)&#13;
B rd lh urgen~y of the Sl(U3t1 n.&#13;
-\ member of the EW • Father Bill&#13;
\I ,llIams, then e plalned that&#13;
unernploy m nt in R:KIOC IS at a&#13;
r n r:Uc· .4 • but the poorer&#13;
II n nd mAcr ell)' h3\C an&#13;
un&lt;nlploylO nl rat&lt; double th.t of th&#13;
entire city- 17%. which are depression&#13;
figures. He then explained that the&#13;
General Assistance program is mo~t&#13;
of len an emergency and temporary aid&#13;
which. along with the applicants&#13;
existing income. help bring his total&#13;
income (0 an adequate standard of&#13;
living.&#13;
crowd, estimated at 450. then&#13;
aired their complaints. An old Black&#13;
man "as first and said. "Alii try to do&#13;
i to treat people by the Golden Rule,&#13;
l've been on Gen. Assis. for 11 years&#13;
and received 35 a month. They&#13;
treated me so nice that they took my&#13;
car away 11 years ago and just&#13;
recently knocked me down to 534_"&#13;
One person wanted to know. "why&#13;
the ~onspicuous absence of Hubert&#13;
Braun.' chairman of the Gen. ASSISt.&#13;
progf3m, He also added th.1 if the&#13;
gO'ternment 3re gomg to pay the bills&#13;
to kill people in Asia. they're going "}&#13;
have to pay the bills to rake care 0&#13;
their own. 1 Refuting the claim that peop e&#13;
come to Wisconsin to take adval~tage&#13;
of the Welfare laws. a man explained,&#13;
"I was recruited by Belle City to con~e&#13;
and work in Racine. When they laid&#13;
me off Gen. Assist. told me to go&#13;
away," I' d th Father Williams then exp arne e&#13;
procedure to apply for. General&#13;
Assistence. He described It. as a&#13;
laborious, and complicated&#13;
run-around. Out of an average of 71&#13;
cases that the EWe handled., the&#13;
average wait before assistance was given&#13;
251&gt; days. ' d Father Murtaugh then' explame&#13;
that "the public has been fed myths&#13;
abo~t people on welfare ... Th~y have&#13;
been told lies about mJustlces of&#13;
people on welfare instead of people&#13;
the welfare board." On&#13;
Mr. Rosa then asked for camille&#13;
fro Mr. Richard LaFave.Cha',r nts&#13;
R&#13;
ine C B' d man acme ounty oar, who said. "The&#13;
County Board know problems e .&#13;
and at the meeting March 18 we I XISl&#13;
to start resolving the problems." lOpe&#13;
Ma y o r Huck commented "I&#13;
commend the work of the EWe' :md&#13;
the people on the committee. The .u&#13;
f R&#13;
' 'II &lt;I Y&#13;
a acme WI exert all tl.le innuence&#13;
we can to help resolve this problem"&#13;
But. he also warned that, "Peo i&#13;
better get involved in local governll1~n~&#13;
or we can forget about everythi 1&#13;
else!" r g&#13;
The meeting ended as it started.&#13;
with a prayer for hope :.llld&#13;
understanding for all people.&#13;
Correctio&#13;
( n rnmg 1J. I ""tel.; 3rtl..:le on Ihe&#13;
nOlda&lt;) of lI&gt;&lt;old Sltrn fo,&#13;
110 rm n of R. tne Fir t lIard lb.&#13;
Stern wa the ao" , of the BlJck&#13;
tudenl n n la t )e3r and In no 't\a~&#13;
Yo nne ted ""th the teJoe,"'ip of&#13;
I t \13)· 'urlc"t \(1 e&#13;
A HEAVY OUNO&#13;
125&#13;
AM·FM Stereo&#13;
Music Center&#13;
Here I.S ,1 load way 10 dis·&#13;
cover whal 'Fisher sound'&#13;
IS like. Phay osrecord on lhe&#13;
Fithef I~~, Play the same&#13;
record on anolher make,&#13;
_..slen ror lhe difl'erence,&#13;
~"Spccialt)' In the very low&#13;
300 ver) high r~ucncies.&#13;
Ai Fi~hu ~;m,,11J()uNiJ&#13;
IH"". And the Fisher 125&#13;
IJ the first complete AM·&#13;
FM Stereo Music Center&#13;
10lool. 3sIrCili ;lSit sounds.&#13;
... ....sH •• '&#13;
F.-,5_1&#13;
D&#13;
40 W,lli 1Il Mua: P.&gt;Wtl&#13;
,'HH • Whk·lUnlt AM •&#13;
"'pt".~~Il\C" FM :1m! FM·&#13;
SWRo wb FET aM ICs ia&#13;
(fflftt-end .tr.t IF "111ft .....&#13;
Sput,l Aulotnalil.; '[urntablt&#13;
W\I. ew Cool.JoI. Aftti.5tat·&#13;
In,. "'uhlm;n"· V\Ul-otr • Two&#13;
Aco':"llc:ltl,..M.lc~td Two·&#13;
Way Sput..n' S,... • Full&#13;
AYd-.. COIMroQWirt. T..- ud&#13;
PtMtfto Fxil"lft.&#13;
.............Or.-&#13;
......... f'K.....&#13;
31/5 6Of/, St.&#13;
65&amp;-1801&#13;
"IDIAL IDOUDII&#13;
Adult Grant Applications Available&#13;
pplicatiOm for an aduh grant&#13;
Ill'en )earl)' b) the Kenosha County&#13;
Branch ...of the American Associal ion of&#13;
nlVer it) Women are nOW&#13;
a\all.ble at ,he Financi.1 Aids Office.&#13;
or Ihe Infonnation office_ The&#13;
elibibilil) requirement~ are:&#13;
:\n} aduh woman residing in&#13;
Kenosha County who has completed&#13;
at least one seme~(er of college. who&#13;
plan to take one or more courses at a&#13;
Io..:al inslltUtion and who has lhe&#13;
objeclI'tes of obtain 109 a bachelor's&#13;
degree or who has a ba~helor's degree&#13;
and 5eeks cerrification in a specialized&#13;
field. Former applicants or recipients&#13;
•&#13;
are eligible. The grants are not&#13;
intended for those taking courses&#13;
solely for enrichment or to obtain a&#13;
master's or doctor's degree.&#13;
The grants are financial assistJnce in&#13;
units of 550.00. with no more than&#13;
four units awarded (Q anyone&#13;
applicant in any given year.&#13;
G ra ntees are selected by the&#13;
Scholarship Commiltee of . the&#13;
Kenosha Branch of the American&#13;
Association of University Women&#13;
through evaluation of completed&#13;
applications. The main criteria are&#13;
need and ~robable -success in achieving&#13;
educational objective'.&#13;
serious and satiric&#13;
no further than feminine chuckles&#13;
through the course of the night. The&#13;
poem was a satiric, tongue.ii1-cheek&#13;
farewell to correspondence course,&#13;
would-be poets. His next poem was&#13;
"Vapor Trails in the Frog Pond",&#13;
which he said was something of a&#13;
parody of Whitman's "I Hear America&#13;
Singing," the theme was anti-war, but&#13;
he said it was not a strong anti-war&#13;
poem.&#13;
His final selection was the seventh&#13;
section of a long poem·entitled "The&#13;
Dead Shall I Raise Incorruptible,"&#13;
Kinnell was almost inspired in his&#13;
reading of this piece and it was the one&#13;
which appealed to me the most.&#13;
After the reading, the spectators&#13;
and witnesses were given the&#13;
opportunity to talk with the poet for&#13;
about 20 minutes, and then he was&#13;
gone .and the machines were plugged&#13;
back tn.&#13;
I think the Fine Arts Committee did&#13;
a good thing by bringing a poet to the&#13;
Activities Building rather than to a&#13;
I~cture hall; drinking beer and listening&#13;
to poetry is a good way to spend a&#13;
night. '&#13;
For the thousands who did not&#13;
attend this reading, I don't think&#13;
you're the better for it. The poet&#13;
presented a good reading; serious and&#13;
satiric, off the cuff and informative.&#13;
Personally speaking I would like to see&#13;
Parkside bring more high caliber poets&#13;
to the Activities Building and a few&#13;
less dollar a tic!.&lt;et dances '&#13;
By Jim Koloen&#13;
of the Newscope Staff&#13;
Shortly afler last Tuesday night&#13;
the lights in the Activities Building&#13;
were tumed off, the jukebox and&#13;
pinball machines unplugged and a poet&#13;
appeared at the rostrum. Galway&#13;
Kinnell. author of Body Rags, and a&#13;
forthcoming work titled Book of&#13;
Nightmares. dressed in fading brown&#13;
corduroy pants and sport jacket and&#13;
red shirt open at the coUar, stood&#13;
wincing under Lhe glare of two yellow&#13;
spotlights. dimmed posthaste. and&#13;
proceeded to read poetry, The rugged&#13;
looking poet. his face seeming as if it&#13;
were a hardwood carving. with blue&#13;
eyes and thick wrists, read in a quiet,&#13;
low.keyed voice. bespeaking little&#13;
emotion. •&#13;
Perhaps fifty people sat listening to&#13;
the poet read first from Robert Bligh,&#13;
and then from his own worKs,&#13;
prefacing them with informal&#13;
explanations. His reading was not&#13;
dramatic. Speaking in even tones. he&#13;
let the words do their own work,&#13;
unaided by histrionics; the small&#13;
audience was forced to listen closely&#13;
to the words rather than the voice.&#13;
His "Goodbye to Students" raised a&#13;
roar of chuckles from the ladies in the&#13;
audience; audience reaction was to go&#13;
~~ arid ..rO&#13;
~o~RANCH "~&#13;
NORTH &amp; $OUTII Stll!IIIDAN ROAD&#13;
-KENOSHAFAMOUS&#13;
FOR&#13;
RANCH CREATED&#13;
SANDWICHES&#13;
(HARCOAL BROILED'&#13;
STEAKS " It•••• ' .'00·'&#13;
ON SALE NOW&#13;
Student Activities Office&#13;
Tallent Hall&#13;
UW - PARKSIDE&#13;
presents&#13;
in concert&#13;
MONDAY. MAY 10 8:00 P.M.&#13;
RACINE CASE H.S. FIELDHOUSE&#13;
Tickets $5.50 (Sold Dull&#13;
$4.50 Still Avail.&#13;
Procedure of Applic:.Jlion&#13;
I. Complete lhe Application of&#13;
Adult Grant. Typed answers are&#13;
acceptable, but not necessary.&#13;
2. If more space is needed. tXlIltlllllC&#13;
answers on a separate page. US11lg tilt&#13;
appropriate question numher for cal'll&#13;
continuation. Securely f:tSt~1l the&#13;
additional page(s) to the ApplicatIOn&#13;
3. Return the completed applkallol1&#13;
to the Director of Financial Aids 'I&#13;
the school you plan to attend.&#13;
4. Do this 011 or before April 10.&#13;
1971. Winners will be annmltlL"edOil&#13;
or around M,y 18. 1971.&#13;
Credit By Exam&#13;
By Harry A, W.lbruck&#13;
Assoc. Prof. of German&#13;
Credit by Examination? Why should&#13;
I get it? And how? These queslions are&#13;
raised by students again and agam&#13;
Since so litlle is known about it )CIat&#13;
UW-P, and these are questwn&#13;
legitimately asked by our students. let&#13;
me tell you how we have deal! wllh&#13;
the cases who have asked about II '"&#13;
our own discipline.&#13;
Our catalog states on page 9: b&#13;
keeping with its sflidel/t·orh'lIfrd&#13;
approach to educatio//. Parkside offm&#13;
each student the opportunity"&#13;
ulldertake independe//t study Ifl1r&#13;
divisional appf()lIal, a studel/t mO.I' ('onl&#13;
up to]O credits IOwardshisdegrecbl&#13;
examination. The independetH stud&#13;
program is under the direcTion of /h(&#13;
individual divisions and their o[firfI&#13;
19 students are currently lakin~&#13;
German Independent Study, Webegar&#13;
this program two years ago. ~her&#13;
students could prove to us Ihat th~&#13;
either had time conflicts through thtr&#13;
work.schedule, had the equivalent ,j&#13;
other course 'preparations, or had"&#13;
other means of rounding Oul thtl&#13;
credit package. Most passed l~&#13;
required tests which qualified Ihem&#13;
get some credits by examination Tht\'&#13;
were recorded in the divisional offl&lt;."t&#13;
and thei r academic record sent 10 lht&#13;
Director of Admissions. b tl('l'&#13;
If any student has some e&#13;
suggestions, please let us knoWaboU&#13;
l&#13;
it. We feel this progran needs to 'Ie&#13;
known and understood by ever)!&#13;
4437 • 22nd Avenue&#13;
, 53t40&#13;
Kenosha, WisconSIn&#13;
f", 1J&lt;/ivdJ _.;&#13;
654-0774 ,i&#13;
ch 22, l9 l&#13;
General Assistance Complaints Aired&#13;
'Correctio&#13;
125&#13;
A ·FM Stereo&#13;
Muiic Center&#13;
Herc i .i good way to dis·&#13;
co er what ·fisher sound'&#13;
i ,kc. Pl;a) a record on 1hc&#13;
Fi her 125. Pl y the nic&#13;
record on nothcr make.&#13;
1.i ten tor the difference.&#13;
c pccislly in lhc very lo&#13;
nd vel') hiih frequencies.&#13;
A f ishtr simply sounds&#13;
hnttr. And the Fisher 125&#13;
' the first complete AMF&#13;
1 Stereo hisic Center&#13;
10 I :is 1rc;a1 :nit sound .&#13;
S..andHear&#13;
Fllh•r St reol&#13;
40 Wa111 ul M\bi.: p..,-,&#13;
1IH l'l • idt-R n,c A~ a up.-r-lid.:.:1n.: F 1 nJ FM-&#13;
~rro wi b FET ad ICs io&#13;
fmnl-cnJ iJ IF st&amp;&amp;C$ • '4· pccll Au1omati.: Turntable&#13;
wil.h CU&lt; Conuol. Anli-Sbt-&#13;
' ,\1 , ,;.; hu1-01T • T o A c.:s1inlly-M1tched Two-&#13;
\\ ay rn " ystcms • Full , udau Ca.11roh Wilh T.pr and&#13;
"'-of.-.cil,tin.&#13;
Hammond °'1an&#13;
Studiot of Kenotha&#13;
3215 60tl1 St.&#13;
658-1801&#13;
SPECIAL IIOLUDH&#13;
Stll fllf lfCOIDI&#13;
to kill people in Asia. they're going tf&#13;
have to pay the bills to take care o&#13;
their own. . h t ople Refuting the claim t a pe come to Wisconsin to take advantage&#13;
of the Welfare Jaws. a man explained,&#13;
"I was recruited by Belle City to come&#13;
and work in Racine. When they laid&#13;
me off Gen. Assist. told me to go&#13;
away·· · h&#13;
Father Williams then expla111ed t e&#13;
procedure to apply. for . Genera~&#13;
Assistence. He descnbed it . as laborious. and complicated&#13;
run-around. Out of an average of 71&#13;
ca es that the EWC handled, . the&#13;
average wait before assistance was given&#13;
25!-2 days. 1 . d&#13;
Father Murtaugh then · exp ame&#13;
that, "the public has been fed myths&#13;
about people on welfare_. _Th~y have&#13;
been told lies about inJustlces of&#13;
people on welfare instead of people&#13;
the welfare board." on&#13;
Mr. Rosa then asked for comme&#13;
R&#13;
fro . MrC. Richa8&#13;
rd . dlaFave-Chairm:t~ acme ounty oar , who said, "The&#13;
Codunty hBoard ~noMw problems exist an al t e meetmg arch 18 we h&#13;
to start resolving the problems." ope&#13;
Mayor Huck commented .. 1&#13;
commend the work of _the EWC. Jnd&#13;
the people on the committee . The ,ll ..&#13;
of Racine will exert all t)1e inf1uen~&#13;
we can to help resolve tlllS problem ..&#13;
But. he also warned that. "Peo i&#13;
better get involved in local govcrnmfn~&#13;
or we can forget about everythi 1&#13;
else!" rg&#13;
The meeting ended as it start d&#13;
with a prayer for hope and&#13;
understanding for all people .&#13;
Adult Grant Applications Available&#13;
&lt;Ga/teary :JCiwnell:&#13;
B) Jim Koloen&#13;
of th ·e" cope taff or I. fter la · • • a_ night&#13;
the light m the ctiville Building&#13;
were turned off, the jukebo. 3nd&#13;
pinball ma ... hine unplu~ged and 3 poet&#13;
appe red at the ro -trum. Galwa)&#13;
Kinnell, author of Body Rag . and a&#13;
forthcoming work titled Book of&#13;
Nightmares, dre sed m fading brown&#13;
corduroy pant and port jacket and&#13;
red hirt open at the collar. tood&#13;
win ing under the glare of two yellow&#13;
potlight . dimmed posthaste. and&#13;
pr eeded to read poetry. The rugged&#13;
looking poet. hi face eeming a if it&#13;
were a hard,,ood carving. with blue&#13;
eye and thick wrists. read in a quiet.&#13;
low-keyed \'Oice. be peaking little&#13;
emotion. • Perhap fifty people sat listening to&#13;
the poet read fir t from Robert Bligh.&#13;
and then from hi own wor'ks,&#13;
prefacing them with informal&#13;
explanations. His reading , as not&#13;
dramati . Speaking in even tones. he&#13;
let the words do their own work,&#13;
unaided by histrionics; the mall&#13;
audien e was forced to listen closely&#13;
to the words rather than the voice.&#13;
Hi "Goodbye to Students" raised a&#13;
roar of chuckles from the ladies in the&#13;
audience: audience reaction was to go&#13;
UW - PARKSIDE&#13;
presents&#13;
in concert&#13;
MONDAY, MAY 10 8:00 P.M.&#13;
RACINE CASE H S FIELDHOUSE&#13;
Tickets $5,50 (Sold Out}&#13;
$4,50 Still Avail.&#13;
ON SALE NOW&#13;
Srudent Activities Office&#13;
Tallent Holl&#13;
• are eligible. The grants are not&#13;
intended for those taking courses&#13;
~olelv for enrichment or to obtain a&#13;
ma ter' or doctor's degree.&#13;
The grants arc financial assistance in&#13;
unit of 50.00. with no more than&#13;
four unit - awarded to any one&#13;
applicant in any given year.&#13;
Grantee are elected by the&#13;
d10lar hip Committee of . the&#13;
Keno. ha Branch of the Amencan&#13;
,\ ociation of niver ity Women&#13;
th rough evaluation of completed&#13;
application_. The main criteria are&#13;
need and ,probable uccess in achieving&#13;
educational objective.&#13;
serious and satiric&#13;
no further than feminine chuckles&#13;
through the course of the nig_ht. The&#13;
poem was a satiric, tongue-in-cheek&#13;
farewell to correspondence course,&#13;
would-be poets. His next poem was&#13;
·'Vapor Trails in the Frog Pond",&#13;
which he said was something of a&#13;
parody of Whitman's "I Hear America&#13;
Singing," the theme was anti-war, but&#13;
he said it was not a strong anti-war&#13;
poem.&#13;
His final selection was the seventh&#13;
section of a long poem-entitled "The&#13;
Dead Shall I Raise Incorruptible."&#13;
Kinnell was almost inspired in his&#13;
reading of this piece and it was the one&#13;
which appealed to me the most.&#13;
After the reading, the spectators&#13;
and witnesses were given the&#13;
opportunity to talk with the poet for&#13;
about 20 minutes, and then he was gone _and the machines were plugged&#13;
back m.&#13;
I think the Fine Arts Committee did&#13;
a good thing by bringing a poet to the&#13;
_Activities Building rather than to a&#13;
l~cture hall; drinking beer and listening&#13;
to poetry is a good way to spend a night. ·&#13;
For the thousands who did not&#13;
attend this reading, I don't think&#13;
you're the better for it. The poet&#13;
pr~s~nted a good reading; serious and&#13;
satmc, off the cuff and informative.&#13;
Personally speaking I would like to see&#13;
Parkside bring more high caliber poets&#13;
to the Activities Building and a few&#13;
less dollar a ticl&lt;et dances.&#13;
NORTH &amp; SOUTii StU!fUDAN ROAD&#13;
-KENOSHAFAMOUS&#13;
FOR&#13;
RANCH CREATED&#13;
SANDWICHES&#13;
HARCOAL BROILED&#13;
STEAKS .&#13;
Procedure of Applh:at1011&#13;
I. Complete the Applicatwn of&#13;
Adult Grant. Typed answers Jre&#13;
acceptable. but not necessary.&#13;
2 . If more space is needed. cont 111n&#13;
answers on a separate page. ming the&#13;
appropriate quest ion nu111be1 for ca :h&#13;
continuation. Securely fasten the&#13;
additional pagc(s) to the Appli~at1 m&#13;
3. Return the completed appli&lt;:a•111&#13;
to the Director of Financial Aid 31&#13;
the school you plan to attend.&#13;
4. Do this on or before ,\pnl 10&#13;
t 971. Winners will be announ(rd 1&#13;
or around May 18.1971.&#13;
Credit By Exam&#13;
By Harry A. Walbruck&#13;
Assoc. Prof. of German&#13;
Credit by Examination'1 \\ln hould&#13;
I get it? And how? These quesit0n e&#13;
raised by students again and ag...&#13;
Since so little is known about it }Ct al&#13;
UW-P, and these are queuon&#13;
legitimately asked by our student . let&#13;
me tell you how we have dealt \l.llh&#13;
the cases who have asked about 11 tn&#13;
our own discipline.&#13;
Our catalog states on page 'l /,i&#13;
keeping with its stude//t-t&gt;rirl/lrd&#13;
approach to education, Park.lid('ofj rs&#13;
each student the oppor111111ty t&#13;
undertake i11depe11de111 study. lwh&#13;
divisional approval, a studc//t //IOI'&#13;
up to 30 credits towards his Jcgret bi&#13;
examination. The i11depe11dc//l SJud&#13;
program is under the directio/1 of I&#13;
individual divisions and their offtC't'i&#13;
19 students are currently tak1&#13;
German Independent Study. We beg&#13;
this program two years ago, \\htn&#13;
students could prove to us that lht)&#13;
either had time conflicts through tht11&#13;
work-schedule had the equivaltnt of&#13;
other course ·preparations. or had n&#13;
other means of rounding out tht&#13;
credit package. Most pa.sed !ht&#13;
required tests which qualified the(!) 1&#13;
get some credits by examination Th· were recorded in the d1v1sional of ict&#13;
and their academic record sent to r&#13;
Director of Admissions. bttlt'&#13;
If any student has some&#13;
suggestions, please let us know 3&#13;
it. We fee l this progran need to&#13;
known and understood by e\er}&#13;
Kenosha,&#13;
Free Delivery&#13;
654-0774 &#13;
p!&amp;. 4 .",,",,,pe Monday, March 22, 1971&#13;
THE E" \RD&#13;
1he II r ~t 'I acrdic&#13;
pp&lt;r hun he vll) II the ,he .. er"&#13;
f r. a ",hlf uf wh t wa to &lt;orne&#13;
nd m and ome&#13;
PI \I gl hung on m) n '0&#13;
br n ba k Ih furf) mammoth of the&#13;
thr e d,melUlon:tl The Iarmliar&#13;
I hni ue SImple lhe ,e'" of&#13;
1" F II ltturrunated b) a soft&#13;
wlute but not lung like 1111 had ever&#13;
met b) eye before&#13;
'0 PL 01 BUll'''' ,m mmae, an&lt;1&#13;
Jock.) 0,1 ",ere e plo"ed 10 the&#13;
uplill d eye of he vy breathing 01&lt;1&#13;
men ",h ab Ira \lng ",oul&lt;1 h .. e&#13;
mad a beller film&#13;
Ine \lng '" la "lOg "en ",hen&#13;
omp red with oth r prl .. att&#13;
p "lIuon tnto In fr me (at 30 a&#13;
~ra k) l o~ "' komgtud ne\ r been so&#13;
u tie • the film' trQll~ goal wa&#13;
nt'"er rea,hed. falhng ,eral I~&#13;
lOU lookang m reolike :I manual for&#13;
teull1} palnog ab ..urdlty against&#13;
lononhe2 ao 8 ruomng battle co Jom&#13;
that p ,fellow ",ho had to, d hi&#13;
hu,t ke 10 the fo) er&#13;
"'nen one of the )'ounger gJrl began&#13;
to make a":ld·lm'e y,lth an el«trl'&#13;
I mp 1 kne\\ that the e perien..:e. while&#13;
prep red a &gt;ho&lt;king, ould onl) have&#13;
be n tf $Ometlong had short&#13;
, II&#13;
rlf'.if 1iUI/__&#13;
EMIL GERLACH&#13;
/~&#13;
Since 1886&#13;
eo&amp;8 40th AvE&#13;
l&lt;ENOeHA wtS OL7-11174&#13;
fmil BllSkels It&#13;
COl' ages ..',&#13;
Cal1d)····- ./&#13;
Orner specific areas of interest were&#13;
le~l)l30lsm. masturbation, and murder:&#13;
the laSI categorv best describing the&#13;
overall effect of the film on the larger&#13;
pan of mo t audiences.&#13;
The film i not erotic. not lusty.&#13;
and certainly not enjoyable. Frankly&#13;
thl 1 the \ ery worst film 1 have ever&#13;
seen. 01 because il IS something that&#13;
offend, dying moral codes. but&#13;
because there is no depth to it. The&#13;
erouc i presented as something&#13;
two-dimensional. leanng the same&#13;
Insane aflerl3Sle in one's mouth that&#13;
the 1utle lectures on "dirty" sex so&#13;
d, ,urbingl) pla«d in the ba k of&#13;
one', mind at age 12. llti kind of&#13;
mt "bredmg helped to build ,hose&#13;
ugly lillie furies called guild feeling'&#13;
that are so difficult to shake loose for&#13;
so man) young people. Otherwise&#13;
known a hang-ups some humans never&#13;
shake them. and. end up destroying&#13;
then entire sexual hfe_&#13;
Ilnat I will ask then is that if indeed&#13;
there are going 10 be more films like&#13;
thi let them be alive and real,&#13;
IOU hing upon more than just flesh.&#13;
but on the nund a well. Let them add&#13;
to what can be instead of subtract&#13;
from what already is. This film is a&#13;
waste of time and may be hazardous&#13;
to )'our health.&#13;
William Sorensen&#13;
THOUSANDS&#13;
OF FLARES&#13;
By Paul Lomartire&#13;
of the Newscope Staff&#13;
Elayne Mattson is. and has been&#13;
art of what the media call J&#13;
~ub-cu1ture. whose values ~ei?art from&#13;
traditional American matenahsm.&#13;
Expenses stemming from her. ~ar,&#13;
like gas and insurance, rent and tult!on&#13;
always seem in the back of her mind&#13;
when she has a last dollar to spend. In&#13;
front of her mind are VISions of pec~n&#13;
pie and Marc's Big Boy Restaurant 10&#13;
Racine.&#13;
I had to find out for myself why&#13;
someone who would let aes.the~lcs&#13;
substitute money as a theme 10 life,&#13;
would take time out every so.often to&#13;
go to Racine and eat peacon pte.&#13;
Ifound out as soon as Iwalk~d into&#13;
the restaurant that it was a melting pot&#13;
of some sort. A group of greasers were&#13;
taking a break from driving around&#13;
tow for a bite to eat. A couple&#13;
"extras" for an Andy War.hol flic,k&#13;
were taking a day off of thw Olgalllc&#13;
diet to devour a chicken, as a cham of&#13;
couples lined the walls in the boothes.&#13;
These couples ranged froill newlyw~ds&#13;
to married individuals on dates With&#13;
families :sprinkled I about the. dining&#13;
rOom, It all seemed quite Aqlencan.&#13;
Maggie began the analizatlQIl as we&#13;
sat down. She pointed out the&#13;
favorable aspects of the service we&#13;
were receiving. She began with the fact&#13;
that all the people wotking at Big Boy _&#13;
dress very neatly. The waitresses all&#13;
wear their hair up, usually in a bUll,&#13;
which is very favorable. They are&#13;
pleasant even when a problem arises,&#13;
and after we had ordered, we found&#13;
that the waitress adds Up the cost of&#13;
the meal at the table, which I thought&#13;
was a good idea for low budget&#13;
customers.&#13;
The last point she made was the fact&#13;
that the cooks, busboys, hostesses and&#13;
waitresses all had different uniforms. I&#13;
asked her what this had to do with&#13;
anything in particular, besides the&#13;
atmosphere. She just said that she&#13;
thought it was a good idea, and they&#13;
dressed so well. It is important to note&#13;
that Maggie is a Virgo, and to a Virgo&#13;
this aspect of Big Boy is a delite&#13;
I ordered .w~~t t~.e menu said was&#13;
'"",our spe.c13hty , fried chicken. The&#13;
sign outside the restaurant said that 't&#13;
was Colonel Sanders', so I conclud I&#13;
d&#13;
tha t Colonel Sanders is a Big Boy el&#13;
was a regular dinner at a doil t&#13;
sixty-five. It included -French fries ar&#13;
salad. rolls. honey and three pieces' o~&#13;
chicken. The pieces were specifically a&#13;
keel. a leg, and a thigh). FOt thirty&#13;
cents more one can get an extra two&#13;
pieces of chicken.&#13;
Maggie said that the creamers were&#13;
left out on the tables, and this isn't&#13;
such a good idea. I agreed with this&#13;
point, after all. s01~eone could put&#13;
LSD or something 111 the cream for&#13;
coffee. That would ruin someone's&#13;
meal, I'm sure.&#13;
As Dean Martin crooned softly&#13;
throughout the, restaurant. we ate and&#13;
enjoyed our meal. Maggie had a Big&#13;
Boy hamburger: which is also one of&#13;
their specialty Items; which she said&#13;
was very good. Again the problem of&#13;
• what can be said about a hamburger&#13;
whether it is one, two, or ten layers. It&#13;
was good.&#13;
We were served promptly. The&#13;
service at Big Boy is very good. But I&#13;
was a bit confused. The chicken dinner&#13;
came on sort of a tray, with the salad&#13;
riding side saddle on the plate in a&#13;
sparate plastic dish. just like 011 the&#13;
airlines. I looked out the window to&#13;
see if the restaurant was taxing down&#13;
the street. Maybe. I thought someone&#13;
did put LSD in the creamers.&#13;
My large Coke came in a paper cup,&#13;
and this seemed very handy, If there&#13;
were a bomb threat, or a fire. the&#13;
customer could stand out in the street&#13;
and sip his beverage, and dispose of&#13;
the cup.&#13;
The waitress came in the middlc or&#13;
the meal and asked il everything was&#13;
alright. I said yes. and sheepishly&#13;
looked around and whispered thaI I&#13;
would like to try a piece of peciJn pIC.&#13;
I don't like to· order dessert in a&#13;
restaurant because I don't look like I&#13;
need it, or can afford it.&#13;
The pecan pie blOughl back&#13;
memories of the Old South, though&#13;
I've never been there, But I thought&#13;
while eating it that no one In the&#13;
North would have, the nerve 10&#13;
construct such a pie ...&#13;
Big Boy proved to be il nice place to&#13;
eat for Maggie and I. Clndnow I rcaliie&#13;
why people travel to Radnc from&#13;
Kenosha just to eat. But more&#13;
important than this, I found out wit}&#13;
Elayne always scronged &lt;Jround for&#13;
ex t fa change' beyond the price of piC&#13;
and coffee. The service is so good. that&#13;
even the sub-culture must tip Ihcir&#13;
headbands and leave a tip,&#13;
207 SIXTH STREET&#13;
RACtNE, WISCONSIN 53403&#13;
BRANDT'S-RACINE SOUNDS&#13;
~ ...... LIKE ... the brands you know&#13;
in sound equipment, plus over 3,000 Albums&#13;
and 45's at discount prices.&#13;
Stop in and blow your mind, not your&#13;
checkbook. See and talk to Mark, our&#13;
Department Manager, who is a Parkside&#13;
_::::::::::. student and will talk your language, both in&#13;
equipment purchases, records and money.&#13;
SONY - Tape recorders, Radios, TV &amp; Record players&#13;
PANASONIC - Radio, TV, Recorders, Stereo record players&#13;
KOSS - Headsets&#13;
KENWOOD - Receivers, Tuner and Amps&#13;
MARANTZ - Receivers, Speakers, Record players&#13;
AZTEC - Speakers&#13;
J.B.L. - Speakers&#13;
J,V.C, - Receivers &amp; Radios&#13;
GARRARD - Turntable~&#13;
G.E. - Radios &amp; Record players&#13;
Also, Patch cords, blank Tapes and accessories. While you&#13;
are here, shop for Jewelry, Sporting goods and Gifts at&#13;
Southeastern Wisconsin's lowest prices.&#13;
Campus Events&#13;
The Parkside Young Democrats&#13;
today announced lhat Lt. Governor&#13;
Martin Schreiber would be appearing&#13;
on campus, Friday March 26, 1971, at&#13;
2:30. The purpose of his appearance&#13;
will be to meet and talk with students&#13;
about Governor Lucev'" nronose9&#13;
CHAT&#13;
N&#13;
CHEW&#13;
40th Ave.&#13;
&amp;&#13;
S2nd St.&#13;
KENOSHA&#13;
SUN. THRU THURS.&#13;
11 A.M. TILL MIDNITE&#13;
FRI •• SAT. TILL 2 A.M.&#13;
HAMBURGERS&#13;
40 &amp; 24(&#13;
SUPERCHEW&#13;
(triple decker)&#13;
SS(&#13;
merger of the University of Wisconsm&#13;
and the State University System, The&#13;
discussion is to take place in room 101&#13;
of Greenquist Hall. All conccrned&#13;
students and faculty members Jr~&#13;
urged to attend, and make Ihell&#13;
opinions kn'2,:".ll·••••••••••• ,&#13;
Terry Rose. head of the&#13;
Racine-Kenosha Amerkan 1\'11'&#13;
Liberties Union, will speak on Flr(l&#13;
Amendment freedoms to the Pre·LJv.&#13;
Club on Monday March 29. 7:30,"&#13;
room D I] I (G R). All student'&#13;
concerned with recent infrillgemenl~&#13;
on the rights of free specch ~nd&#13;
demonstration, as well as the n?&#13;
knock" and "prevenlive detention&#13;
laws and their implications are IOvileJ&#13;
to attend. •••••••••• ••••• I&#13;
Alpha Kappa Lambda is the lat"&#13;
edition to fraternities on campu~&#13;
Their main concern seem~ t~ be ....~&#13;
''"dancing, rapping, dflnkJOg 4&#13;
grdoving, all of which takes ,pla(t' tf\&#13;
Sunday nights at members hou¢&#13;
Included in 'the $53. entrance fee (ptl&#13;
semester) is a jacket and a free bttf&#13;
mug. Those interested should ..:0111&#13;
'"&#13;
Bob Toeppe (639·2567) or 51'"&#13;
Ramig (639·0583).&#13;
Bank of&#13;
ElmWOod&#13;
..·,c.&#13;
Students get ,~d carpet II&#13;
'I (SO does everyone '1st&#13;
THOUSANDS&#13;
OF FLARES&#13;
207 SIXTH STREET&#13;
RACINE, WISCONSIN 5340i&#13;
E SOUNDS&#13;
LIKE . . . the brands you know&#13;
in sound equipment, plus over 3,000 Albums&#13;
and 45's at discount prices.&#13;
Stop in and blow your mind, not your&#13;
checkbook. See and talk to Mark, our&#13;
Department Manager, who is a Parkside&#13;
student and will talk your language, both in&#13;
--~ equipment purchases, records and money.&#13;
SONY- Tape recorders, Radios, TV &amp; Record players&#13;
PANASONIC - Radio, TV, Recorders, Stereo record players&#13;
KOSS - Headsets&#13;
KENWOOD - Receivers, Tuner and Amps&#13;
MARANTZ - Receivers, Speakers, Record players&#13;
AZTEC - Speakers&#13;
J.8.L. - Speakers&#13;
J.V.C. - Receivers &amp; Radios&#13;
GARRARD - Turntable~&#13;
G.E. - Radios &amp; Record players&#13;
Also, Patch cords, blank Tapes and accessories. While you&#13;
r ere, shop for Jewelry, Sporting goods and Gifts at&#13;
South astern Wisconsin's lowest prices.&#13;
BRANDT'S DISTRIBUTORS&#13;
512 MI.. I N STREET&#13;
,&gt;n the west side of Monument Square&#13;
RACINE 'S&#13;
GREAT&#13;
DOWNTOW!'\J&#13;
O ISCOU~1 .-, O'.J&lt;- E&#13;
By Paul Lomartire&#13;
of the Newscope Staff&#13;
Ela} ne ~1attson is, and. has_ tr':&#13;
art of what the media ca&#13;
fub- ulture. whose values ~el?art from&#13;
traditional Amern:an matenahsm.&#13;
Expenses temming from her. ~ar'&#13;
like gas and insurance, rent and tu1t~on&#13;
alway seem in the back of her m111d&#13;
when she ha a last dollar to spend. In&#13;
front of her mind are visions of pec~n&#13;
pie and tare· Big Boy Restaurant 111&#13;
Racine.&#13;
I had to find out for myself w~y&#13;
omeone who would let aes_the~1cs&#13;
-ub titute money as a theme 111 life,&#13;
would take time out every so_often to&#13;
go to Racine and eat peacon pie.&#13;
1 found out a soon as I walked into&#13;
the re ·taurant that it was a melting pot&#13;
of · me ort. group of greasers were&#13;
taking a break from driving around&#13;
tow for a bite to eat. A couple&#13;
"e tra " for an Andy Warhol flick&#13;
w~re taking a day off of their or~anic&#13;
diet to devour a chicken, as a cham of&#13;
couple lined the walls in the boothes.&#13;
These couple ranged from newlyw~ds&#13;
to married individual on dates w1 th&#13;
familie :sf rinkled , about the dining&#13;
room. It al eemed quite Afllerican.&#13;
~taggie began the analizatLun as we&#13;
at down. he pointed out the&#13;
favorable aspect of the service we&#13;
were receiving. She began with the fact&#13;
that all the people working at Big Boy&#13;
dres very neatly. The waitresses all&#13;
wear their hair up, usually in a bun,&#13;
which is very favorable. They are&#13;
pleasant even when a problem arises,&#13;
and after we had ordered, we found&#13;
that the waitre adds up the cost of&#13;
the meal at the table, which I thought&#13;
was a good idea for low budget&#13;
cu tamers.&#13;
The Ia t point she made was the fact&#13;
that the cooks, busboys, hostesses and&#13;
wa1tre ses all had different uniforms. I&#13;
a ked her what this had to do with&#13;
anything in particular. besides the&#13;
atmo phere. She just said that she&#13;
thought it was a good idea, and they&#13;
dre sed so well. It is important to note&#13;
that , 1aggie is a Virgo. and to a Virgo&#13;
Campus Events&#13;
The Parkside Young Democrats&#13;
toda} announced that Lt. Governor&#13;
1artin Schreiber would be appearing&#13;
on campus. Friday March 26, 1971, at&#13;
2:30. The purpose of his appearance&#13;
will be to meet and talk with students&#13;
about Governor Lucev'~ nronosed&#13;
CHAT&#13;
N&#13;
CHEW&#13;
40t.h Ave.&#13;
&amp;&#13;
52nd St.&#13;
KENOSHA&#13;
SUN, THRU THURS,&#13;
11 A,M, TILL MIDNITE&#13;
FRI, &amp; SAT. TILL 2 A.M.&#13;
HAMBURGERS&#13;
40 &amp; 24(&#13;
SUPER CHEW&#13;
(triple decker)&#13;
55(&#13;
this aspect of Big Boy is a delite.&#13;
I order~d _w~~t t~e menu said was&#13;
·:_our spe_ciahty , fned chicken. The&#13;
sign outside the re!taurant said that ·t&#13;
was Colonel Sanders', so I conclud ~ that Colonel Sand~rs is a Big Boy\&#13;
was a regular dmner at a doll&#13;
sixty-five. It included -french fries ar&#13;
sal~d, rolls. ho~ey and three pieces' 0}&#13;
chicken. The pieces were specifically a&#13;
keel. a leg, and a thigh). For thirt&#13;
cents more one can get an extra tw~&#13;
pieces of chicken.&#13;
Maggie said that the creamers were&#13;
left out on t~e tables, and this isn't&#13;
such a good idea. I agreed with this&#13;
point, after all_ someone could put&#13;
LSD or someth111g 111 the cream for&#13;
coffee. That would ruin someone's&#13;
meal, I'm sure.&#13;
As Dean Martin crooned softlv&#13;
throughout the. restaurant. we ate and&#13;
enjoyed our meal. Maggie had a Big&#13;
Boy hamburger, which is also one of&#13;
their specialty items; which she aid&#13;
was very good. Again the problem of&#13;
what can be said about a hamburger.&#13;
whether it is one, two. or ten layers. It&#13;
was good.&#13;
We were served promptly. The&#13;
service at Big Boy is very good. But I&#13;
was a bit confused. The chicken dinner&#13;
came on sort of a tray, with the salad&#13;
riding side saddle on the plate in a sparate plastic dish, just like on the&#13;
airlines. I looked out the window to&#13;
see if the restaurant was taxing down&#13;
the street. Maybe, I thought omcone&#13;
did put LSD in the creamers.&#13;
My large Coke came in a paper cup,&#13;
and this seemed very handy. If there&#13;
were a bomb threat, or a fire, th&#13;
customer could stand out in the street&#13;
and sip his beverage, and dispose ,r&#13;
the cup.&#13;
The waitress came in the middle of&#13;
the meal and asked il everything \\a&#13;
alright. 1 said yes, and shcepi:,hl}&#13;
looked around and whispered that I&#13;
would like to try a piece of pecan p1&#13;
I don't like to · order des ert in a&#13;
restaurant because I don't look like I&#13;
need it. or can afford it.&#13;
The pecan pie brought ba k&#13;
memories of the Old South, though&#13;
I've never been there. But I tho112'11&#13;
while eating it that 110 one 111 ihc&#13;
North would have . the nerve to&#13;
construct such a pie .&#13;
Big Boy proved to be a nice pla,e t&#13;
eat for Maggie and I, and no\\ I rcal11e&#13;
why people travel to Racine from&#13;
Kenosha just to eat. But more&#13;
important than this, I found out \\h)&#13;
Elayne always scronged around ~ r&#13;
extra change· beyond the price of pt&#13;
and coffee. The service is so good that&#13;
even the sub-culture must tip the•&#13;
headbands and leave a tip.&#13;
merger of the University of W1 scon m&#13;
and the State University System. The&#13;
discussion is to take place in room 101&#13;
of Greenquist Hall. All concerned&#13;
students and faculty member re&#13;
urged to attend, and make then&#13;
opinions kn&lt;_?~.1!· •••••••••••.&#13;
Terry Ro se . head of the&#13;
Racine-Kenosha A mencan c,~ I&#13;
Liberties Union, will speak on Fir l&#13;
Amendment freedoms to the Pr~-La\\&#13;
Club on Monday March 29. 1: 0 1&#13;
room D 111 (GR). All tudent&#13;
concerned with recent infringement&#13;
on the rights of free spec h • nd&#13;
demonstration, as well a\ the 'n ..&#13;
knock" and "preventive detc~ll n laws and their implication are 1n\lttd&#13;
to attend .•••••••••••••••&#13;
Alpha Kappa Lambda 1s the late&#13;
edition to fraternities on camp th&#13;
Their main concern seems to be 11&#13;
" dancing, rapping, drinking a&#13;
grooving, all of which take _pla&#13;
Sunday nights at members hou&#13;
Included in 'the $ 5 3. en t ranee fee (pe&#13;
semester) is a jacket and a free&#13;
mug. Those interested hould 111 t&#13;
Bob Toeppe (639-'.!567) or 1&#13;
Ramig (639-0583 ).&#13;
Bank of&#13;
Elmwood&#13;
2104 Lathrop ,Aye., ltocin•, W"' 0 """&#13;
et ser Students get rl!d carp&#13;
(So does everyone 81st 'I &#13;
1'11&lt; I&gt; New&gt;cope MoDday, W... :1a 22, 1971&#13;
A Marine Officer selection team&#13;
\l, HI answer queauons concerning&#13;
M."ne Officer Candidate School&#13;
t arch ~5 ~6 hom 10 to 3 in&#13;
room 209 at Tallent H.II&#13;
[Ray [Ra,.{i9an ~&#13;
OJ')Ofl.1erJul900d&#13;
For&#13;
Resert'ations&#13;
Phone&#13;
694-0455&#13;
.oUT" aM,.IOAM IltOAD NO,"W 01' .,. ...,. UNIl&#13;
KINO.H ..... WIKOHIIN&#13;
't'U' Gallery One&#13;
503 1t1ill st.&#13;
Racine&#13;
10% tudent Dlscount&#13;
011 all Post rs &amp; Frames&#13;
MIKE DAVIS&#13;
SPEED CITY&#13;
"Check Our Prices lAst"&#13;
4807 7th AVENUE&#13;
KENOSHA, WISCONSIN&#13;
Rich&#13;
(Continued hom pale 5)&#13;
there who said 'ah, man. that's a lot of&#13;
bullshit: But that's their problem&#13;
again. not mine. If you please the most&#13;
people, that's what counts. not the&#13;
terribly avant yarde because where are&#13;
they at?&#13;
NEWSCOPE: Whete are the avant&#13;
garde people. _ .as far as making&#13;
money or ...&#13;
RICH: As far as musicianship.&#13;
NEWSCOPE: Haven't they always&#13;
led the way? What did Oiz and Parker&#13;
do in the forties?&#13;
RICH: You call that avant garde?&#13;
NEWSCOPE: For that time it was.&#13;
RICH: Were you around that time?&#13;
Watch it, because you're talking to a&#13;
man that was ... so be careful, fella,&#13;
what you're sayingNEWSCOPE:&#13;
How come that wasn't&#13;
commercially acceptable at that' time?&#13;
RICH: Commercially acceptatJle?&#13;
The only people I know who were&#13;
commercially successful are Guy&#13;
Lombardo, Teresa Brewer and&#13;
Lawrence Welk.&#13;
NEWSCOPE: Who would you say is&#13;
avant garde that isn't anywhere?&#13;
RICH: Most of them.&#13;
NEWSCOPE: Men like Rashaan&#13;
Roland Kirk?&#13;
RICH: What about them? There's&#13;
nothing about Roland Kir,k ~hat&#13;
impresses me, even though he s blind&#13;
what's that supposed to mean?&#13;
NEWSCOPE: What about someone&#13;
like Jusef Lateef or Sun Ra?&#13;
RICH: I knew him when his name&#13;
was Joseph Latif playing Birdland and&#13;
was looking for gigs playing tenor sax.&#13;
You want to talk sense talk about&#13;
something you know abt1ut because'&#13;
knew these cats long time ago before&#13;
they put on their Indian garb and Afro&#13;
haircuts.&#13;
When you eliminate the element of&#13;
time in jazz and forsake that just to&#13;
VALEO'S&#13;
ALSO&#13;
CHICKEN DINNERS and&#13;
ITALIAN SAUSAGE BOMBERS&#13;
51121 30th Av.,&#13;
KENOSHA&#13;
657·5191&#13;
.' ~ I&#13;
PIZZA&#13;
KITCHEN&#13;
FREE DELIVERY 4:00 P.M. TO 12:00 P_M.&#13;
Open 6 Days- a Week From 4 p,m,&#13;
Closed Mondays&#13;
r&#13;
1/&#13;
HAPPY HOUR&#13;
Menday thru Friday 7 p.... to 8&#13;
PITCHERS $1.00 GLASS 20(&#13;
A II F. P...leo&#13;
.WIIIe , " ... S-Itj Pertle.&#13;
Open Daily 9 A.M.-12 P.M.&#13;
,\\\ BRAT-STOP&#13;
.......e- a:-_ .. Hlil •., •&#13;
and ,&#13;
STEAK,&#13;
BRAT or&#13;
BEEFBURGER&#13;
Is&#13;
p.m.&#13;
play notes in free form, that's not jazz,&#13;
that's practice- It's .not "!USIC.. .I can&#13;
hit a chord on a piano with my elbo~&#13;
and call that avant garde. You won t&#13;
know the difference and I won't know&#13;
the difference. If you hit a bunch of&#13;
notes what is it? Is it musical?&#13;
NEWSCOPE: Maybe to some people&#13;
it is if it's a tonal thing, If It has&#13;
musical tone ...&#13;
RICH: Well, if you can't tell the&#13;
difference between in tune and out of&#13;
tune then everything is right to you ..&#13;
.because you're hip, you're avant&#13;
garde. I don't buy that.&#13;
NEWSCOPE: Then you don't think&#13;
Coltrane could play?&#13;
RICH: He could play some. I know&#13;
too many saxaphones that could run&#13;
him out of town.&#13;
NEWSCOPE: Who'&#13;
RICH: Stan Gatz, Lester Young,&#13;
Byrd, any of thE\m. Lester Young&#13;
could not only swin'g you out of town&#13;
but he had so much melody in his&#13;
heart that he could make you cry. The&#13;
essence of a great jazz musician is to&#13;
have the ability to cover the full&#13;
spectrum of emotions. Unless you've&#13;
lived that kind of experience, you&#13;
can't play it.&#13;
NEWSCOPE: What would you say&#13;
to people who call you a drum and&#13;
bugle style player?&#13;
RICH: I wouldn't say anything to&#13;
that because I think that when I'm&#13;
with the band I swing pretty good. I&#13;
have no feelings for critics, they're all&#13;
a bunch of stupid assholes anyhOW. If&#13;
they could play they wouldn't write.&#13;
You can't say a guy can't play unless&#13;
you can play better. All critics are full&#13;
of shit. I don't know any good one,&#13;
and the leader of the bunch is Leonard&#13;
Feather.&#13;
Most people, particularly critics,&#13;
don't realize that jazz is a lifetime&#13;
thing. You spend your life perfecting&#13;
the art. Anybody can be a classical&#13;
player because the music they've been&#13;
playing has been played by a thousand&#13;
musicians for the last five- hundred&#13;
years. But when you pl~y jazz you're&#13;
improvising with your body, your&#13;
mind, your soul and your life, if&#13;
you're an honest musician.&#13;
You're away from the people you&#13;
love and you alienate the people you&#13;
love, but you do that so one day,&#13;
when you go back, you can go back&#13;
with your head up. I don't mean to&#13;
romanticise, but it's not Pete Kelly's&#13;
blues ... it's hard work.&#13;
I think a lot of people in music&#13;
today cheat their audiences. You can&#13;
make a lot of hit records and then go&#13;
out in front of an audience and if you&#13;
don't have the facilities, echo&#13;
chambers, and electronics and&#13;
everything all of a sudden it doesn't&#13;
sound the same. And if all you can&#13;
project to an audience is exactly what&#13;
you recorded and not do anything&#13;
other than the recording, yotl're&#13;
cheating your audience. We don't rely&#13;
on our records; we rely on the&#13;
musicianship of the band and the fact&#13;
that we enjoy what we're doing.&#13;
NEWSCOPE: How do you decide&#13;
when a musician is doing something&#13;
honestly?&#13;
RICH: When I see his lips bleed and&#13;
sweat 00 his face.&#13;
NEWSCOPE: You said you don't&#13;
think highly of Coltrane but the rest&#13;
of the jazz world thinks highly of him.&#13;
RICH: Do you know for a fact that&#13;
the rest of the jazz world feels that&#13;
way?&#13;
NEWSCOPE: would say the&#13;
majority.&#13;
RICH: I think it's wrong. I can&#13;
tell when a man is honest If I&#13;
GOuldn't, I shouldn't be a band I~ader.&#13;
NEWSCOPE: Do you think the&#13;
Beatles are good musicians?&#13;
RICH: Are you kidding? I know a&#13;
cop on the corner of 42nd street that&#13;
plays a better club than they play&#13;
!lultar and drums. I think they write&#13;
very well but they're half-assed&#13;
Sunnyside Florists&#13;
&amp; Greenhouses&#13;
Fl... " - Fruit .... 1ts - Gifts&#13;
Phone: 694&#13;
VI.nd FRANK WEINSTOCK&#13;
KENOSHA. WISCONSIN 53140&#13;
3021- 75TH ST. •&#13;
musicians.&#13;
I was brought up with a I&#13;
h&#13;
. at 01&#13;
w 0 were total geOluses and 91.1",&#13;
relate to what is consid edl&#13;
ca,,'l&#13;
today because I've heard alle;h great&#13;
When I hear a guy play guita e Qreal$&#13;
tell me he's the greatest gU~tand they&#13;
'!.ou:v~ heard and I've hea:d&#13;
ar&#13;
plaYer&#13;
....hristian, I got to think about ~arlev&#13;
I've heard greatness in .t, at.&#13;
form. There's no greatness ~t ~ tr~&#13;
today. Every group you ~Ing up&#13;
identical. In order to play wtIear IS&#13;
play you have to have a lot at IWtalent&#13;
than four-chord rock mu .~e&#13;
I could ask any ydUrta rock m~C_la.rts&#13;
today to come and play with myS~irl&#13;
and I guarantee he would' I'd&#13;
through the first three charts n t 9!t&#13;
NEWSCOPE: Isn't rock' ba&#13;
four chords? Sltally&#13;
RICH: Rock is built on th&#13;
b&#13;
bl - e t'W!l ar ues strain that was arOund be '"&#13;
Lincoln was president. fort&#13;
NEWSCOPE: Do you think&#13;
legitimate? r~&#13;
RICH: Blues is legitimate.&#13;
NEWSCOPE: Rock is different 1&#13;
blues? rorn.&#13;
RICH: No it's not.&#13;
NEWSCOPE: Obviouslv vou&#13;
playa blues re~ord and a rock r ~&#13;
and tell the difference betwee~&#13;
two. ~&#13;
RICH: Why? . Because the rh&#13;
section plays heavier. YII\!&#13;
NEWSCOPE: No, because It's&#13;
different form. •&#13;
RICH: Don't tell me about lilo!&#13;
man, they're playing the same bl&#13;
NEWSCOPE: Alright, so roc' ""&#13;
different I erent Interpretation . i ' ••&#13;
. RICH: ~ut rock is the blues,man&#13;
IS not a different interpretation, v&#13;
do you mean, man? If the rhyu'l&#13;
section plays different, they pi&#13;
worse.&#13;
NEWSCOPE: But that',&#13;
interpretation of it.&#13;
RICH: Right,that'swhatllu~"d&#13;
You want mediocrity you listen to.&#13;
rock group.&#13;
NEWSCOPE: WhV do vou pia,&#13;
rock tunes in your band?&#13;
RICH: Becausewedoitbetter~&#13;
the rock bands, obviously.&#13;
NEWSCOPE: Well, il vou think "&#13;
a bad premise to begin with why do&#13;
you use it?&#13;
RICH: I don't say it', • bad&#13;
premise, I say what they're doi,. I&#13;
bad, it's poor. There's a difference&#13;
NEWSCOPE: The Rolling 5t"'"&#13;
are rock.&#13;
RICH: The Rolling Stones are \..,&#13;
hoods.&#13;
NEWSCOPE: Is Jesu' ()yQ&#13;
Superstar a legitimate album?&#13;
RICH: The only legitimate roc&gt;&#13;
bands in my mind would be BIooC&#13;
Sweat and T ears, and Chicago.&#13;
NEWSCOPE: Those are jazz","&#13;
groups.&#13;
RIC"': I wouldn't know about&#13;
I just say it's a rock group. The1&#13;
probably better musicians thafl&#13;
average rock band.&#13;
If people would just say I'm~&#13;
out to hear some music toni!llt&#13;
not say I'm going out to see"oct&#13;
. band a blues band or a soul twt , ' I&#13;
maybe there'd be .. bel&#13;
understanding between the aud.ero'&#13;
and the musicians themselves.&#13;
MADISON-Books and&#13;
--I"""&#13;
valued at more than $2.(0) II&#13;
accepted for The Uni,'er)ll~&#13;
Wisconsin-Parkside Library FrldJ'&#13;
the UW Board of Regents. S I~&#13;
Donors are Lloyd E. rnl&#13;
Franksville, who presented ~iu&lt;d&#13;
on a variety of sUbjeCIS a I&#13;
$1 725' Spencer L. Clope .1&#13;
M~nroe Ave. Racine, who II&#13;
six periodicai volumes in (ht&#13;
valued at $100; and PrO~fSlI'l&#13;
deVries Klein of the VOl&#13;
Illinois, Urbana, 111.,. whOj~;&#13;
issues of The Amen"n 55 tho&#13;
Science from January, 1:'40.&#13;
''"WEST'' SiDE&#13;
SWEET sHO&#13;
3200 60th st,&#13;
1~.,I&#13;
6COLOPSEER&#13;
7&#13;
9711 phon. 65 -&#13;
.,.&#13;
rRay fRarligarz ~&#13;
onJer/ul 9ood&#13;
MIKE DAVIS&#13;
SPEED CITY&#13;
Our Pri La, ..&#13;
7 7th AVE UE&#13;
KENOSH • ISCO SIN&#13;
Rich&#13;
(Continued fro pa2e 5)&#13;
there o said 'ah, man, that's a lot of&#13;
bullshit.' But that's their problem&#13;
again, not mine. If yo u please the most&#13;
people, that's what counts, not the&#13;
erriblv a ant garde because where are&#13;
the dt'&#13;
EWSCOPE: here are the avant&#13;
gard pc pie. . .as far as making&#13;
mone or ...&#13;
RICH: As far as mu sicianship.&#13;
EWSCOPE: Haven't they always&#13;
led the vay? hat d id Diz and Parker&#13;
do in the forties?&#13;
RICH: You call that avant garde?&#13;
E SCOPE: For that time it was.&#13;
RICH : ere you around that time?&#13;
atch it , because you 're talking to a&#13;
man that was ... so be careful , fella ,&#13;
at o . ·re saying. NE COPE: Ho come that wasn't&#13;
com IT'• re a y acceptable at that· t ime 1&#13;
RICH : Commercially acceptable?&#13;
Th only people I k now who were&#13;
commercially s ccessful are Guy&#13;
Lombar d o, T e r e sa Brewer and&#13;
L nee el .&#13;
NEWSCOPE: Who would you say is&#13;
nt g rde that isn't anywhere?&#13;
RICH: ost of them.&#13;
NEWSCOPE: en like Rashaan&#13;
Roland Kir ?&#13;
RICH : What about them? There's&#13;
nothing bout Roland Kirk that&#13;
impresses m • even though he's blind&#13;
Nhat's that supposed to mean?&#13;
EWSCOPE: hat about someone&#13;
h e Jusef Lateef or Sun Ra?&#13;
RICH: I kn him hen his name&#13;
was Jo ph Latif playing Birdland and&#13;
as loo ing for gigs playing tenor sax.&#13;
You vant to talk sense talk about&#13;
something you know ab t because I&#13;
kn~ these cats long time ago before&#13;
they put on their Indian garb and Afro&#13;
haircuts.&#13;
When you eliminate t he element of&#13;
time in jazz and forsake that just to&#13;
\ .. , • I I&#13;
VALEO'S&#13;
ALSO&#13;
PIZZA&#13;
KITCHEN&#13;
CHICK EH OIHHERS and&#13;
ITALIAH SAUSAGE BOMBERS&#13;
5021 30th Ave.&#13;
KENOSHA&#13;
657-5191&#13;
FREE DEl.lVERY 4:00 P.M . TO 12:00 P.M.&#13;
Open 6 Days.a Week From 4 p.m.&#13;
Closed Mondays&#13;
Where It Is Atl&#13;
.OAIL Y SPECIAl&#13;
9 A.M. TO 4 P.M.&#13;
A Bottle of&#13;
Ind I&#13;
STEAK,&#13;
BRAT or&#13;
BEEFBURGER&#13;
Alcoholic&#13;
Beverage&#13;
HAPPY HOUR&#13;
II&#13;
Is&#13;
Monday thru Friday 7 p.m. to a&#13;
PITCHERS $1.00 GLASS 20C&#13;
AYell.We Fw Partlea&#13;
'-cWlat ,,...,.,., -4 S..lty Partlea&#13;
Open Daily 9 A.M.-12 P.M.&#13;
1"t. BRAT-STOP&#13;
........ c.... ~~ ~ " ...... , •&#13;
p.m.&#13;
play notes in free form. that'_s not jazz,&#13;
that's practice. It's.not ~us1c . . ·:bean&#13;
hit a chord on a piano with my e ov;i&#13;
and call that avant garde. Yo~ wont&#13;
know the difference and I wont know&#13;
the difference. If you hit_ a bunch of&#13;
notes, what is it? Is it musical?&#13;
NEWSCOPE: Maybe to so~e ~eople&#13;
it is if it's a tonal thing, if it has&#13;
musical tone . .. RICH: Well. if you can't tell the&#13;
difference between in tune and out of&#13;
tune then everything is right to you ..&#13;
.because you're hip, you're avant&#13;
garde. I don't buy that.&#13;
NEWSCOPE: Then you don't think&#13;
Coltrane could play?&#13;
RICH: He could play some. I know&#13;
too many saxaphones that could run&#13;
him out of town .&#13;
NEWSCOPE: Who?&#13;
RICH: Stan Getz, Lester Young,&#13;
Byrd, any of thd_m . Lester Young&#13;
could not only swing you out of town&#13;
but he had so much melody in his&#13;
heart that he could make you cry. The&#13;
essence of a great jazz musician is to&#13;
have the ability to cover the full&#13;
spectrum of emotions. Unless you've&#13;
lived that kind of experience, you&#13;
can't play it. NEWSCOPE: What would you say&#13;
to people who call you a drum and&#13;
bugle style player?&#13;
RICH: I wouldn't say anything to&#13;
that because I think that when 1 'm&#13;
with the band I swing pretty good . I&#13;
have no feeli ngs for critics, they 're all&#13;
a bunch of stupid assholes anyhow. If&#13;
they could play they wouldn't write.&#13;
You can't say a guy can't play unless&#13;
yo u can play better. All critics are full&#13;
of shit . I don't know any good one,&#13;
and the leader of the bu nch is Leonard&#13;
Feather. Most people, particularly critics,&#13;
don't realize that jazz is a lifetime&#13;
th ing. You spend your life perfecting&#13;
the art. Anybody can be a classical&#13;
player because the music they've been&#13;
playing has been played by a thousand&#13;
musicians for the last five- hundred&#13;
years. But when you pl~y jazz you're&#13;
improvising with your body. your&#13;
mind , your soul and your life, if&#13;
you 're an honest musician.&#13;
You 're away from the people you&#13;
love and you alienate the people you&#13;
love, but you do that so one day,&#13;
when you go back, you can go back&#13;
with your head up. I don't mean to&#13;
romanticise, but it's not Pete Kelly's&#13;
blues . .. it 's hard work.&#13;
I think a lot of people in music&#13;
today cheat their audiences. You can&#13;
make a lot of hit records and then go&#13;
out in front of an audience and if you&#13;
don ' t have the facilities, echo&#13;
chambers, and e I ectronics and&#13;
everything all of a sudden it doesn't&#13;
sound the same. And if all you can&#13;
project to an audience is exactly what&#13;
you recorded and not do anything&#13;
other than th~ recording, yott're&#13;
cheating your -audience. We don't rely&#13;
on our records; we rely on the&#13;
musicianship of the band and the fact&#13;
that we enjoy what we're doing.&#13;
NEWSCOPE: How do you decide&#13;
when a musician is doing something&#13;
honestly?&#13;
RICH: When I see his lips bleed and&#13;
sweat 011 his face.&#13;
NEWSCOPE: You said you don't&#13;
think highly of Coltrane but the rest&#13;
of the jazz world thinks highly of him.&#13;
RICH: Do you know for a fact that&#13;
the rest of the jazz world feels that&#13;
way?&#13;
NEWSCOPE:&#13;
majority. would say the&#13;
RICH: I think it's wrong . I can&#13;
tell "."~en a man is honest. If I&#13;
oouldn t. I shouldn't be a band leader.&#13;
NEWSCOPE: Do you think the&#13;
Beatles are good musicians?&#13;
RICH: Are you kidding? I know a&#13;
cop on the corner of 42nd street that&#13;
pl~ys a better club than they play&#13;
9u1tar and drums. I think they write&#13;
very well but they're half-assed&#13;
Sunnyside Florists&#13;
&amp; Greenhouses&#13;
AC111111 - Fruit Baslitts _ Gifb&#13;
Phone: 6a4&#13;
VI and FRANK WEINSTOCK&#13;
3021 • 7!5TH ST .&#13;
KENOSHA. WISCONSIN !53140 -&#13;
musicians.&#13;
I was brought up with a 1&#13;
h Ot Of w o were total geniuses a d 9Uys&#13;
relate to what is consid~ edl ca '&#13;
today because I've heard all ;h Ill&#13;
When I hear a guy play guita e gr&#13;
tell me he's the greatest gu;t and&#13;
y_ou'.v~ heard and I've hear/J~&#13;
~hnst,an, I got to think about h ley&#13;
I've heard greatness in . 1. at.&#13;
form. There's no greatness ~t ~ tr&#13;
today. Every group you ~•ng&#13;
identical. In order to play whe:; IS&#13;
play you have to have a lot&#13;
talent than four-chord rock mu . ~e&#13;
I could ask any yo-ung rock m~C)aris&#13;
today to come and play with ,ny s~&#13;
md I guarantee he would ,&#13;
through the first three charts. n t&#13;
NEWSCOPE: Isn't rock b . four chords? as,ca&#13;
RICH: Rock is built on th&#13;
bar blues strain that was aroun~ ~ Lincoln was president. ...:for&#13;
NEWSCOPE: Do you think&#13;
legitimate? roe&#13;
RICH: Blues is legitimate.&#13;
NEWSCOPE: Rock is different&#13;
blues?&#13;
RICH: No it's not.&#13;
NEWSCOPE: Obviously YOU&#13;
play a blues record and a rock r&#13;
and tell the difference betwe n&#13;
two.&#13;
RICH: Why? Because the rh&#13;
section plays heavier. Y&#13;
NEWSCOPE: No, becaus •t's&#13;
different form .&#13;
RICH: Don't tell me about&#13;
man, they're playing the sam b&#13;
NEWSCOPE: Alright, so rod&#13;
different interpretation .&#13;
RICH: But rock is the blues m&#13;
is not a different interpretati~n&#13;
do you mean, manJ II the rh&#13;
section plays different, they&#13;
worse .&#13;
NEWSCOPE: But that's&#13;
interpretation of it.&#13;
RICH: Right, that's what I just&#13;
You want mediocrity you listen •&#13;
rock group.&#13;
NEWSCOPE: Why do you&#13;
rock tunes in your band7&#13;
RICH: Because we do it better&#13;
the rock bands, obviously.&#13;
NEWSCOPE: Well, if you thi&#13;
a bad premise to begin with wh&#13;
you use it?&#13;
RICH: I don't say it's a&#13;
premise, I say what they're do111g 1&#13;
bad, it's poor. There's a difference&#13;
NEWSCOPE: The Rolling S&#13;
are rock.&#13;
RICH: The Rolling Stones are&#13;
hoods.&#13;
N EWSCOPE: Is Jesus 01&#13;
Superstar a legitimate album7&#13;
RICH: The only legitimate r&#13;
bands in my mind would be 6&#13;
Sweat and Tears, and Chicago.&#13;
NEWSCOPE: Those are jazz&#13;
groups.&#13;
RICH: I wouldn't know about&#13;
I just say it's a rock group .&#13;
probably better musicians than&#13;
average rock band .&#13;
If people would just say I'm&#13;
out to hear some music tonig!:'&#13;
not sav I'm going out to see a · band, a blues band, or a soul&#13;
maybe there'd be a bet&#13;
understanding between the aud&#13;
and the musicians ~&#13;
themselves&#13;
MADISON- Books and ~r&#13;
valued at more than S~ .000&#13;
accepted for The Uniler t)&#13;
Wisconsin-Parkside Library Fr&#13;
the UW Board of Regents&#13;
Donors are Lloyd E. Franksville who presented&#13;
on a vari;ty of subject \&#13;
$1,725 ; Spencer L Clop(&#13;
Monroe Ave ., Racine, who P.•&#13;
six periodical volume in fche&#13;
valued at $100 ; and ~ro ·&#13;
deVries Klein of the Uni\ r&#13;
Illinois, Urbana , Ill., whoJ~&#13;
issues of The Amencan 5&#13;
Science from January. 19;&#13;
January, 1970. valued 31 -&#13;
WEST SIDf&#13;
SWEET sHOr&#13;
3200 60th St, 7 0 I&#13;
&#13;
</text>
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              <text>Parkside's Newscope, Volume 3, Issue 8, March 22, 1971</text>
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              <text>Student newspaper of the University of Wisconsin-Parkside, Kenosha, Wis.</text>
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              <text>1971-03-22</text>
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          <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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            <elementText elementTextId="61814">
              <text>Kenosha, Wisconsin</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="51">
          <name>Type</name>
          <description>The nature or genre of the resource</description>
          <elementTextContainer>
            <elementText elementTextId="61815">
              <text>Text</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="45">
          <name>Publisher</name>
          <description>An entity responsible for making the resource available</description>
          <elementTextContainer>
            <elementText elementTextId="61816">
              <text>University of Wisconsin-Parkside</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="47">
          <name>Rights</name>
          <description>Information about rights held in and over the resource</description>
          <elementTextContainer>
            <elementText elementTextId="61817">
              <text>The Board of Regents of the University Wisconsin System</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </elementSet>
  </elementSetContainer>
</item>
